![Nina Simone, Our National Treasure](https://gagosian.com/media/images/quarterly/nina-simone/gLWA0Bu6CeO7_300x300.jpg)
Nina Simone, Our National Treasure
Text by Salamishah Tillet.
The work comes out of my desire to create an expansive, fluid realm that is both the concrete historical fragments it is made up of and the new form it describes.
—Ellen Gallagher
Gagosian Gallery is pleased to present recent work by Ellen Gallagher. “Greasy” is her first exhibition in New York since “DeLuxe” at the Whitney Museum in 2005.
From the outset of her career, Gallagher has brought together non-representational formal concerns (seriality, process) and charged figuration in paintings, drawings, collages, and films that reveal themselves slowly, first as intricate abstractions, then later as unnerving stories. The tension sustained between minimalist abstraction and image-based narratives deriving from her use of found materials gives rise to a dynamic that posits the historical constructions of the “New Negro”—a central development of the Harlem Renaissance—with concurrent developments in modernist abstraction. In doing so, she points to the artificiality of the perceived schism between figuration and abstraction in art.
Selecting from a wealth of popular ephemera—lined penmanship paper, magazine pages, journals, and advertising—as support for her paintings and drawings, Gallagher subjects the original elements and motifs to intense and laborious processes of transformation including accumulation, erasure, interruption and interference. Like forensic evidence, only traces of their original state remain, veiled by inky saturation, smudges, staining, perforations, punctures, spills, abrasions, printed lettering and marking, all potent evocations and emanations of time and its materiality. This attained state of "un-knowing" fascinates Gallagher and is one of the primary themes in her work.
Text by Salamishah Tillet.
Jenny Saville reveals the process behind her new self-portrait, painted in response to Rembrandt’s masterpiece Self-Portrait with Two Circles.
The Summer 2019 issue of Gagosian Quarterly is now available, featuring a detail from Afrylic by Ellen Gallagher on its cover.
The Spring 2019 issue of Gagosian Quarterly is now available, featuring Red Pot with Lute Player #2 by Jonas Wood on its cover.
Ellen Gallagher in conversation with Adrienne Edwards.
Philip Hoare, author of The Whale and The Sea Inside, creates a narrative about Ellen Gallagher’s newest lithograph, Lips Sink.