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Gagosian Quarterly

March 6, 2018

Gagosian Quarterly Talks

glenn brown and xavier bray

Glenn Brown and Xavier Bray, the director of the Wallace Collection, discuss Brown’s newest exhibition, Come to Dust. Touching on everything from the politics of taste to the vibratory character of lines, the talk provides a fascinating glimpse into the process behind these new paintings, drawings, and sculptures.

Video by PerryDuke; Come to Dust at Gagosian Grosvenor Hill, London, January 24–March 17, 2018

Still from video Visions of the Self: Jenny Saville on Rembrandt

Visions of the Self: Jenny Saville on Rembrandt

Jenny Saville reveals the process behind her new self-portrait, painted in response to Rembrandt’s masterpiece Self-Portrait with Two Circles.

Glenn Brown

Glenn Brown

With preparations underway for an exhibition in London, Glenn Brown sat down with author Hari Kunzru to discuss the process behind Brown’s artmaking, the idea of the copy, and surprising overlaps between creating visual and literary works.

Gagosian Quarterly Spring 2018

Gagosian Quarterly Spring 2018

The Spring 2018 Gagosian Quarterly with a cover by Ed Ruscha is now available for order.

Glenn Brown Rembrandt: After Life

Glenn Brown Rembrandt: After Life

In this short film, Glenn Brown demonstrates his process in creating the works for an exhibition at the Rembrandt House Museum, Amsterdam.

Before the Smoke Has Cleared

Before the Smoke Has Cleared

Angela Brown provides a glimpse into the charged ecologies of recent drawings and sculptures by Tatiana Trouvé. These works will be included in On the Eve of Never Leaving, Trouvé’s first solo exhibition in Los Angeles, opening in November 2019.

Nathaniel Mary Quinn, Brooklyn, New York, 2019.

Nathaniel Mary Quinn

Anderson Cooper spoke with the artist at his Brooklyn studio about his childhood and the visionary nature of his art.

Nina Simone at the Globe Jazz festival at Symphony Hall, Boston, March 20, 1986.

Nina Simone, Our National Treasure

Text by Salamishah Tillet.

Helen Frankenthaler, Riverhead, 1963 (detail).

Frankenthaler

On the occasion of the exhibition Pittura/Panorama: Paintings by Helen Frankenthaler, 1952–1992, at the Museo di Palazzo Grimani in Venice, Italy, art historians John Elderfield and Pepe Karmel discuss the concept of the panorama in relation to the artist’s work. Their conversation traces developments in Frankenthaler’s approach to composition, the boundaries and conventions of abstraction, and how, in many ways, her career continually challenged established theories of art history.

Glenn Fuhrman and Lawrence Weiner at the Gagosian Shop, New York, speaking onstage with Sarah Douglas.

In Conversation
Lawrence Weiner, Glenn Fuhrman, and Sarah Douglas

Artist Lawrence Weiner talks with Glenn Fuhrman, founder of the FLAG Art Foundation, New York, and Sarah Douglas, editor in chief of Artnews, about his art, the kindness of strangers, changing the world through culture, and more.

Anselm Kiefer, Maginot, 1977–93.

Veil and Vault

An exhibition at the Broad in Los Angeles prompts James Lawrence to examine how artists give shape and meaning to the passage of time, and how the passage of time shapes our evolving accounts of art.

Richard Prince, Untitled, 2016–18.

Richard Prince

Text by Richard Hell.

Baselitz: Devotion

Baselitz: Devotion

Georg Baselitz speaks with Sir Norman Rosenthal on the subject of his latest work. The two discuss these paintings, all depictions of self-portraits by artists from the past and present, and what it means to pay homage.