Video: John Dennis (director), Pushpin Films (editing)
November 23, 2020
NXTHVN is a new national arts model that empowers emerging artists and curators of color through education and access. Through intergenerational mentorship, professional development, and cross-sector collaboration, NXTHVN accelerates professional careers in the arts. Join Titus Kaphar and Jason Price on a tour of the organization’s headquarters in New Haven, Connecticut. They discuss the founding and vision for this singular arts space.
Titus Kaphar: From a Tropical Space
Join the artist in his studio in New Haven, Connecticut, where he speaks about his latest paintings.
Titus Kaphar: Can Beauty Open Our Hearts to Difficult Conversations?
In this TED talk, presented during the sweeping protests against racism and police violence following the killing of George Floyd, Titus Kaphar describes how the beauty of a painting can draw the viewer in and allow difficult conversations to emerge. Kaphar discusses his own work and shares the idea behind NXTHVN, a new national arts model he founded to empower artists of color through education and access.
Seeing the Child: Braiding possibility
Titus Kaphar and Tochi Onyebuchi present an excerpt from their short story “Seeing the Child,” a poetic rumination on Kaphar’s latest body of work, From a Tropical Space (2019–).
Titus Kaphar: In the Studio
Jacoba Urist reports on a recent trip to the artist’s studio in New Haven, Connecticut, to see his new body of work, From a Tropical Space (2019–). She writes on the emotional and sensory impact of these paintings and considers their singular place in Titus Kaphar’s oeuvre.
Titus Kaphar: Intricate Illusion
Bridget R. Cooks investigates the aesthetic and narrative conventions deployed by the artist, demonstrating how his paintings force provocative confrontations with history through complex modes of depiction.
Titus Kaphar: Can Art Amend History?
Join Titus Kaphar as he talks about making paintings and sculptures that wrestle with the struggles of the past while speaking to the diversity and advances of the present. Working onstage, he points to the narratives coded in the language of art history as he creates a new painting, demonstrating how shifting our focus can prompt us to ask questions and confront unspoken truths.
Behind the Art
Tatiana Trouvé: In the Studio
Join the artist in her studio as she speaks about her new series of drawings, From March to May. Trouvé describes the genesis of the project and the essential role its creation played in keeping her connected with the outside world during the difficult months of pandemic-related lockdown.
Nancy Rubins and Eric Shiner
The pair discuss Nancy Rubins’s unique approach to sculpture, in which industrial and found objects—such as television sets, airplane parts, and carousel animals—are transformed into engineered abstractions that are at once otherworldly and familiar.
Social Works: The Archives of Frankie Knuckles Organized by Theaster Gates
Theaster Gates, steward of the Frankie Knuckles record collection, is engaging with the late DJ and musician’s archive of records, ephemera, and personal effects. For the Quarterly’s “Social Works” supplement, guest edited by Antwaun Sargent, Gates presents a selection of Knuckles’s personal record collection. Chantala Kommanivanh, a Chicago-based artist, educator, and musician—and the records manager for Rebuild Foundation, Chicago—provides annotations, contextualizing these records’ importance and unique qualities. Ron Trent, a dear friend of Knuckles’s, speaks to the legacy evinced by these materials.
Taryn Simon: An Occupation of Loss
In Taryn Simon’s performance work An Occupation of Loss (2016), professional mourners enact rituals of grief, simultaneously broadcasting their lamentations from within a sculptural installation. This video by filmmaker Boris B. Bertram documents the April 2018 performance of this work with Artangel in Islington, London.
Notes on Social Works
Antwaun Sargent presents a collection of thoughts and images, gathered from conversations with artists, curators, architects, and educators, as well as essays, social media, and the news, that inform the exhibition Social Works. The essay serves as an introduction to the corresponding supplement guest edited by Sargent for the Summer 2021 issue of the Quarterly.
Social Works: Sir David Adjaye OBE
David Adjaye speaks with Antwaun Sargent about Asaase, a new sculpture included in the exhibition Social Works.