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Sterling Ruby

Sterling Ruby, WIDW. HELIOS (7058)., 2019 Acrylic, oil, elastic, cardboard, and treated fabric on canvas, framed: 73 ¾ × 53 ¾ × 3 ¼ inches (187.3 × 136.5 × 8.3 cm)© Sterling Ruby

Sterling Ruby, WIDW. HELIOS (7058)., 2019

Acrylic, oil, elastic, cardboard, and treated fabric on canvas, framed: 73 ¾ × 53 ¾ × 3 ¼ inches (187.3 × 136.5 × 8.3 cm)
© Sterling Ruby

Sterling Ruby, HEART (6709), 2018 Ceramic, 20 ½ × 14 × 2 inches (52.1 × 35.6 × 5.1 cm)© Sterling Ruby

Sterling Ruby, HEART (6709), 2018

Ceramic, 20 ½ × 14 × 2 inches (52.1 × 35.6 × 5.1 cm)
© Sterling Ruby

Sterling Ruby, ACTS/FERRYDUST, 2018 Clear urethane block, dye, wood, spray paint, and laminate, 40 ½ × 25 × 12 inches (102.9 × 63.5 × 30.5 cm)© Sterling Ruby

Sterling Ruby, ACTS/FERRYDUST, 2018

Clear urethane block, dye, wood, spray paint, and laminate, 40 ½ × 25 × 12 inches (102.9 × 63.5 × 30.5 cm)
© Sterling Ruby

Sterling Ruby, Basin Theology/STYX BOAT, 2017 Ceramic, 26 × 46 × 74 inches (66 × 116.8 × 188 cm)© Sterling Ruby

Sterling Ruby, Basin Theology/STYX BOAT, 2017

Ceramic, 26 × 46 × 74 inches (66 × 116.8 × 188 cm)
© Sterling Ruby

Sterling Ruby, HOT FLAT LIGHT, 2017 Acrylic, oil, elastic, and cardboard on canvas, framed: 59 × 45 ½ inches (149.9 × 115.6 cm)© Sterling Ruby

Sterling Ruby, HOT FLAT LIGHT, 2017

Acrylic, oil, elastic, and cardboard on canvas, framed: 59 × 45 ½ inches (149.9 × 115.6 cm)
© Sterling Ruby

Installation view, Sterling Ruby: STOVES, Musée de la Chasse et de la Nature, Paris, October 21, 2015–February 14, 2016 Artwork © Sterling Ruby

Installation view, Sterling Ruby: STOVES, Musée de la Chasse et de la Nature, Paris, October 21, 2015–February 14, 2016

Artwork © Sterling Ruby

Sterling Ruby, DEEP FLAG (5532), 2015 Bleached fleece and elastic, 174 ½ × 316 inches (443.2 × 802.6 cm)© Sterling Ruby

Sterling Ruby, DEEP FLAG (5532), 2015

Bleached fleece and elastic, 174 ½ × 316 inches (443.2 × 802.6 cm)
© Sterling Ruby

Sterling Ruby, DRAG (BANKER), 2015 Steel, engine blocks, and paint, 51 ½ × 145 × 74 ¼ inches (130.8 × 368.3 × 188.6 cm)© Sterling Ruby

Sterling Ruby, DRAG (BANKER), 2015

Steel, engine blocks, and paint, 51 ½ × 145 × 74 ¼ inches (130.8 × 368.3 × 188.6 cm)
© Sterling Ruby

Sterling Ruby, SP288, 2014 Spray paint on synthetic canvas, 96 × 84 inches (243.8 × 213.4 cm)© Sterling Ruby

Sterling Ruby, SP288, 2014

Spray paint on synthetic canvas, 96 × 84 inches (243.8 × 213.4 cm)
© Sterling Ruby

Sterling Ruby, FLAG (4791), 2014 Bleached and dyed canvas, denim, and elastic, 174 ½ × 343 inches (443.2 × 871.2 cm)© Sterling Ruby

Sterling Ruby, FLAG (4791), 2014

Bleached and dyed canvas, denim, and elastic, 174 ½ × 343 inches (443.2 × 871.2 cm)
© Sterling Ruby

Sterling Ruby, The Cup, 2013 Foam, urethane, wood, and spray paint, 92 × 115 ½ × 88 inches (233.7 × 293.4 × 223.5 cm)© Sterling Ruby

