Installation Views

Works Exhibited

About

And are you grown so high in his esteem
Because I am so dwarfish and so low?
How low am I, thou painted maypole? Speak!
How low am I? I am not yet so low
But that my nails can reach unto thine eyes.
—William Shakespeare, A Midsummer Night’s Dream (act 3, scene 2)

Gagosian is pleased to present THAT MY NAILS CAN REACH UNTO THINE EYES, an exhibition of new paintings and ceramics by Sterling Ruby.

In an oeuvre encompassing sculpture, ceramics, painting, drawing, collage, video, and textiles, Ruby engages art history, his own autobiography, and balances of social power. Creating disruption by contrasting clean lines and recognizable objects with rough and uncanny forms, his works interrogate the canon of art while seeking to critique the institutions and shortcomings of modern society.

Ruby composes his WIDW paintings (2016–)—the series is titled after an abbreviated form of “window”—with thick, vibrant coats of acrylic and oil paint, also adhering squares of cardboard and patterned fabric onto canvas. These collaged elements demarcate the canvas into halves and smaller rectangles, transforming the compositions into gridded windowpanes that offer a glimpse into the physical and cerebral strata of Ruby’s working process.

Sterling Ruby: The Frenetic Beat

Sterling Ruby: The Frenetic Beat

Ester Coen meditates on the dynamism of Sterling Ruby’s recent projects, tracing parallels between these works and the histories of Futurism, Constructivism, and the avant-garde.

Sterling Ruby: TURBINES

Sterling Ruby: TURBINES

Join Sterling Ruby in his Los Angeles studio as he works on new abstract paintings ahead of his exhibition TURBINES at Gagosian in New York.

Augurs of Spring

Augurs of Spring

As spring approaches in the Northern Hemisphere, Sydney Stutterheim reflects on the iconography and symbolism of the season in art both past and present.

Sterling Ruby: Disjointed Monuments to Nothing

Sterling Ruby: Disjointed Monuments to Nothing

Alessandro Rabottini investigates the theoretical and formal underpinnings of Sterling Ruby’s career through the lens of the artist’s series ACTS.

Gagosian Quarterly Fall 2019

Now available
Gagosian Quarterly Fall 2019

The Fall 2019 issue of Gagosian Quarterly is now available, featuring a detail from Sinking (2019) by Nathaniel Mary Quinn on its cover.

For Notre-Dame

For Notre-Dame

An exhibition at Gagosian, Paris, is raising funds to aid in the reconstruction of the Cathédrale Notre-Dame de Paris following the devastating fire of April 2019. Gagosian directors Serena Cattaneo Adorno and Jean-Olivier Després spoke to Jennifer Knox White about the generous response of artists and others, and what the restoration of this iconic structure means across the world.

Sterling Ruby: Bloody Pots

Sterling Ruby: Bloody Pots

Ceramics expert Garth Clark explores Sterling Ruby’s practice in the medium, addressing the work’s allegiances and divergences from tradition.

Gagosian Quarterly Winter 2018

Gagosian Quarterly Winter 2018

The Winter 2018 issue of Gagosian Quarterly is now available. Our cover this issue comes from High Times, a new body of work by Richard Prince.

Sterling Ruby: Winterpalais, Vienna

Sterling Ruby: Winterpalais, Vienna

Mario Codognato, curator of the exhibition, discusses Sterling Ruby’s first-ever European survey, at the Belvedere’s Winterpalais galleries.

Sterling Ruby poster featuring a sculpture by the artist

Sterling Ruby: FUTURE PRESENT

$30
Sterling Ruby: THAT MY NAILS CAN REACH UNTO THINE EYES poster

Sterling Ruby: THAT MY NAILS CAN REACH UNTO THINE EYES

From $30
Cover of the book Sterling Ruby: ACTS + TABLES

Sterling Ruby: ACTS + TABLES

$100
Sterling Ruby: ACTS + TABLE poster, depicting the work TABLE (DOUBLE LAST SUPPER)

Sterling Ruby: ACTS + TABLE

$30
Sterling Ruby: ACTS + TABLE, depicting the work ACTS/ROBITUSSIN

Sterling Ruby: ACTS + TABLE

From $30
Cover of the book Sterling Ruby: PARIS

Sterling Ruby: PARIS

$100
Sterling Ruby: PARIS poster

Sterling Ruby: PARIS

$30
Cover of the book “The heroine Paint”: After Frankenthaler

“The heroine Paint”: After Frankenthaler

$40
Cover of the Fall 2019 issue of Gagosian Quarterly magazine, featuring artwork by Nathaniel Mary Quinn

Gagosian Quarterly: Fall 2019 Issue

$20