Extended through September 11, 2021
Gagosian is pleased to present Albert Oehlen’s Tramonto Spaventoso (2019–20). This is the first time that Oehlen’s provocative and personal response to the Rothko Chapel in Houston is being exhibited in its entirety; the first part was shown at the Serpentine Galleries, London, in 2019–20, the second at Gagosian Beverly Hills earlier this year. The paintings are installed in a custom-built octagonal structure in the Grand Theater Gallery of the Marciano Art Foundation, reflecting the layout of the original chapel.
Oehlen uses abstract, figurative, and collaged elements—often applying self-imposed strategic constraints—to disrupt the histories and conventions of modern painting. While championing self-consciously “bad” painting characterized by crude drawing and jarring coloration, he infuses expressive gesture with Surrealist attitude, openly disparaging the quest for reliable form and stable meaning.
In the eight large-scale paintings that constitute the Tramonto Spaventoso project, Oehlen variously interprets and dramatically transforms John Graham’s Tramonto Spaventoso (Terrifying Sunset, 1940–49), a painting by the Russian-born American modernist that Oehlen discovered in the 1990s and has been fascinated with ever since.
Albert Oehlen: Terrifying Sunset
The artist speaks with Mark Godfrey about his new paintings, touching on the works’ relationship to John Graham, the Rothko Chapel, and Leigh Bowery.
Gagosian Quarterly Summer 2021
The Summer 2021 issue of Gagosian Quarterly is now available, featuring Carrie Mae Weems’s The Louvre (2006) on its cover.
Albert Oehlen and Mark Godfrey
Albert Oehlen speaks to Mark Godfrey about a recent group of abstract paintings, “academic” art, reversing habits, and questioning rules.
Albert Oehlen: In the Studio
This film by Albert Oehlen, with music by Tim Berresheim, takes us inside the artist’s studio in Switzerland as he works on a new painting.
Albert Oehlen and Hans Ulrich Obrist
Hans Ulrich Obrist interviews the artist on the occasion of his recent exhibition at the Serpentine Galleries, London.
Albert Oehlen: Maximum Chance Maximum Control
The artist met with art historian Christian Malycha to discuss his newest paintings.
Gallery Weekend LA
Frank Gehry, Albert Oehlen, Nancy Rubins
July 28–August 1, 2021
Gagosian is participating in the inaugural Gallery Weekend LA with three exhibitions. Frank Gehry: Spinning Tales and Nancy Rubins: Fluid Space, both on view at Gagosian’s Beverly Hills location, will be open for extended hours during Gallery Weekend LA (July 28: 10am–7pm; July 29–30: 10am–5:30pm; July 31–August 1: 12–6pm). Visitors can also see Albert Oehlen: Tramonto Spaventoso with an appointment, on view at Marciano Art Foundation (July 28–31: 11am–5pm). The event is organized through Gallery Association Los Angeles and galleryplatform.la and includes nearly eighty-five of the city’s leading contemporary art galleries and museums.
Frank Gehry, Wishful Thinking, 2021, installation view, Frank Gehry: Spinning Tales, Gagosian, Beverly Hills, 2021 © Frank O. Gehry. Photo: Joshua White