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Gagosian Quarterly

May 5, 2020

Behind the Art

donald judd: Exhibition tour

In this video, Flavin Judd, the artist’s son and artistic director of Judd Foundation, leads a walkthrough of the exhibition Donald Judd: Artwork: 1980 at Gagosian, West 21st Street, New York. Flavin connects the work to the concurrent retrospective at the Museum of Modern Art, New York, and the permanent installations in Marfa, Texas, highlighting how it fits within Judd’s oeuvre.

Donald Judd: Artwork: 1980, Gagosian, West 21st Street, New York, March 12–July 11, 2020; artwork © 2020 Judd Foundation/Artists Rights Society (ARS), New York; video: Pushpin Films

A detail of Donald Judd's 1980 untitled artwork

Donald Judd: Artwork: 1980

Flavin Judd, the artist’s son and artistic director of the Judd Foundation, speaks with Kara Vander Weg about the recent installation of the sculptor’s eighty-foot-long plywood work from 1980 at Gagosian, New York.

Featuring Joan Jonas’s Mirror Piece 1 (1969) on its cover.

Now available
Gagosian Quarterly Summer 2020

The Summer 2020 issue of Gagosian Quarterly is now available, featuring Joan Jonas’s Mirror Piece 1 (1969) on its cover.

Mark Grotjahn: Capri

Mark Grotjahn: Capri

Mark Grotjahn speaks to Sam Orlofsky about the stories and processes behind his Capri series, on the occasion of his exhibition New Capri, Capri, Free Capri in New York.

Video still of Dan Colen seated onstage with Hans Ulrich Obrist.

In Conversation
Dan Colen with Hans Ulrich Obrist

Against the backdrop of his survey exhibition Sweet Liberty, Dan Colen speaks about his work with Hans Ulrich Obrist, starting with his earliest interest in art and continuing up to the recent Desert paintings (2015–19).

Georg Baselitz and Zeng Fanzhi. Portraits of both artists in black-and-white.

Artist to Artist: Georg Baselitz and Zeng Fanzhi

On the occasion of Georg Baselitz: Years later at Gagosian, Hong Kong, Zeng Fanzhi composed a written foreword for the exhibition’s catalogue and a video message to the German painter. Baselitz wrote a letter of thanks to the Chinese artist for his insightful thoughts.

Willem de Kooning seated at Sidney Janis Gallery, 1959. Color photograph

There is Woman in the Landscapes: Willem de Kooning from 1959 to 1963

Lauren Mahony considers a critical four-year period in the painter’s career, examining the technical changes that occurred between his “abstract parkway landscapes” of the late 1950s and the “pastoral landscapes” that succeeded them, as well as the impact on his work of his impending move to Springs, New York.

Georg Baselitz working on a painting in his studio.

Georg Baselitz: What if...

Richard Calvocoressi narrates a tour of an exhibition of new paintings by Georg Baselitz in San Francisco, describing the visual effect of these luminous compositions and explaining their relationship to earlier works by the artist.

Installation view, "Katharina Grosse: Is It You?," Baltimore Museum of Art, March 1–June 28, 2020.

Katharina Grosse: The Movement Comes from Outside

Katharina Grosse discusses her exhibition Is It You? at the Baltimore Museum of Art with Gagosian’s Jona Lueddeckens. They consider what sets the Baltimore installation apart from its predecessors, and how Grosse sees the relationship of the human body to her immersive environments as opposed to her canvases.

Installation view, Katharina Grosse: Is It You?, Baltimore Museum of Art, March 1–June 28, 2020

Katharina Grosse: I see what she did there

On the occasion of the artist’s exhibition at the Baltimore Museum of Art, Terry R. Myers muses on the manipulations of time in Grosse’s work.

Still from the film "Women Artists: Katharina Grosse" by Claudia Müller.

Women Artists: Katharina Grosse

In this film by Claudia Müller, Katharina Grosse curates a virtual exhibition of works by ten female artists, including Valie Export, Isa Genzken, Emily Kame Kngwarreye, Wangechi Mutu, and others. Speaking about each artist’s practice, she explains what draws her to the selected works, which range from painting and sculpture to performance video and installation.

Titus Kaphar in his studio, painting

Titus Kaphar: In the Studio

Jacoba Urist reports on a recent trip to the artist’s studio in New Haven, Connecticut, to see his new body of work, From a Tropical Space (2019–). She writes on the emotional and sensory impact of these paintings and considers their singular place in Titus Kaphar’s oeuvre.

Roe Ethridge, Oslo Grace at Willets Point, 2019, dye sublimation print on aluminum.

In Conversation
Roe Ethridge and Antwaun Sargent

From his early work for magazines in the 1990s to recent projects with the designer Telfar Clemens, Roe Ethridge has consistently challenged the distinctions between commercial and conceptual photography that long defined the medium. Antwaun Sargent recently caught up with him to discuss the moment that confirmed the artist’s understanding of the photographic image’s potential for boundary-hopping ubiquity in the contemporary era.