Gagosian Gallery is pleased to announce an exhibition of large-format photographs by Sally Mann. Executed between 2000 and 2004, these works consist of images of the faces of her three children Emmett, Jessie, and Virginia.
These powerful images of Mann's children are simultaneously painterly and photographic. They are made from wet-plate collodion negatives, produced by coating a sheet of glass with ether-based collodion and submerging it in silver nitrate. The resulting light sensitive plate, loaded into a plate holder and attached to the camera, must be exposed while still wet, a period of approximately six minutes. The photographers who originally used this method, which was introduced in 1851, worked to perfect the process and avoid irregularities. Sally Mann, however, embraces these aberrations; she celebrates the peculiar flares, stains and dust trails unique to the collodion process. She describes them as serendipitous, as "perfect flaws" which help create the mystical and poetic quality of the photographs. Perhaps because of the lengthy exposures (as long as 6 minutes and never less than 3), the images possess a transcendent timelessness. It may be this sense of suspended time, as much as genetics, that renders the faces of Mann's children eerily interchangeable. Enigmatic, they seem to be awaiting the viewer's glance to wake from their shadowed stillness and take their next breath.
Sally Mann was born in Lexington, Virginia in 1951. She has won numerous awards, including three National Endowment for the Arts fellowships and a Guggenheim fellowship. Her photographs are in the permanent collections of major museums and private collections including the Metropolitan Museum of Art, The Museum of Modern Art, New York, The Whitney Museum of American Art and The Corcoran Museum of Art.
There will be a fully illustrated catalogue accompanying the exhibition.
Edmund de Waal and Sally Mann
Sally Mann joins Edmund de Waal onstage at the Frick Collection in New York to converse about art, writing, and the importance of place in their respective bodies of work.
Sally Mann and Jenny Saville
The two artists discuss being drawn to difficult subjects, the effects of motherhood on their practice, embracing chance, and their shared adoration of Cy Twombly.
Gagosian Quarterly Spring 2019
The Spring 2019 issue of Gagosian Quarterly is now available, featuring Red Pot with Lute Player #2 by Jonas Wood on its cover.
Sally Mann: A Thousand Crossings
Drew Gilpin Faust discusses the Sally Mann’s landscape photographs of Antietam, a site that more than a century ago, bore witness to one of the bloodiest battles in the American Civil War.
Gagosian Quarterly Spring 2018
The Spring 2018 Gagosian Quarterly with a cover by Ed Ruscha is now available for order.
Sally Mann: Remembered Light
Edmund de Waal and Sally Mann discuss Cy Twombly’s relationship to photography, Mann’s pervasive interest in the American South, and the context behind her newest body of work.
Remembered Light: Cy Twombly in Lexington
November 2, 2017–January 20, 2018
Merlin Street, Athens