Menu

Gagosian Quarterly

April 7, 2021

Albert Oehlen: In the Studio

This film by Albert Oehlen, with music by Tim Berresheim, takes us inside the artist’s studio in Switzerland as he works on a new painting.

Video: Albert Oehlen; music: Tim Berresheim; artwork by Albert Oehlen © Albert Oehlen; artwork by Gino De Dominicis © 2021 Artists Rights Society (ARS), New York/SIAE, Rome; artwork by Rodney Graham © Rodney Graham; artwork by Neil Jenney © Neil Jenney; artwork by Malcolm Morley © Estate of Malcolm Morley, courtesy Sperone Westwater, New York

Albert Oehlen and Mark Godfrey

In Conversation
Albert Oehlen and Mark Godfrey

Albert Oehlen speaks to Mark Godfrey about a recent group of abstract paintings, “academic” art, reversing habits, and questioning rules.

Installation view, Albert Oehlen, Serpentine Galleries, London, October 2, 2019–February 2, 2020.

In Conversation
Albert Oehlen and Hans Ulrich Obrist

Hans Ulrich Obrist interviews the artist on the occasion of his recent exhibition at the Serpentine Galleries, London.

Albert Oehlen, Untitled, 2019, watercolor on canvas, 83 ⅞ × 72 ⅛ inches (213 × 183 cm).

Albert Oehlen: Maximum Chance Maximum Control

The artist met with art historian Christian Malycha to discuss his newest paintings.

The cover of the Fall 2019 Gagosian Quarterly magazine. Artwork by Nathaniel Mary Quinn

Now available
Gagosian Quarterly Fall 2019

The Fall 2019 issue of Gagosian Quarterly is now available, featuring a detail from Sinking (2019) by Nathaniel Mary Quinn on its cover.

Cows by the Water

Cows by the Water

At the Palazzo Grassi, Venice, a career-spanning exhibition of paintings by Albert Oehlen, entitled Cows by the Water, went on view in the spring of 2018. Caroline Bourgeois, the curator of the exhibition, discusses how the show was organized around the artist’s relationship to music.

Hank Willis Thomas and Chitose Abe

Fashion and Art: Hank Willis Thomas and Chitose Abe

Artist Hank Willis Thomas and Chitose Abe, the creative director and founder of Sacai, speak with the Quarterly’s Wyatt Allgeier about their recent collaboration.

Francesca Woodman, Untitled, Providence, Rhode Island, 1976, gelatin silver print, 5 ¼ × 5 ¼ inches (12.7 × 12.7 cm) © Woodman Family Foundation/Artists Rights Society (ARS), New York

Living Death

As part of “New Interiorities,” a supplement guest edited by Alison M. Gingeras and Jamieson Webster for the Winter 2020 issue of the Quarterly, Jacqueline Rose writes powerfully and soberly on the future of feminism in the time of covid.

Henri Matisse, The Music Lesson, 1917, oil on canvas, domestic interior scene of people in the livingroom at the piano, reading chair, and window

Lockdown: Henri Matisse’s Domestic Interiors

John Elderfield reexamines Matisse’s Piano Lesson (1916) and Music Lesson (1917), considering the works’ depictions of domestic space during the tumult of World War I.

Jay DeFeo working on The Rose (then titled Deathrose), photographed by Burt Glinn in 1960.

Jay DeFeo

Suzanne Hudson speaks with Leah Levy, executive director of the Jay DeFeo Foundation, about the artist’s life and work.

Mike Milken and Larry Gagosian

In Conversation
Mike Milken and Larry Gagosian

Mike Milken interviews Larry Gagosian about their shared histories, the important role of art in moments of crisis, and the long-term impact of creative visions.

A portrait of Pier Paolo Pasolini.

Pasolini’s Faces

Carlos Valladares explores the cinema of Pier Paolo Pasolini, tracking the developments and lasting influence of the auteur’s singular career.

Kelly Reichardt.

The World According to Kelly Reichardt

Carlos Valladares writes on Kelly Reichardt’s films, exploring the director’s interest in subtle details and care for complex characters.