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Gagosian Quarterly

March 6, 2018

Gagosian Quarterly Talks

glenn brown and xavier bray

Glenn Brown and Xavier Bray, the director of the Wallace Collection, discuss Brown’s newest exhibition, Come to Dust. Touching on everything from the politics of taste to the vibratory character of lines, the talk provides a fascinating glimpse into the process behind these new paintings, drawings, and sculptures.

Video by PerryDuke; Come to Dust at Gagosian Grosvenor Hill, London, January 24–March 17, 2018

Still from video Visions of the Self: Jenny Saville on Rembrandt

Visions of the Self: Jenny Saville on Rembrandt

Jenny Saville reveals the process behind her new self-portrait, painted in response to Rembrandt’s masterpiece Self-Portrait with Two Circles.

Glenn Brown

Glenn Brown

With preparations underway for an exhibition in London, Glenn Brown sat down with author Hari Kunzru to discuss the process behind Brown’s artmaking, the idea of the copy, and surprising overlaps between creating visual and literary works.

Gagosian Quarterly Spring 2018

Gagosian Quarterly Spring 2018

The Spring 2018 Gagosian Quarterly with a cover by Ed Ruscha is now available for order.

Glenn Brown Rembrandt: After Life

Glenn Brown Rembrandt: After Life

In this short film, Glenn Brown demonstrates his process in creating the works for an exhibition at the Rembrandt House Museum, Amsterdam.

Glenn Fuhrman and Lawrence Weiner at the Gagosian Shop, New York, speaking onstage with Sarah Douglas.

In Conversation
Lawrence Weiner, Glenn Fuhrman, and Sarah Douglas

Artist Lawrence Weiner talks with Glenn Fuhrman, founder of the FLAG Art Foundation, New York, and Sarah Douglas, editor in chief of Artnews, about his art, the kindness of strangers, changing the world through culture, and more.

From Mortal Bodies to Immortal Crowds

From Mortal Bodies to Immortal Crowds

Two immersive installations by Taryn Simon presented at MASS MoCA in 2018–19 examined the rituals of cold-water plunges and applause. Text by Angela Brown.

Jonas Wood: Prints

In Conversation
Jonas Wood: Prints

On the occasion of Jonas Wood’s first survey of prints, the artist spoke about the development of his printmaking practice and its influence on his paintings with legendary Los Angeles–based printmaker Jacob Samuel.

Who is choreographing whom?

Who is choreographing whom?

PLAY, currently on view at Gagosian on West 21st Street in New York, is a work by Urs Fischer in which nine office chairs move through the gallery and interact with visitors. Artist and choreographer Madeline Hollander worked with Fischer and a team of programmers and animators to create various gestures, movements, and behavior sequences for the chairs. Gagosian’s Angela Brown sat down to talk with Hollander about this process.

Y.Z. Kami: Behind the Vanishing Point

Y.Z. Kami: Behind the Vanishing Point

Blaise Pascal, the seventeenth-century mathematician and philosopher, served as a crucial inspiration for Y.Z. Kami’s newest body of work. Angela Brown examines Pascal’s ideas and their relevance to these portraits and Dome paintings.

Douglas Gordon

Douglas Gordon

Katrina Brown discusses the importance of Douglas Gordon’s 24 Hour Psycho (1993) and some of the films that followed, touching on threads that run throughout the artist’s career.

People Are Beautiful

People Are Beautiful

An exhibition at Vassar College brings together almost one hundred works by Andy Warhol that highlight the methods and aesthetics of the artist’s portraiture.

Bob’s World

Bob’s World

Alexander Wolf discusses the recurring themes and symbols that have emerged throughout Robert Therrien’s artistic career.