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Richard Prince

Richard Prince, Self Portrait, 1973–2013 Chromogenic print, 40 × 30 inches (101.6 × 76.2 cm), edition of 2

Richard Prince, Self Portrait, 1973–2013

Chromogenic print, 40 × 30 inches (101.6 × 76.2 cm), edition of 2

Richard Prince, Untitled (Joke), 2011 Inkjet on canvas, 58 × 78 ¾ inches (147.3 × 200 cm)© Richard Prince, photo by Rob McKeever

Richard Prince, Untitled (Joke), 2011

Inkjet on canvas, 58 × 78 ¾ inches (147.3 × 200 cm)
© Richard Prince, photo by Rob McKeever

Richard Prince, Graduation, 2008 Collage, inkjet, and acrylic on canvas, 72 ¾ × 52 ½ inches (185 × 133 cm)Photo by Rob McKeever

Richard Prince, Graduation, 2008

Collage, inkjet, and acrylic on canvas, 72 ¾ × 52 ½ inches (185 × 133 cm)
Photo by Rob McKeever

Richard Prince, Untitled (Girlfriend), 1993 Ektacolor print, 8 × 5 ⅜ inches (20.3 × 13.7 cm), edition of 2

Richard Prince, Untitled (Girlfriend), 1993

Ektacolor print, 8 × 5 ⅜ inches (20.3 × 13.7 cm), edition of 2

Richard Prince, Untitled (Cowboy), 1999 Ektacolor print, 23 ½ × 19 ½ inches (59.7 × 49.5 cm), edition of 2

Richard Prince, Untitled (Cowboy), 1999

Ektacolor print, 23 ½ × 19 ½ inches (59.7 × 49.5 cm), edition of 2

Richard Prince, Untitled (Cowboy), 1999 Ektacolor photograph, 59 ⅛ × 83 ⅛ inches (150.2 × 211.1 cm), edition of 2

Richard Prince, Untitled (Cowboy), 1999

Ektacolor photograph, 59 ⅛ × 83 ⅛ inches (150.2 × 211.1 cm), edition of 2

Richard Prince, Untitled (Three women with earrings), 1980 3 Ektacolor photographs, 20 × 24 inches each (50.8 × 61 cm)

Richard Prince, Untitled (Three women with earrings), 1980

3 Ektacolor photographs, 20 × 24 inches each (50.8 × 61 cm)

Richard Prince, Untitled (de Kooning), 2005 Inkjet and acrylic on canvas, 67 × 84 inches (170.2 × 213.4 cm)

Richard Prince, Untitled (de Kooning), 2005

Inkjet and acrylic on canvas, 67 × 84 inches (170.2 × 213.4 cm)

Richard Prince, Untitled, 2009 Collage and acrylic on canvas, 75 ½ × 58 ½ inches (191.8 × 148.6 cm)

Richard Prince, Untitled, 2009

Collage and acrylic on canvas, 75 ½ × 58 ½ inches (191.8 × 148.6 cm)

Richard Prince, Nine Yards, 2008 Carhood, basketball hoop, plywood, and bondo, 42 ½ × 31 × 56 inches (108 × 78.7 × 142.2 cm)

Richard Prince, Nine Yards, 2008

Carhood, basketball hoop, plywood, and bondo, 42 ½ × 31 × 56 inches (108 × 78.7 × 142.2 cm)

Richard Prince, Girlfriend, 1995 Ektacolor print, 45 × 29 ½ inches (114.3 × 74.9 cm)

Richard Prince, Girlfriend, 1995

Ektacolor print, 45 × 29 ½ inches (114.3 × 74.9 cm)

Richard Prince Elvis, 2007 Steel, plywood and bondo 63 × 76 × 182 inches (160 × 193 × 462.3 cm) Installation at Gagosian Gallery Britannia Street, London

Richard Prince Elvis, 2007

Steel, plywood and bondo 63 × 76 × 182 inches (160 × 193 × 462.3 cm) Installation at Gagosian Gallery Britannia Street, London

Richard Prince, Untitled (Cowboys), 1992 Ektacolor photograph, 40 × 27 ¾ inches (101.6 × 70.5 cm), edition of 2

Richard Prince, Untitled (Cowboys), 1992

Ektacolor photograph, 40 × 27 ¾ inches (101.6 × 70.5 cm), edition of 2

About

Mining images from mass media, advertising and entertainment since the late 1970s, Richard Prince has redefined the concepts of authorship, ownership, and aura. Applying his understanding of the complex transactions of representation to the making of art, he evolved a unique signature filled with echoes of other signatures yet that is unquestionably his own. An avid collector and perceptive chronicler of American subcultures and vernaculars and their role in the construction of American identity, he has probed the depths of racism, sexism, and psychosis in mainstream humor; the mythical status of cowboys, bikers, customized cars, and celebrities; and most recently, the push–pull allure of pulp fiction and soft porn, producing such unlikely icons as the highly coveted Nurse paintings.

