Gagosian is pleased to present an exhibition of new paintings by Jenny Saville. Migrants will be her first solo exhibition since her show at Gagosian in 1999. Saville has been recognized as one of the most thought-provoking and technically accomplished talents of her generation. She has become known for her monumental paintings of fleshy nudes. In this exhibition, developed over the last two years, Saville further explores the workings of the flesh.
Saville calls herself a “scavenger of images”; she prefers to work from photographs rather than living models. Her studio is a repository of images from old medical journals of bruises, scars, and images of deformities and disease. On a recent visit to her brother’s farm in England, she found and photographed the corpse of a dead pig. Reminiscent of the paintings of Chaim Soutine, the subsequent painting shows its distended stomach splayed across a huge canvas. Saville was drawn to this subject matter because of her interest in the medical world’s use of pig organs for human transplants as well as cloning. With her proficient handling, this potentially revolting subject is disturbing yet glorious.
Also included will be Saville’s first work depicting a subject outside the studio. In it, a half-naked woman, screaming, appears to be running from a building as the hands of an unseen figure restrain her. Horror and trauma blaze across her face. Realized with strong, urgent brushstrokes, this disturbing painting conveys how deeply the artist is influenced by current world events.
The four remaining works in the show include a beautiful, richly worked image of Saville’s head laid on its side. Unlike the previous exhibition, in which her layered palette was mostly pale, ethereal pinks and grays, this new body of work is dominated by bold, bloody colors such as reds, browns, and blues.
A fully illustrated catalogue with an essay by Linda Nochlin will accompany the exhibition.
Sally Mann and Jenny Saville
The two artists discuss being drawn to difficult subjects, the effects of motherhood on their practice, embracing chance, and their shared adoration of Cy Twombly.
Visions of the Self: Jenny Saville on Rembrandt
Jenny Saville reveals the process behind her new self-portrait, painted in response to Rembrandt’s masterpiece Self-Portrait with Two Circles.
Gagosian Quarterly Spring 2019
The Spring 2019 issue of Gagosian Quarterly is now available, featuring Red Pot with Lute Player #2 by Jonas Wood on its cover.
Jenny Saville: Ancestors
In this video, Jenny Saville speaks about Ancestors and her new works currently on view at Gagosian, West 21st Street, New York.
Jenny Saville and Dr. Simon Groom
Jenny Saville discusses the beginnings and evolutions of her painting practice with Dr. Simon Groom, Director of the Scottish National Gallery of Modern Art, Edinburgh. She speaks candidly on her endless passion for painting the figure, the beauty of struggle, motherhood, and the artists that have inspired her.
Jenny Saville on Willem de Kooning
In 2013, the exhibition Willem de Kooning: Ten Paintings, 1983–1985 explored the legendary artist’s late work. For the catalogue accompanying the presentation, Jenny Saville spoke on the gestures and elemental elegance of these paintings.
Extended through July 23, 2018
May 3–July 23, 2018
West 21st Street, New York
Extended through July 9, 2016
April 14–July 9, 2016
Davies Street, London
June 13–July 26, 2014
Britannia Street, London
September 15–October 22, 2011
980 Madison Avenue, New York