Frank Gehry: Fish Lamps
Paul Goldberger traces the history of the fish form throughout Frank Gehry’s career.
When I built the first model of the fish, I saw in it the movement that I was looking for. It was startling that a static object could express motion in such a dynamic way.
—Frank Gehry
Gagosian is pleased to present Spinning Tales, an exhibition of new work by renowned architect Frank Gehry. It pairs large-scale elaborations on the Fish Lamps series with a new installation, Wishful Thinking (2021), and is Gehry’s eighth exhibition with the gallery since 1999.
Celebrated for his groundbreaking architectural designs, Gehry has also produced significant bodies of sculpture and furniture, from Easy Edges (1969–73) and Experimental Edges (1979–82)—chairs and tables made from layers of corrugated cardboard—to bentwood furniture items designed for Knoll (1989–92). The Fish Lamps evolved from a 1983 commission by the Formica Corporation to utilize ColorCore, a type of plastic laminate. After accidentally breaking off a shard of the material, Gehry was inspired by its scale-like appearance; molding wire armatures into piscine forms, he affixed ColorCore fragments to them.
In the main gallery, three outsize, internally illuminated Fish Lamps sculptures are suspended from the ceiling in dynamic, twisting poses, as if swimming through water. In these works, Gehry has used polyvinyl and copper for the first time. These central forms are surrounded by lively, colorful sculptures that are more baroque in their ornamentation. While these sculptures are autonomous works, the “perfect form” of the creature that they emulate reappears throughout Gehry’s architectural oeuvre, lending itself to the undulating profiles of buildings including the Guggenheim Bilbao, Spain (1997), and the Walt Disney Concert Hall, Los Angeles (2003).
Paul Goldberger traces the history of the fish form throughout Frank Gehry’s career.
Frank Gehry speaks to Jean-Louis Cohen about the early years of his practice, including his work with LA artists, and the role of sketching in his design process. The first volume of the catalogue raisonné of the architect’s drawings, edited by Cohen, was published by Cahiers d’Art earlier this year.
Inspired by a visit to the Fondation Louis Vuitton’s exhibition Charlotte Perriand: Inventing a New World, William Middleton explores the life of this modernist pioneer and her impact on the worlds of design, art, and architecture.
Frank Gehry discusses the Fondation Louis Vuitton with Derek Blasberg.