Sterling Ruby, The Cup, 2013

Foam, urethane, wood, and spray paint, 92 × 115 ½ × 88 inches (233.7 × 293.4 × 223.5 cm)
© Sterling Ruby

Sterling Ruby, SCALE (4586), 2013 Steel, paint, cardboard, yarn, and mixed media, 97 × 75 × 70 inches (246.4 × 190.5 × 177.8 cm)© Sterling Ruby

Sterling Ruby, SCALE (4586), 2013

Steel, paint, cardboard, yarn, and mixed media, 97 × 75 × 70 inches (246.4 × 190.5 × 177.8 cm)
© Sterling Ruby

Sterling Ruby, Stove 3, 2013 Stainless steel, 54 ¾ × 14 × 33 inches (139.1 × 35.6 × 83.8 cm), edition of 6 + 2 AP© Sterling Ruby

Sterling Ruby, Stove 3, 2013

Stainless steel, 54 ¾ × 14 × 33 inches (139.1 × 35.6 × 83.8 cm), edition of 6 + 2 AP
© Sterling Ruby

Sterling Ruby, EXHM (3916), 2012 Collage, paint, and urethane on cardboard, 98 × 97 inches (248.9 × 246.4 cm)© Sterling Ruby

Sterling Ruby, EXHM (3916), 2012

Collage, paint, and urethane on cardboard, 98 × 97 inches (248.9 × 246.4 cm)
© Sterling Ruby

Sterling Ruby, SCXV3ST/BD, 2012 Fiberglass, wood, spray paint, and formica, in 2 parts, drop: 84 × 19 × 19 inches (213.4 × 48.3 × 48.3 cm), pedestal: 36 × 34 × 34 inches (91.4 × 86.4 × 86.4 cm)© Sterling Ruby

Sterling Ruby, SCXV3ST/BD, 2012

Fiberglass, wood, spray paint, and formica, in 2 parts, drop: 84 × 19 × 19 inches (213.4 × 48.3 × 48.3 cm), pedestal: 36 × 34 × 34 inches (91.4 × 86.4 × 86.4 cm)
© Sterling Ruby

Sterling Ruby, CDCR, 2011 PVC pipe, foam, urethane, wood, and spray paint, 64 × 240 × 66 ½ inches (162.6 × 609.6 × 168.9 cm)© Sterling Ruby

Sterling Ruby, CDCR, 2011

PVC pipe, foam, urethane, wood, and spray paint, 64 × 240 × 66 ½ inches (162.6 × 609.6 × 168.9 cm)
© Sterling Ruby

Sterling Ruby, VAMPIRE 47, 2011 Fabric and fiberfill, 84 × 45 × 4 inches (213.4 × 114.3 × 10.2 cm)© Sterling Ruby

Sterling Ruby, VAMPIRE 47, 2011

Fabric and fiberfill, 84 × 45 × 4 inches (213.4 × 114.3 × 10.2 cm)
© Sterling Ruby

Sterling Ruby, SP137, 2010 Spray paint on canvas, 125 × 185 inches (317.5 × 469.9 cm)© Sterling Ruby

Sterling Ruby, SP137, 2010

Spray paint on canvas, 125 × 185 inches (317.5 × 469.9 cm)
© Sterling Ruby

Sterling Ruby, Brass Ketamine User, 2010 Ceramic, 15 × 27 × 14 inches (38.1 × 68.6 × 35.6 cm)© Sterling Ruby

Sterling Ruby, Brass Ketamine User, 2010

Ceramic, 15 × 27 × 14 inches (38.1 × 68.6 × 35.6 cm)
© Sterling Ruby

Sterling Ruby, ACTS/KKDETHZ, 2009 Clear urethane block, dye, wood, spray paint, and formica, in 2 parts, overall: 60 ½ × 62 ½ × 34 inches (153.7 × 158.8 × 86.4 cm)© Sterling Ruby

Sterling Ruby, ACTS/KKDETHZ, 2009

Clear urethane block, dye, wood, spray paint, and formica, in 2 parts, overall: 60 ½ × 62 ½ × 34 inches (153.7 × 158.8 × 86.4 cm)
© Sterling Ruby

Sterling Ruby, Big Grid/DB Deth, 2008 Formica, spray paint, and wood, 84 × 84 × 36 inches (213.4 × 213.4 × 91.4 cm)© Sterling Ruby

Sterling Ruby, Big Grid/DB Deth, 2008

Formica, spray paint, and wood, 84 × 84 × 36 inches (213.4 × 213.4 × 91.4 cm)
© Sterling Ruby

