Weight is a value for me—not that it is any more compelling than lightness, but I simply know more about weight than about lightness and therefore I have more to say about it, more to say about the balancing of weight, the diminishing of weight, the addition and subtraction of weight, the concentration of weight, the rigging of weight, the propping of weight, the placement of weight, the locking of weight, the psychological effects of weight, the disorientation of weight, the disequilibrium of weight, the rotation of weight, the movement of weight, the directionality of weight, the shape of weight.
Gagosian is pleased to present recent sculptures and drawings by Richard Serra.
At 980 Madison Avenue, a series of new diptych and triptych drawings will be on view.
Four new works from Serra’s Rounds series will fill the entire West 24th Street gallery. Each forged-steel sculpture is composed of multiple 50-ton elements of differing diameters and heights.
Bisecting the West 21st Street gallery space will be Reverse Curve (2005/19), a sculpture measuring 99 feet long and 13 feet high. Originally conceived in 2005 for a public project in Reggio Emilia, Italy, Reverse Curve is finally being realized for the first time.
In conjunction with these exhibitions, Gagosian and Anthology Film Archives will present a three-day retrospective of Serra’s films and videos from October 17 through 19, drawn from the collections of the Museum of Modern Art, Anthology Film Archives, Joan Jonas, and Stiftung Situation Kunst. This is the first time that all of the artist’s film and video work will be shown together. The screening on October 19 will be followed by a panel discussion between curators Søren Grammel, Chrissie Iles, and Jeffrey Weiss, moderated by art historian Benjamin Buchloh. Additional screenings of the full program will take place on October 20 and 23.
The exhibition will be accompanied by a fully illustrated catalogue with an essay by Julian Rose.
The Art of Perception: Richard Serra’s Films
For eleven years, from 1968 to 1979, Richard Serra created a collection of films and videos that felt out the uncharted phenomenological boundaries of the medium. Carlos Valladares explores a selection of these works.
Gagosian Quarterly Fall 2019
The Fall 2019 issue of Gagosian Quarterly is now available, featuring a detail from Sinking (2019) by Nathaniel Mary Quinn on its cover.
Intimate Grandeur: Glenstone Museum
Paul Goldberger tracks the evolution of Mitchell and Emily Rales’s Glenstone Museum in Potomac, Maryland. Set amid 230 acres of pristine landscape and housing a world-class collection of modern and contemporary art, this graceful complex of pavilions, designed by architects Thomas Phifer and Partners, opened to the public in the fall of 2018.
Hal Foster and Julian Rose on Richard Serra
Thursday, November 7, 2019, 6–8pm
Gagosian, West 24th Street, New York
Hal Foster and Julian Rose will discuss Richard Serra’s recent sculptures and drawings exhibited at Gagosian, New York. Foster recently coauthored Conversations about Sculpture (2018) with Serra, and Rose is writing for the forthcoming exhibition catalogue on the three concurrent Gagosian exhibitions. A question-and-answer session will follow the talk. The event has reached capacity. To join the wait list, contact firstname.lastname@example.org.
Richard Serra, Nine, 2019 © 2019 Richard Serra/Artists Rights Society (ARS), New York. Photo: Rob McKeever
The Complete Films and Videos
October 17–23, 2019
Anthology Film Archives, New York
In conjunction with a trio of Gagosian exhibitions of Richard Serra’s work in New York, the gallery and Anthology Film Archives will present a three-day retrospective of the artist’s films and videos from October 17 through 19, drawn from the collections of the Museum of Modern Art, New York; Anthology Film Archives; Joan Jonas; and Stiftung Situation Kunst, Bochum, Germany. This is the first time that all of the artist’s film and video work will be shown together. The screening on October 19 will be followed by a panel discussion between curators Søren Grammel, Chrissie Iles, and Jeffrey Weiss, moderated by art historian Benjamin Buchloh. Additional screenings of the full program will take place on October 20 and 23. To attend the event, purchase tickets at www.brownpapertickets.com or at the box office on the day of the show.
Richard Serra, Railroad Turnbridge, 1976 (still), Museum of Modern Art, New York © 2019 Richard Serra/Artists Rights Society (ARS), New York
Extended through December 21, 2019
September 17–December 21, 2019
West 24th Street, New York
September 17, 2019–February 1, 2020
West 21st Street, New York
April 6–May 25, 2018
Grosvenor Hill, London
Extended through April 13, 2017
NJ-2, Rounds: Equal Weight, Unequal Measure, Rotate
October 1, 2016–April 13, 2017
Britannia Street, London