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The Films of Man Ray: Mysterious Encounters of Realities and Dreams
Timothy Baum muses on Man Ray’s foray into filmmaking in the 1920s, the subject of the exhibition Man Ray: The Mysteries of Château du Dé at Gagosian, San Francisco.
I have finally freed myself from the sticky medium of paint, and am working directly with light itself.
—Man Ray
Gagosian is pleased to present The Mysteries of Château du Dé, an exhibition of works by Man Ray.
During his storied career, Man Ray, a multidisciplinary artist with a rare breadth, worked in a variety of mediums, including painting, photography, sculpture, printmaking, film, poetry, and prose. While for him photography and painting were paramount, his work in early film and cinema is often overlooked.
Man Ray’s first experience in making film was in New York, in 1920, when he worked with Marcel Duchamp on an unsuccessful attempt to create a three-dimensional film. After moving to Paris, in 1921, his diverse experimentation in the medium of photography eventually led him back to the moving image.
Timothy Baum muses on Man Ray’s foray into filmmaking in the 1920s, the subject of the exhibition Man Ray: The Mysteries of Château du Dé at Gagosian, San Francisco.
Lee Miller and Tanja Ramm’s friendship took them from New York to Paris and back, in front of and behind many cameras, and into the Surrealist avant-garde. Here, Gagosian director Richard Calvocoressi speaks with Ramm’s daughter, art historian Margit Rowell, about discovering her mother’s early life, her memories of Miller, and the collaborative work of photographers and models.
Sydney Stutterheim meditates on the power and possibilities of small-format artworks throughout time.
The Spring 2020 issue of Gagosian Quarterly is now available, featuring Cindy Sherman’s Untitled #412 (2003) on its cover.
The Winter 2019 issue of Gagosian Quarterly is now available, featuring a selection from Christopher Wool’s Westtexaspsychosculpture series on its cover.
At the 2018 Frieze Masters fair in London, Gagosian’s stand presented more than ninety works by Man Ray: objects and assemblages, collages, oils, prints, drawings, and photographs. Richard Calvocoressi traces the development of the artist’s wide-ranging work and looks at his legendary three-year collaboration with Lee Miller.
Lawrence Weschler profiles the European exiles in Los Angeles during the 1930s and ’40s, examining how cultural visionaries, from Man Ray to Arnold Schoenberg, navigated the dramatic change in setting.
Timothy Baum explores this period of transition in response to an exhibition of Man Ray’s vintage gelatin silver photographs from his “Hollywood” period.
The Spring 2018 Gagosian Quarterly with a cover by Ed Ruscha is now available for order.
Mary Ann Caws and Charles Stuckey discuss the presence of food and the dining table in the history of modern art.
In the early 1980s, Ira Nowinski visited a studio frozen in time.
Harnessing the gestural, unpredictable, projectile qualities of spray paint, artists have repurposed it as an alternative to the brush, to create hazy textures, drips, puddles, and graffiti-like text. Peter Stevens discusses this history of spray paint as an artistic medium with Alison McDonald.