I explored the town. It was like some place in the South of France with its palm-bordered streets and low stucco dwellings. Somewhat more prim, less rambling, but the same radiant sunshine. More cars, of course, yet they seemed to whiz past apologetically so as not to obstruct the scene. And I seemed to be the only one on foot, sauntering along leisurely, avoiding the more populated districts. One might retire here, I thought, live and work quietly—why go any farther?
Gagosian is pleased to present an exhibition of works by Man Ray, made between 1940 and 1951.
During his storied career, Man Ray’s work spanned a variety of media, including painting, photography, sculpture, printmaking, film, poetry, and prose. His work aligned variously with Cubism, Futurism, Dada, and Surrealism, yet retains its own distinct style. Early in his career, from 1920 to 1940, Man Ray worked primarily as a fashion photographer, in Paris, shooting for Vanity Fair, Vogue, and Harper’s Bazaar, as well as designers such as Vionnet, Lanvin, Chanel, and Schiaparelli. When World War II came to Paris, in 1940, he escaped to the United States, settling in Los Angeles, where he deliberately moved away from commercial photography to focus on making fine art.
This exhibition explores the collection of original silver gelatin photographs from Man Ray’s “Hollywood” period. Throughout his vast body of work, Man Ray alluded to relationships between the real and the fictive, with a deft mastery over the liminal territory between the abstract and the figurative form. However, these black-and-white, high-contrast, carefully composed works eschew the abstract qualities of his innovative rayographs. Instead, they are striking portraits that document his life, social circle, and surroundings, as well as the landscapes and streetscapes of his wartime sanctuary city. These images not only find their own niche within Man Ray’s work, but also give context to his life in California: Many of the portraits are of famous figures with whom he spent his California years, including Ruth Ford, Ava Gardner, Jennifer Jones, Tilly Losch, Jean Renoir, and Igor Stravinsky.
Gagosian Quarterly Talks
Exiles in Paradise
Lawrence Weschler profiles the European exiles in Los Angeles during the 1930s and ’40s, examining how cultural visionaries, from Man Ray to Arnold Schoenberg, navigated the dramatic change in setting.
Man Ray’s LA
Timothy Baum explores this period of transition in response to an exhibition of Man Ray’s vintage gelatin silver photographs from his “Hollywood” period.
Man Ray: Visual Poet and Wit
At the 2018 Frieze Masters fair in London, Gagosian’s stand presented more than ninety works by Man Ray: objects and assemblages, collages, oils, prints, drawings, and photographs. Richard Calvocoressi traces the development of the artist’s wide-ranging work and looks at his legendary three-year collaboration with Lee Miller.
Gagosian Quarterly Spring 2018
The Spring 2018 Gagosian Quarterly with a cover by Ed Ruscha is now available for order.
In the early 1980s, Ira Nowinski visited a studio frozen in time.
Sprayed: An Interview with Peter Stevens
Harnessing the gestural, unpredictable, projectile qualities of spray paint, artists have repurposed it as an alternative to the brush, to create hazy textures, drips, puddles, and graffiti-like text. Peter Stevens discusses this history of spray paint as an artistic medium with Alison McDonald.
Extended through June 30, 2018
April 24–June 30, 2018
May 9–August 21, 2009
980 Madison Avenue, New York
On the Eve of Never Leaving
November 1, 2019–January 11, 2020
Nathaniel Mary Quinn
Hollow and Cut
September 11–October 19, 2019