Video by PerryDuke; Come to Dust at Gagosian Grosvenor Hill, London, January 24–March 17, 2018
March 6, 2018
Gagosian Quarterly Talks
glenn brown and xavier bray
Glenn Brown and Xavier Bray, the director of the Wallace Collection, discuss Brown’s newest exhibition, Come to Dust. Touching on everything from the politics of taste to the vibratory character of lines, the talk provides a fascinating glimpse into the process behind these new paintings, drawings, and sculptures.
Visions of the Self: Jenny Saville on Rembrandt
Jenny Saville reveals the process behind her new self-portrait, painted in response to Rembrandt’s masterpiece Self-Portrait with Two Circles.
With preparations underway for an exhibition in London, Glenn Brown sat down with author Hari Kunzru to discuss the process behind Brown’s artmaking, the idea of the copy, and surprising overlaps between creating visual and literary works.
Gagosian Quarterly Spring 2018
The Spring 2018 Gagosian Quarterly with a cover by Ed Ruscha is now available for order.
Glenn Brown Rembrandt: After Life
In this short film, Glenn Brown demonstrates his process in creating the works for an exhibition at the Rembrandt House Museum, Amsterdam.
Lawrence Weiner, Glenn Fuhrman, and Sarah Douglas
Artist Lawrence Weiner talks with Glenn Fuhrman, founder of the FLAG Art Foundation, New York, and Sarah Douglas, editor in chief of Artnews, about his art, the kindness of strangers, changing the world through culture, and more.
From Mortal Bodies to Immortal Crowds
Two immersive installations by Taryn Simon presented at MASS MoCA in 2018–19 examined the rituals of cold-water plunges and applause. Text by Angela Brown.
Jonas Wood: Prints
On the occasion of Jonas Wood’s first survey of prints, the artist spoke about the development of his printmaking practice and its influence on his paintings with legendary Los Angeles–based printmaker Jacob Samuel.
Who is choreographing whom?
PLAY, currently on view at Gagosian on West 21st Street in New York, is a work by Urs Fischer in which nine office chairs move through the gallery and interact with visitors. Artist and choreographer Madeline Hollander worked with Fischer and a team of programmers and animators to create various gestures, movements, and behavior sequences for the chairs. Gagosian’s Angela Brown sat down to talk with Hollander about this process.
Y.Z. Kami: Behind the Vanishing Point
Blaise Pascal, the seventeenth-century mathematician and philosopher, served as a crucial inspiration for Y.Z. Kami’s newest body of work. Angela Brown examines Pascal’s ideas and their relevance to these portraits and Dome paintings.
Katrina Brown discusses the importance of Douglas Gordon’s 24 Hour Psycho (1993) and some of the films that followed, touching on threads that run throughout the artist’s career.
People Are Beautiful
An exhibition at Vassar College brings together almost one hundred works by Andy Warhol that highlight the methods and aesthetics of the artist’s portraiture.
Alexander Wolf discusses the recurring themes and symbols that have emerged throughout Robert Therrien’s artistic career.