About
I wanted to paint something that was already painted.
—Richard Prince
Gagosian is pleased to announce Richard Prince: Hoods, the first exhibition dedicated to this body of work. Hoods will feature more than thirty works made over the span of twenty-five years, from 1988 through 2013, and all personally selected by Prince for this exhibition. The presentation will showcase loans from major institutions and private collections, including the Brant Foundation, New York and Greenwich, Connecticut; the Broad, Los Angeles; Colección Jumex, Mexico City; Glenstone, Potomac, Maryland; Museum of Contemporary Art, Los Angeles; Pinault Collection, Paris; and Solomon R. Guggenheim Museum, New York; as well as from the collection of the artist.
To make Hoods, Prince acquired hoods from 1960s and ’70s muscle cars, at first ordering them primarily from advertisements in automotive magazines—a continuation of the strategic appropriation, collecting, and détournement of mass-media sources that are central to his practice. Initially, Prince hired body shops to prep and paint the hoods; later, he began applying the automotive body filler Bondo, sanding, and painting them himself by hand. Surfaces and palettes vary considerably across the series, with the matte tones of Bondo and saturated hues of paint used as compositional elements. The resulting Hoods relate to two postwar American trends: DIY car culture and avant-garde art in their exploration of abstraction and the readymade. The works’ wall mounting emphasizes the distinctive bulges, scoops, and other design features that made the era’s cars iconic. Also on display are works from the related series Pedestal Hoods (2004–07), which returns the hoods to a horizontal plane as wholly sculptural forms. Both series were exhibited in Richard Prince: Spiritual America, a major survey organized in 2007 by the Solomon R. Guggenheim Museum. Following that retrospective, Prince returned to the series, incorporating new approaches and materials in a workshop he calls the Body Shop on his studio complex in Rensselaerville, New York.
#RichardPrince
Artist
Download
Press
Gagosian
Hallie Freer
hfreer@gagosian.com
+1 212 744 2313
Polskin Arts
Meagan Jones
meagan.jones@finnpartners.com
+1 212 593 6485
Julia Esposito
julia.esposito@finnpartners.com
+1 212 715 1643

Picture Books: Percival Everett and Brandon Taylor
The second installment of Picture Books, an imprint organized by Emma Cline and Gagosian, presents author Percival Everett’s novella Grand Canyon, Inc. alongside Untitled (Original Cowboy), a photograph by Richard Prince. In celebration of the publication, Everett met with author Brandon Taylor to discuss the novella, the role of history in the writing process, and the similarity in methodologies for science and literature.

Richard Prince: Cowboy
On the occasion of the publication of Richard Prince: Cowboy, a major monograph on the artist’s preoccupation with the mythic American West, Lucy Sante tracks the archetype through mass media, advertising, and the art of Richard Prince to illuminate the cowboy’s enduring appeal.

Now available
Gagosian Quarterly Summer 2020
The Summer 2020 issue of Gagosian Quarterly is now available, featuring Joan Jonas’s Mirror Piece 1 (1969) on its cover.

The Right Time
Natasha Stagg on influencers, the loss of the it-girl, and the “promotional life.”

Now available
Gagosian Quarterly Spring 2020
The Spring 2020 issue of Gagosian Quarterly is now available, featuring Cindy Sherman’s Untitled #412 (2003) on its cover.

Cast of Characters
James Lawrence explores how contemporary artists have grappled with the subject of the library.
News

Shop Takeover
Richard Prince
May 10–June 8, 2022
Gagosian Shop, London
Richard Prince is taking over the Gagosian Shop in the historic Burlington Arcade in London on the occasion of the exhibition Richard Prince: Hoods at Gagosian, New York. Included in the takeover are the artist’s books, posters, and other merchandise, with a special selection from the Katz + Dogg line created by Prince in collaboration with Darren Romanelli. Richard Prince: Hoods, 1988–2013, an artist’s book documenting a series of paintings made using the hoods of muscle cars as supports, is also available in advance of its official release by Fulton Ryder in June 2022. Upstairs, on the first floor, the presentation includes a recent painting (2021) and a grouping of High Times drawings (2019) that have never before been exhibited.
Richard Prince takeover at the Gagosian Shop, London, 2022. Photo: Prudence Cuming Associates