Extended through September 18, 2014
This summer, Jeff Koons’s Split-Rocker makes its New York City debut at Rockefeller Center, to coincide with the opening of the artist’s retrospective at the Whitney Museum of American Art. Presented by Gagosian and organized by the Public Art Fund and Tishman Speyer, Split-Rocker is a spectacular planted form that towers over thirty-seven feet high and features over fifty thousand flowering plants. First exhibited at Palais des Papes, Avignon, France, in 2000, it was subsequently shown at the Château de Versailles (2008), France, and Fondation Beyeler (2012), Riehen/Basel, Switzerland. It is also in the collection of the Glenstone private museum in Potomac, Maryland, where it has been on view since June of 2013.
Consistent with Koons’s persistent fascination with dichotomy and the in-between, the inspiration for Split-Rocker came when he decided to split and combine two similar but different toy rockers—a pony belonging to his son, and a dinosaur (“Dino”). The slippage or “split” between the different halves of the heads gives an almost Cubist aspect to the composition. As the model was enlarged to the scale of a small house, the split became an opening, a profile, and a light shaft. In contrast to his legendary Puppy of 1992, which was presented by the Public Art Fund at Rockefeller Center in the summer of 2000, Split-Rocker suggests the idea of a fantasy shelter. Whereas the singular form of Puppy is closed and sculptural, the combined form of Split-Rocker is architectural and hollow.
“We could not be more excited to bring Jeff Koons’s Split-Rocker to Rockefeller Center,” says Tishman Speyer co-chief executive officers Jerry Speyer and Rob Speyer. “Jeff Koons always dazzles, and we know that Split-Rocker, similar to Puppy, will be remembered for years to come. We are delighted to again work with the Public Art Fund to make world-class art accessible to all New Yorkers and visitors.”
“Splitting and recombining two variations on the basic idea of a rocking horse, Jeff’s Split-Rocker connects us to the imaginative playfulness of childhood. At the same time, it allows him to create a formally dynamic and painterly sculpture, using topiary as his medium,” says Public Art Fund director and chief curator Nicholas Baume. “The two irregular profiles joined together offer a continuously shifting perspective as we move around the sculpture, which continues to change as its plants flower and grow according to their own cycle of life. Jeff’s Whitney Museum retrospective is the perfect occasion on which to bring this extraordinary public sculpture to New York City and Rockefeller Center.”
“We are thrilled to share Split-Rocker with New York City this summer,” says Larry Gagosian. “The presentation of this monumental sculpture at Rockefeller Center, combined with the Whitney Museum retrospective, represents a special moment for Jeff. We could not be happier for him.”
Split-Rocker evokes a piece of classical topiary work, yet its technical construction is the result of a twentieth-century invention, inspired by the small-scale floral sculptures found in certain vernacular festivals. The steel is hidden from sight other than where the disparate sides of the head join, while its vast surfaces are “painted” with many thousands of live flowering plants—begonias, geraniums, petunias, fuchsias, and many more. Its internal structure also supports an extensive irrigation system.
Jeff Koons comments, “I love the dialogue with nature in creating a piece that needs so much control—How many plants should be planted? How will these plants survive?—while at the same time giving up the control. It’s in nature’s hands, even though you try to plan everything to make the plants survive. This sense of giving up control is very beautiful. The balance between control and giving up control reminds us of the polarity of existence.”
Jeff Koons: A Retrospective opens to the public at the Whitney Museum on June 27 and runs until October 19, 2014.
Split-Rocker: A Landscaping Perspective
Jeff Koons’s flowering sculpture Split-Rocker, at once imposing and adorable, has cast a spell on New York City’s Rockefeller Center. Derek Blasberg interviews Matt Donham, Koons’s landscape designer on the project, to find out more.
Laws of Motion
Catalyzed by Laws of Motion—a group exhibition, curated by Sam Orlofsky, pairing artworks from the 1980s on by Jeff Koons, Cady Noland, Rosemarie Trockel, and Jeff Wall with contemporary sculptures by Josh Kline and Anicka Yi—Wyatt Allgeier discusses the convergences and divergences in these artists’ practices with an eye to the economic worlds from which they spring.
Gagosian Quarterly Fall 2019
The Fall 2019 issue of Gagosian Quarterly is now available, featuring a detail from Sinking (2019) by Nathaniel Mary Quinn on its cover.
Intimate Grandeur: Glenstone Museum
Paul Goldberger tracks the evolution of Mitchell and Emily Rales’s Glenstone Museum in Potomac, Maryland. Set amid 230 acres of pristine landscape and housing a world-class collection of modern and contemporary art, this graceful complex of pavilions, designed by architects Thomas Phifer and Partners, opened to the public in the fall of 2018.
Visions of the Self: Jenny Saville on Rembrandt
Jenny Saville reveals the process behind her new self-portrait, painted in response to Rembrandt’s masterpiece Self-Portrait with Two Circles.
Jeff Koons: Easyfun-Ethereal
Learn more about Jeff Koons’s Easyfun-Ethereal series in this video featuring Rebecca Sternthal, one of the organizers behind the most recent exhibition of these works in New York.