Works Exhibited

About

Gagosian is pleased to present an exhibition by Chris Burden.

Burden’s Three Ghost Ships is a trio of actual sailboats fitted with solar panels, electronic gear, and global satellite hookups for unmanned navigation. The artist intended these seemingly innocent vessels to carry a small amount of tea as they sail in unison from Charleston, South Carolina, and appear miraculously in the harbor of Plymouth, England.

Burden carefully selected the sites: The Mayflower embarked from Plymouth, and Charleston is home to major US air, naval, and Polaris submarine bases. The artist also invokes the Boston Tea Party, as well as Christopher Columbus’s own triad of vessels. There is, however, a sinister underside. Could these three electronic pleasure crafts be used to anonymously transport dangerous cargo? Three Ghost Ships epitomizes Burden’s masterful fusion of real machinery and complex metaphor.

In the Gagosian installation, the computer within one of the Ghost Ships will be programmed to periodically unfurl the boat’s sail, pivot its rudder, and simulate the mechanisms of automatic navigation.

The exhibition will be accompanied by a selection of Burden’s Small Guns, elegant groupings of toy instruments of war and domination, including metal soldiers, plastic hand grenades, simulated bombs, and two pairs of Chinese foot-binding slippers.

American Artist, Yayoi Shionoiri, and Sydney Stutterheim on Poetic Practical: The Unrealized Work of Chris Burden

In Conversation
American Artist, Yayoi Shionoiri, and Sydney Stutterheim on Poetic Practical: The Unrealized Work of Chris Burden

Join Gagosian to celebrate the publication of Poetic Practical: The Unrealized Work of Chris Burden with a conversation between American Artist, Yayoi Shionoiri, and Sydney Stutterheim presented at the Kitchen, New York. Considering the book’s sustained examination of sixty-seven projects that remained incomplete at the time of Burden’s death in 2015, the trio discuss the various ways that an artist’s work and legacy live on beyond their lifetime.

Chris Burden: Prelude to a Lost Performance

At the Edge
Chris Burden: Prelude to a Lost Performance

Michael Auping tells the Quarterly’s Alison McDonald about the preparations for a performance by Chris Burden at the Newport Harbor Art Museum in Southern California in 1974—and the event’s abrupt cancellation—providing a glimpse into the mindset of a young, aggressive, and ambitious artist in the early stages of his career.

Gagosian Quarterly Summer 2022

Now available
Gagosian Quarterly Summer 2022

The Summer 2022 issue of Gagosian Quarterly is now available, with two different covers—featuring Takashi Murakami’s 108 Bonnō MURAKAMI.FLOWERS (2022) and Andreas Gursky’s V & R II (2022).

Chris Burden: Poetic Practical

Chris Burden: Poetic Practical

A new publication exploring the work that Chris Burden conceived but left unrealized delves into his archive to present sixty-seven visionary projects that reveal the aspirations of this formidable artist. The book’s editors, Sydney Stutterheim and Andie Trainer, discuss its development with Yayoi Shionoiri, executive director of the Chris Burden Estate.

Chris Burden: Big Wrench

Gagosian Quarterly Films
Chris Burden: Big Wrench

From January 23 to February 21, 2019, Gagosian Quarterly presented a special online screening of Chris Burden’s 1980 video Big Wrench.

Big Wrench

Big Wrench

Sydney Stutterheim looks at the brief but feverish obsession behind this 1980 video by Chris Burden.

Deluxe Photo Book

Deluxe Photo Book

Sydney Stutterheim discusses Chris Burden’s Deluxe Photo Book 1971–73 on the occasion of its inclusion in About Photography at Gagosian San Francisco.

Urban Light: A Ten Year Anniversary

Urban Light: A Ten Year Anniversary

Ten years ago LACMA premiered Chris Burden’s Urban Light, which has since become an iconic landmark for the city of Los Angeles. To celebrate the anniversary, we look back to 2008 with a conversation between Chris Burden and Michael Govan, director of LACMA.

Burden

Spotlight
Burden

The story behind Chris Burden’s Buddha’s Fingers (2014–15) and its connection to all of his streetlamp installations. Text by Sydney Stutterheim.

Burden’s Airship Takes Flight

Burden’s Airship Takes Flight

Sydney Stutterheim investigates Chris Burden’s Ode to Santos-Dumont (2015) as the work takes flight during Art Basel Unlimited 2017.

Cover of the book Poetic Practical: The Unrealized Work of Chris Burden

Poetic Practical: The Unrealized Work of Chris Burden

$120
Cover of the book Chris Burden: Streetlamps

Chris Burden: Streetlamps

$100
Cover of the Spring 2022 issue of Gagosian Quarterly magazine, featuring artwork by Maurizio Cattelan

Gagosian Quarterly: Spring 2022 Issue

$20
Cover of the Fall 2021 issue of Gagosian Quarterly magazine, featuring artwork by Damien Hirst

Gagosian Quarterly: Fall 2021 Issue

$20
Cover of the Spring 2019 issue of Gagosian Quarterly magazine, featuring artwork by Jonas Wood

Gagosian Quarterly: Spring 2019 Issue

$20
Cover of the Fall 2017 issue of Gagosian Quarterly magazine, featuring artwork by John Currin

Gagosian Quarterly: Fall 2017 Issue

$20
Cover of the Summer 2022 issue of Gagosian Quarterly magazine, featuring artwork by Takashi Murakami

Gagosian Quarterly: Summer 2022 Issue

$20
Cover of the book Haunted Realism

Haunted Realism

$120
Cover of the Summer 2018 issue of Gagosian Quarterly magazine, featuring artwork by Andreas Gursky

Gagosian Quarterly: Summer 2018 Issue

$20