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Gagosian Quarterly

February 27, 2018

Gagosian Quarterly Talks

exiles in paradise

In this installment of Gagosian Quarterly Talks, author Lawrence Weschler examines the coterie of European exiles in Los Angeles during the 1930s and ’40s. From Man Ray to Arnold Schoenberg, Weschler details how the dramatic change in setting affected the lives of these cultural visionaries.

Artwork © Man Ray Trust/Artists Rights Society (ARS)/ADAGP, Paris 2018; Directed by Aaron Farley; Second camera by Pablo Velasquez; Sound by Aaron Beckum; Additional images courtesy Lawrence Weschler; Man Ray’s LA, Gagosian Beverly Hills, California, January 11–February 17, 2018

Andrea Domenico Remps, Cabinet of Curiosities, c. 1690, oil on canvas, 39 × 54 inches (99 × 137 cm), Opificio delle Pietre Dure, Florence, Italy.

For Sale: Baby Shoes. Never Worn.

Sydney Stutterheim meditates on the power and possibilities of small-format artworks throughout time.

The cover of the Spring 2020 edition of the Gagosian Quarterly magazine. A Cindy Sherman photograph of herself dressed as a clown against a rainbow background.

Now available
Gagosian Quarterly Spring 2020

The Spring 2020 issue of Gagosian Quarterly is now available, featuring Cindy Sherman’s Untitled #412 (2003) on its cover.

Vertical film strips from Man Ray's films.

The Films of Man Ray: Mysterious Encounters of Realities and Dreams

Timothy Baum muses on Man Ray’s foray into filmmaking in the 1920s, the subject of the exhibition Man Ray: The Mysteries of Château du Dé at Gagosian, San Francisco. 

Cover of the Winter 2019 Gagosian Quarterly, featuring a selection from a black-and-white Christopher Wool photograph

Now available
Gagosian Quarterly Winter 2019

The Winter 2019 issue of Gagosian Quarterly is now available, featuring a selection from Christopher Wool’s Westtexaspsychosculpture series on its cover.

Man Ray: Visual Poet and Wit

Man Ray: Visual Poet and Wit

At the 2018 Frieze Masters fair in London, Gagosian’s stand presented more than ninety works by Man Ray: objects and assemblages, collages, oils, prints, drawings, and photographs. Richard Calvocoressi traces the development of the artist’s wide-ranging work and looks at his legendary three-year collaboration with Lee Miller.

Man Ray’s LA

Man Ray’s LA

Timothy Baum explores this period of transition in response to an exhibition of Man Ray’s vintage gelatin silver photographs from his “Hollywood” period.

Gagosian Quarterly Spring 2018

Gagosian Quarterly Spring 2018

The Spring 2018 Gagosian Quarterly with a cover by Ed Ruscha is now available for order.

Art and Food

Art and Food

Mary Ann Caws and Charles Stuckey discuss the presence of food and the dining table in the history of modern art.

Man Ray

Man Ray

In the early 1980s, Ira Nowinski visited a studio frozen in time.

Sprayed: An Interview with Peter Stevens

Sprayed: An Interview with Peter Stevens

Harnessing the gestural, unpredictable, projectile qualities of spray paint, artists have repurposed it as an alternative to the brush, to create hazy textures, drips, puddles, and graffiti-like text. Peter Stevens discusses this history of spray paint as an artistic medium with Alison McDonald.

Jerry Schatzberg, Self Portrait in the Mirror, Trinidad, 1964.

The Center of the Storm

Carlos Valladares writes on filmmaker and photographer Jerry Schatzberg’s prolific career.

Before the Smoke Has Cleared

Before the Smoke Has Cleared

Angela Brown provides a glimpse into the charged ecologies of recent drawings and sculptures by Tatiana Trouvé. These works will be included in On the Eve of Never Leaving, Trouvé’s first solo exhibition in Los Angeles, opening in November 2019.