
Now available
Gagosian Quarterly Summer 2026
The Summer 2026 issue of Gagosian Quarterly is now available, featuring Ellen Gallagher’s Fast-Fish and Loose-Fish (2026) on the cover.
In the presence of these tableaux we are denied both the privacy of contemplating a representation and the intimacy of participating in a real encounter. As a consequence we find Beecroft’s women, at once more present to us and less accessible than we would wish – as unavailable to our understanding as they are available to our gaze. Our anxiety, then, does not arise from the fact that naked women are near to us, but from the unbridgeable, yet ill-defined distance between ourselves and them. It is not the anxiety of desire, but the anxiety of displacement.
—Dave Hickey, Vanessa Beecroft’s Painted Ladies, VB08-36 (published by Hatje Cantz, 2000)
Gagosian Gallery is pleased to announce VB46 a new performance by Vanessa Beecroft. VB46 will be Beecroft’s first performance in Los Angeles. VB46 is the second performance with Gagosian Gallery; the first, VB43 inaugurated the London Gagosian Gallery space in May 2000.
The primary material in Vanessa Beecroft’s work is the live figure, which remains ephemeral, separate and unmediated by any device we normally accept as artform, such as painting or sculpture. Beecroft’s concepts often germinate from classical painting. The composition, light and color dictate the form of the live event. The selected group of figures denotes a hyper-real type; their installation in the space creates an image that moves very slowly and gradually over time. The performances are documented using film and photographs, which serve to translate fragments from the real time event.
Vanessa Beecroft, born in Italy and residing in New York City, has earned an international reputation as one of contemporary art’s most innovative young artists. Her work has been exhibited at international venues including the Kunsthalle Wien, (2001), Whitney Biennale, New York (2000), Museum of Contemporary Art, Sydney (1999), Museum of Contemporary Art, San Diego (1999), Spiral Wacoal Art Center, Tokyo (1999), Guggenheim Museum, New York (1998) and the Venice Biennale (1997). Upcoming performances include VB48, which will be held at the Royal Botanic Gardens during the 2001 Edinburgh Festival, and next year, a project in collaboration with NASA in Sweden. Beecroft currently has an exhibition of drawings made prior to her first performance works (between 1992 and 1994). The exhibition is touring European museums and will open at the Museum of Contemporary Art, Oslo on March 23, 2001.

The Summer 2026 issue of Gagosian Quarterly is now available, featuring Ellen Gallagher’s Fast-Fish and Loose-Fish (2026) on the cover.
In this video, Jenny Saville sits down inside her first major exhibition in Venice to discuss how the great Venetian artists of the past and the city’s heritage influence her work. The show brings together more than thirty canvases and works on paper from the 1990s to the present, tracing the development of her practice, which is deeply rooted in the history of painting.
On the occasion of his exhibition The Reflection of Bronze at Gagosian, New York, Giuseppe Penone and curator Adam D. Weinberg sit down to discuss the genesis of, and their collaboration on, the show.

Ahead of Alex Israel’s exhibition of four new Fin sculptures at Gagosian, London, the artist spoke with Susan Casey, author of The Wave: In Pursuit of the Rogues, Freaks, and Giants of the Ocean (2010), about the ocean, surfing, and Los Angeles.
Marcel Duchamp is the inaugural exhibition of the gallery’s new ground-floor space in the historic building at 980 Madison Avenue. In this video, the Quarterly’s Alison McDonald discusses the artist’s most iconic readymades and their connection to New York City.

On July 9, Simon Hantaï: the last studio opens at Gagosian, Gstaad. Curated by Anne Baldassari, the show comprises sixteen of the artist’s dernier atelier (last studio) paintings of 1982–85. The exhibition is accompanied by an illustrated catalogue, copublished by Gagosian and Skira, which features an essay by Baldassari and an extensive portfolio of previously unpublished photographs by Édouard Boubat. Here, we share the introductory chapter from the publication.

An exhibition at Gagosian, Hong Kong, brings together three of James Turrell’s Glasswork pieces along with site plans, photographs, and models of his Skyspaces and Roden Crater. Here, Alice Godwin explores the history of the Glassworks and their relationship to the artist’s wider practice.

On April 16, the Institute of Contemporary Art, Boston, opened the first midcareer survey of Derrick Adams’s multidisciplinary practice. Covering over twenty years of work, the exhibition, titled View Master, brings together the artist’s painting, sculpture, collage, performance, and video, as well as a vibrant new commission created for the museum’s façade. Ahead of the opening, Adams met with Tessa Bachi Haas, cocurator of the survey, to discuss his formative experiences with television, the impact of his work in arts education on his practice, and the importance of taking a more complex, more joyful, and more expansive approach to Black American life and culture.

Adam D. Weinberg has been working with Giuseppe Penone on an exhibition of the artist’s new sculptures, The Reflection of Bronze, that opens at Gagosian, New York, on April 22. The works explore the character and possibilities of bronze. Here, Weinberg considers Penone’s enduring engagement with the alloy and addresses the conceptual underpinnings of the exhibition’s three-room structure.

Jeff Koons tells Alison McDonald about his appreciation for the pioneering artist and thinker Marcel Duchamp.

The Singular Experience at Gagosian’s Le Bourget gallery is the largest exhibition of Walter De Maria’s work in France in several decades. Organized by Donna De Salvo, senior adjunct curator at Dia Art Foundation, the exhibition marks the first time De Maria’s final sculpture, Truck Trilogy (2011–17), is being shown outside of the United States. Here, De Salvo speaks with artist Lucy Raven about her evolving kinship with De Maria and more.

Laura Bruni writes about a major exhibition celebrating the work of the British sculptor Henry Moore at the Royal Botanic Gardens, Kew, London.