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Gagosian Quarterly

June 19, 2019

Behind the Art

setsuko: into the trees

Setsuko takes Jean-Olivier Després on a tour of her exhibition of terra-cotta and enameled ceramics in Paris, explaining her passion for trees and describing her approach to painting.

Artwork © Setsuko; video: Pushpin Films; camera: Hervé Penhoat; interview: Jean-Olivier Després; Setsuko: Into the Trees, Gagosian, Paris, April 11–June 1, 2019

Jordan Wolfson’s House with Face (2017) on the cover of Gagosian Quarterly, Fall 2022

Now available
Gagosian Quarterly Fall 2022

The Fall 2022 issue of Gagosian Quarterly is now available, featuring Jordan Wolfson’s House with Face (2017) on its cover.

Y.Z. Kami, Night Painting I (for William Blake), 2017–18, oil on linen, 99 × 99 inches (251.5 × 251.5 cm) © Y.Z. Kami. Photo: Rob McKeever

In Conversation
Setsuko and Y.Z. Kami

The artists address their shared ardor for poetry, the surfaces of painting, and nature.

Setsuko standing in front of one of her decorative ceramic pieces in the Musée national des châteaux de Malmaison et Bois-Préau, Rueil-Malmaison, France

Regards de Setsuko

Join Setsuko on a tour of her exhibition at the Musée national des châteaux de Malmaison et Bois-Préau in Rueil-Malmaison, France, the former residence of Empress Joséphine. The video brings together the artist; Isabelle Tamisier-Vétois, chief curator, and Élisabeth Caude, director, Musée national des châteaux de Malmaison et Bois-Préau; and Benoît Astier de Villatte, cofounder of the atelier Astier de Villatte, Paris. They discuss the origins and development of the project, which is designed as a dialogue between Setsuko’s work and the decorative ceramics held in the museum’s collection.

Setsuko in front of the Grand Chalet de Rossinière in Switzerland where she lives and works.

The Grand Chalet: An interview with Setsuko

On the twentieth anniversary of Balthus’s death, Setsuko gives an intimate tour of the Grand Chalet and reflects on how the 1754 Swiss mountain home enriched their lives as artists.

Augurs of Spring

Augurs of Spring

As spring approaches in the Northern Hemisphere, Sydney Stutterheim reflects on the iconography and symbolism of the season in art both past and present.

Setsuko, Paris, 2019

Work in Progress
Setsuko

Setsuko Klossowska de Rola and Benoît Astier de Villatte, of the Astier de Villatte atelier in Paris, first met at the Académie de France in Rome’s Villa Medici, where Setsuko lived when her late husband, the painter Balthus, was the school’s director. Here they discuss Setsuko’s newest body of terra-cotta works, produced at Astier de Villatte, with Gagosian’s Elsa Favreau.

The cover of the Fall 2019 Gagosian Quarterly magazine. Artwork by Nathaniel Mary Quinn

Now available
Gagosian Quarterly Fall 2019

The Fall 2019 issue of Gagosian Quarterly is now available, featuring a detail from Sinking (2019) by Nathaniel Mary Quinn on its cover.

A Foreigner Called Picasso

Behind the Art
A Foreigner Called Picasso

Join president of the Picasso Museum, Paris, Cécile Debray; curator, writer, biographer, and historian Annie Cohen-Solal; art historian Vérane Tasseau; and Gagosian director Serena Cattaneo Adorno as they discuss A Foreigner Called Picasso. Organized in association with the Musée national Picasso–Paris and the Palais de la Porte Dorée–Musée national de l’histoire de l’immigration, Paris, the exhibition reframes our perception of Picasso and focuses on his status as a permanent foreigner in France.

Louise Bonnet working in her studio on a new painting

Behind the Art
Louise Bonnet: Onslaught

Join Louise Bonnet in her Los Angeles studio as she works on new paintings ahead of her exhibition Onslaught, at Gagosian, Hong Kong.

Alexander Calder, Flying Dragon, 1975, installation view, Place Vendôme, Paris © 2021 Calder Foundation, New York/Artists Rights Society (ARS), New York. Photo: Thomas Lannes

Behind the Art
Alexander Calder: Flying Dragon

In this video, Gagosian director Serena Cattaneo Adorno celebrates the installation of Alexander Calder’s monumental sculpture Flying Dragon (1975) at Place Vendôme in Paris, detailing the process and importance of this ambitious project.

Still from "Hao Liang: Poetics of Li Shangyin"

Behind the Art
Hao Liang: Poetics of Li Shangyin

Join Hao Liang in his Beijing studio as he discusses the inspiration behind his latest series of paintings, rendered in ink and color on silk. Evoking the tradition of literati painting, the three works picture imagery conceived in response to passages of poetry by the ninth-century poet Li Shangyin.

Still from video, featuring artwork by Jonas Wood

Behind the Art
Jonas Wood in Hong Kong

Join Jonas Wood on a virtual tour through the creation of his first solo exhibition in Hong Kong. Wood narrates the genesis and development of the new paintings, drawings, and wallpaper.