Sterling Ruby, Balanced Stack of Pottery and Knife, 2005 Collage on paper, 28 × 22 ½ inches (71.1 × 57.2 cm)© Sterling Ruby

Sterling Ruby, Balanced Stack of Pottery and Knife, 2005

Collage on paper, 28 × 22 ½ inches (71.1 × 57.2 cm)
© Sterling Ruby

About

Sterling Ruby’s work engages with issues related to autobiography, art history, and the violence and pressures within society. Employing diverse aesthetic strategies and mediums—including sculpture, drawing, collage, ceramics, painting, and video—he examines the tensions between fluidity and stasis, Expressionism and Minimalism, the abject and the pristine.

Born on Bitburg Air Base, Germany, to an American father and a Dutch mother, Ruby moved at a young age to the United States, where he grew up on a farm in southeastern Pennsylvania. There he encountered Amish quilt-making and Pennsylvania redware pottery, both of which directly inspired his initial forays into garment-making, soft sculpture, and ceramics. Ruby graduated from the Pennsylvania College of Art and Design, Lancaster, in 1996. He received a BFA from the School of the Art Institute of Chicago in 2002, followed by an MFA from the ArtCenter College of Design, Pasadena, California, in 2005.

Living and working in Los Angeles, Ruby draws endless inspiration from the city’s physical and conceptual landscape. A subseries of the SP paintings (2007–14), the VIVIDS (2014), are electric color fields inspired by the shifting, multihued skies that he encounters on his way to the studio, while the SUBMARINE (2015) and TABLES (2015 –19) series were created from hulking industrial parts sourced nearby. Ruby’s work often deals with the ways in which acts of defacement, like urban demarcation and graffiti, can produce a painterly sublime. Both in his YARD paintings (2015–16) and in his WIDW paintings (2016–), he taps into the speed and motion of collage, incorporating bleached fabric and cardboard scraps and combining abstract color fields with fragments of studio refuse. Continually pushing the boundaries between artistic mediums, Ruby launched a ready-to-wear clothing line in 2019.

Fairs, Events & Announcements

Gagosian’s booth at FIAC 2021. Artwork, left to right: © Giuseppe Penone/2021 Artists Rights Society (ARS), New York/ADAGP, Paris; © Michael Heizer; © Georg Baselitz, 2021; © Pier Paolo Calzolari. Photo: Thomas Lannes

Art Fair

FIAC 2021

October 21–24, 2021, booth B23
Grand Palais Éphémère, Paris
fiac.com

Gagosian is pleased to participate in FIAC 2021 with a presentation of painting, sculpture, and works on paper by gallery artists. The booth will feature works by Georg Baselitz, Edmund de Waal, Helen Frankenthaler, Theaster Gates, Katharina Grosse, Simon Hantaï, Takashi Murakami, Albert Oehlen, Steven Parrino, Auguste Rodin, Sterling RubySetsukoJim Shawand Cy Twombly, among others. A selection of the works will also appear on gagosian.com and in FIAC’s Online Viewing Room.

To receive a pdf with detailed information on the works, please contact the gallery at inquire@gagosian.com. To attend the fair, purchase tickets at fiac.com.

Gagosian’s booth at FIAC 2021. Artwork, left to right: © Giuseppe Penone/2021 Artists Rights Society (ARS), New York/ADAGP, Paris; © Michael Heizer; © Georg Baselitz, 2021; © Pier Paolo Calzolari. Photo: Thomas Lannes

Gagosian’s booth at Art Basel 2021. Artwork, left to right: © Ed Ruscha, © Mark Tansey, © Glenn Brown, © Succession Picasso 2021, © Jenny Saville, © Albert Oehlen, © Ellsworth Kelly Foundation, © Cy Twombly Foundation, © Mary Weatherford. Photo: Sebastiano Pellion di Persano

Art Fair

Art Basel 2021

September 24–26, 2021, hall 2, booth C8
Messe Basel
artbasel.com

Gagosian is pleased to participate in Art Basel 2021 with modern and contemporary works by gallery artists, as well as several special entries in the Unlimited and Parcours sectors of the fair.

Gagosian’s booth in the main sector of the fair will feature works by Georg Baselitz, Glenn Brown, John Currin, Urs Fischer, Helen Frankenthaler, Titus Kaphar, Rick Lowe, Albert Oehlen, Sterling Ruby, and Mary Weatherford, among others. A selection of these works will also appear on gagosian.com and on Art Basel’s Online Viewing Room.

