The Complete Films and Videos
October 17–23, 2019
Anthology Film Archives, New York
In conjunction with a trio of Gagosian exhibitions of Richard Serra’s work in New York, the gallery and Anthology Film Archives will present a three-day retrospective of the artist’s films and videos from October 17 through 19, drawn from the collections of the Museum of Modern Art, New York; Anthology Film Archives; Joan Jonas; and Stiftung Situation Kunst, Bochum, Germany. This is the first time that all of the artist’s film and video work will be shown together. The screening on October 19 will be followed by a panel discussion between curators Søren Grammel, Chrissie Iles, and Jeffrey Weiss, moderated by art historian Benjamin Buchloh. Additional screenings of the full program will take place on October 20 and 23. To attend the event, purchase tickets at www.brownpapertickets.com or at the box office on the day of the show.
Richard Serra, Railroad Turnbridge, 1976 (still), Museum of Modern Art, New York © 2019 Richard Serra/Artists Rights Society (ARS), New York
Hal Foster and Julian Rose on Richard Serra
Thursday, November 7, 2019, 6–8pm
Gagosian, West 24th Street, New York
Hal Foster and Julian Rose will discuss Richard Serra’s recent sculptures and drawings exhibited at Gagosian, New York. Foster recently coauthored Conversations about Sculpture (2018) with Serra, and Rose is writing for the forthcoming exhibition catalogue on the three concurrent Gagosian exhibitions. A question-and-answer session will follow the talk. The event has reached capacity. To join the wait list, contact firstname.lastname@example.org.
Richard Serra, Nine, 2019 © 2019 Richard Serra/Artists Rights Society (ARS), New York. Photo: Rob McKeever
Hal Foster on Richard Serra
Thursday, October 25, 2018, 7–8pm
London Review Bookshop, London
Hal Foster will discuss Conversations about Sculpture (2018), co-authored with Richard Serra, with Mark Godfrey. The new book features conversations with the celebrated artist regarding his prolific six-decade career and the ideas that have informed his working practice. Foster is a regular contributor to the London Review of Books. To attend the event, purchase tickets at www.eventbrite.co.uk.
Richard Serra, Hal Foster: Conversations about Sculpture (New Haven, CT: Yale University Press, 2018)
Hal Foster on Richard Serra
Saturday, October 27, 2018, 3–4pm
Royal Academy, London
Hal Foster will speak with Briony Fer about Conversations about Sculpture (2018), his new book co-authored with Richard Serra, which looks at the life and work of the artist. Foster will discuss his conversations with the celebrated artist regarding his prolific six-decade career and the ideas that have informed his working practice. To attend the event, purchase tickets at www.royalacademy.org.uk.
Artwork © 2018 Richard Serra/Artists Rights Society (ARS), New York. Photo: Sandy Tait
Work in Progress
The artist tells Negar Azimi about her interest in the monstrous, the influence of science fiction on her practice, and her recent rooftop commission at the Metropolitan Museum of Art, New York.
Gagosian Quarterly Winter 2019
The Winter 2019 issue of Gagosian Quarterly is now available, featuring a selection from Christopher Wool’s Westtexaspsychosculpture series on its cover.
Mansplaining: Figuring Masculinity in the Age of #MeToo
In light of recent developments around the definition of masculinity in American culture, Alison M. Gingeras, the curator of John Currin: My Life as a Man at Dallas Contemporary looks closely at the artist’s depictions of male subjects.
Reading Nam June Paik
Earlier this year, MIT Press released We Are in Open Circuits: Writings by Nam June Paik. Here Gregory Zinman, coeditor of the book along with John Hanhardt and Edith Decker-Phillips, writes about his first exposure to the artist’s archives, the discoveries made there, and the relationship between Paik’s writings and his larger practice.
Before the Smoke Has Cleared
Angela Brown provides a glimpse into the charged ecologies of recent drawings and sculptures by Tatiana Trouvé. These works will be included in On the Eve of Never Leaving, Trouvé’s first solo exhibition in Los Angeles, opening in November 2019.
Sarah Sze: Art That Explores Time and Memory
Join Sarah Sze as she talks about the questions that drive her work. She describes creating immersive experiences that blur the lines between time, memory, and space—and between art and life.
Abstract Climates: Helen Frankenthaler in Provincetown
Lise Motherwell, a stepdaughter of Helen Frankenthaler and vice president of the Helen Frankenthaler Foundation, and Elizabeth Smith, executive director of the Foundation, recently cocurated an exhibition of the artist’s work entitled Abstract Climates: Helen Frankenthaler in Provincetown. Here they discuss the origin of the exhibition, the relationship between the artist’s work and her summers spent in Provincetown, and the presentations at the Provincetown Art Association and Museum, in 2018, and the Parrish Art Museum, Water Mill, New York, in 2019.
Nathaniel Mary Quinn and Troy Carter
On the eve of the opening of his first exhibition with Gagosian, in Beverly Hills, Nathaniel Mary Quinn joined Troy Carter for a conversation at LA’s Hammer Museum. They spoke about deliverance, Quinn’s new work, and what drives him to make art.
The Art of Perception: Richard Serra’s Films
For eleven years, from 1968 to 1979, Richard Serra created a collection of films and videos that felt out the uncharted phenomenological boundaries of the medium. Carlos Valladares explores a selection of these works.
Sterling Ruby: Disjointed Monuments to Nothing
Alessandro Rabottini investigates the theoretical and formal underpinnings of Sterling Ruby’s career through the lens of the artist’s series ACTS.
Behind the Art
Michael Craig-Martin: Ordinariness
Join Michael Craig-Martin at his London studio as he speaks about his working methods, his interest in the ordinary, and his abiding concern for the sculptural.
Alexander Wolf explores the economic, social, and methodological concerns of Piero Golia’s art practice, revealing the real-world implications of the artist’s experiments with form and process.