To receive a pdf with detailed information on the works, please contact the gallery at inquire@gagosian.com. To attend the fair, purchase tickets at artbasel.com.

Gagosian’s booth at Art Basel 2021. Artwork, left to right: © Ed Ruscha, © Mark Tansey, © Glenn Brown, © Succession Picasso 2021, © Jenny Saville, © Albert Oehlen, © Ellsworth Kelly Foundation, © Cy Twombly Foundation, © Mary Weatherford. Photo: Sebastiano Pellion di Persano

Photo: Melanie Schiff

In Conversation

Sterling Ruby
Tim Blanks

Tuesday, March 2, 2021, 12pm est

Sterling Ruby will speak with Tim Blanks, editor of the Business of Fashion, about his artistic process and foray into haute couture, as well as how he has stayed creative during the pandemic. The haute couture collection was created in Ruby’s Los Angeles studio, expanding the idea of the artist’s studio as atelier. Garment construction—from pattern-drafting and 3-D draping to dyeing, washing, and rinsing—occurs under the same roof as metalworking, oil painting, and ceramic firing. To attend the online event, register at businessoffashion.zoom.us.

Photo: Melanie Schiff

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Museum Exhibitions

Shio Kusaka, (line 5), 2010 © Shio Kusaka

On View

Making Knowing
Craft in Art, 1950–2019

Closing February 2022
Whitney Museum of American Art, New York
whitney.org

Making Knowing: Craft in Art, 1950–2019 foregrounds how visual artists have explored the materials, methods, and strategies of craft over the past seven decades. Some expand techniques with long histories, such as weaving, sewing, or pottery, while others experiment with clay, beads, and glass, among other mediums. Work by Richard Artschwager, Mike Kelley, Shio Kusaka, and Sterling Ruby is included.

Shio Kusaka, (line 5), 2010 © Shio Kusaka

Sterling Ruby, SP132, 2010 © Sterling Ruby. Photo: Robert Wedemeyer

On View

Sterling Ruby in
Christian Dior: Designer of Dreams

Through February 20, 2022
Brooklyn Museum, New York
www.brooklynmuseum.org

This exhibition traces the groundbreaking history and legacy of the House of Dior, bringing to life Dior’s many sources of inspiration, from the splendor of flowers and other natural forms to classical and contemporary art. With objects drawn primarily from the Dior archives, it includes over two hundred haute couture garments as well as photographs, archival videos, sketches, vintage perfume elements, accessories, and works from the museum’s collection. Work by Sterling Ruby is included.

Sterling Ruby, SP132, 2010 © Sterling Ruby. Photo: Robert Wedemeyer

VEIL FLAG by S.R. STUDIO. LA. CA./Sterling Ruby

On View

Sterling Ruby in
In America: A Lexicon of Fashion

Through September 5, 2022
Metropolitan Museum of Art, New York
www.metmuseum.org

Launching a two-part exploration of fashion in the United States, the exhibition In America: A Lexicon of Fashion at the Costume Institute of the Metropolitan Museum of Art establishes a modern vocabulary of American fashion based on its expressive qualities. This first half of the exhibition uses the organizing principle of a patchwork quilt, which serves as a metaphor for varied cultural identities in the United States. Approximately one hundred men’s and women’s ensembles by a range of designers from the 1940s to the present are featured. Work by S.R. STUDIO. LA. CA./Sterling Ruby is included.

VEIL FLAG by S.R. STUDIO. LA. CA./Sterling Ruby

Installation view, Sterling Ruby at Cycladic: Ceramics, Museum of Cycladic Art, Athens, May 14–June 27, 2021. Artwork © Sterling Ruby

Closed

Sterling Ruby at Cycladic
Ceramics

May 14–June 27, 2021
Museum of Cycladic Art, Athens
cycladic.gr

In this exhibition, Sterling Ruby places a selection of his ceramic sculptures among the rare artifacts of the Museum of Cycladic Art’s permanent collection as well as in the museum’s temporary exhibition wing. Ruby’s works—which here include smaller utilitarian objects, larger basins, as well as figurative, floral, and totemic forms—converse with representative examples of figurines, tools, weapons, and pottery from the distinctive culture that flourished in the central Aegean during the Early Bronze Age.

Installation view, Sterling Ruby at Cycladic: Ceramics, Museum of Cycladic Art, Athens, May 14–June 27, 2021. Artwork © Sterling Ruby

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Press

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