Richard Prince was born in 1949 in the Panama Canal Zone. Prince’s work has been the subject of major solo exhibitions, including the Whitney Museum of American Art, New York (1992); San Francisco Museum of Modern Art, California (1993); “Fotos, Schilderijen, Objecten,” Museum Boymans–Van Beuningen, Rotterdam (1993); Haus der Kunst / Süddeutsche Zeitung, Munich (1996); Museum Haus Lange / Museum Haus Esters, Germany (1997); “4x4,” MAK Center for Art and Architecture, Vienna (2000); “Upstate,” MAK Center for Art and Architecture, Schindler House, Los Angeles (2000); Museum für Gegenwartskunst, Basel (2001, traveled to Kunsthalle Zurich, Switzerland; and Kunstmuseum Wolfsburg, Germany); “American Dream, Collecting Richard Prince for 27 Years,” Rubell Family Collection, Miami (2004); “Canaries in the Coal Mine,” Astrup Fearnley Museum, Oslo (2006); “The Early Works,” Neuberger Museum of Art, New York (2007); Solomon R. Guggenheim Museum, New York (2007, traveled to Walker Art Center, Minneapolis; and Serpentine Gallery, London, through 2008); “American Prayer,” Bibliothèque nationale de France, Paris (2011); “Prince/Picasso,” Picasso Museum, Spain (2012); and “It’s a Free Concert,” Kunsthaus Bregenz, Austria (2014). Prince’s works are in the public collections of the Metropolitan Museum of Art, New York; Modern Art Museum of Fort Worth, Texas; Museum of Fine Arts Collection, Boston; Museum of Modern Art, New York; and the Victoria and Albert Museum, London.

Prince currently lives and works in New York.

Richard Prince

Photo: Gordon M. Grant/The New York Times/Redux

Fairs, Events & Announcements

Richard Prince, Untitled, 2017–18 © Richard Prince

Tour

Richard Prince
High Times

Saturday, June 1, 2019, 3pm
Gagosian, San Francisco

Join us for an in-depth look at Richard Prince’s new High Times paintings at Gagosian, San Francisco. Engaging with the city’s historic counterculture and the tradition of American painting, these large-scale works are laden with colorful figures layered upon the canvas. Gagosian’s Graham Dalik will discuss the origins and evolution of these paintings, their connection to Prince’s earlier Hippie Drawings, and the artist’s long-standing interest in many of the literary and cultural figures associated with the Bay Area. To attend this free event, RSVP to sftours@gagosian.com. Space is limited. 

Richard Prince, Untitled, 2017–18 © Richard Prince

Rembrandt van Rijn, Self-Portrait with Two Circles, c. 1665, English Heritage, The Iveagh Bequest (Kenwood, London). Photo: Historic England Photo Library

Tour

Visions of the Self: Rembrandt and Now
In partnership with English Heritage

Thursday, April 25, 2019, 6pm
Gagosian, Grosvenor Hill, London

Gagosian director and art historian Richard Calvocoressi will lead a tour of the exhibition Visions of the Self: Rembrandt and Now at Gagosian, Grosvenor Hill, London. Calvocoressi will take a look at postwar and contemporary masters of self-representation, anchoring the conversation to an important Rembrandt masterpiece included in the exhibition, Self-Portrait with Two Circles (c. 1665). The event has reached capacity. To join the wait list, contact londontours@gagosian.com.

Rembrandt van Rijn, Self-Portrait with Two Circles, c. 1665, English Heritage, The Iveagh Bequest (Kenwood, London). Photo: Historic England Photo Library

Zeng Fanzhi, Rooster, 2019 © 2019 Zeng Fanzhi

Art Fair

Art Basel Hong Kong

March 29–31, 2019, booth 1C18
Hong Kong Convention and Exhibition Centre
www.artbasel.com

Gagosian is pleased to participate in Art Basel Hong Kong 2019, with works by Georg Baselitz, Edmund de Waal, Urs Fischer, Katharina Grosse, Andreas Gursky, Duane Hanson, Damien Hirst, Thomas Houseago, Yayoi Kusama, René Magritte, Giorgio Morandi, Takashi Murakami, Albert Oehlen, Nam June Paik, Richard Prince, Ed Ruscha, Richard Serra, Andy Warhol, Tom Wesselmann, Rachel Whiteread, Jonas Wood, Christopher Wool, Zao Wou-Ki, Zeng Fanzhi, and others. 

To receive a PDF with detailed information on the works, please contact the gallery at inquire@gagosian.com. To attend the fair, purchase tickets at artbasel.com.

Download the full press release in English, Simplified Chinese, or Traditional Chinese

Zeng Fanzhi, Rooster, 2019 © 2019 Zeng Fanzhi

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Museum Exhibitions

Works from the Solomon R. Guggenheim Museum’s collection in storage. Artwork, clockwise from top left: Jean Dubuffet, Martin Barré, and Wifredo Lam © 2019 Artists Rights Society (ARS), New York/ADAGP, Paris; Willem de Kooning © 2019 The Willem de Kooning Foundation/Artists Rights Society (ARS), New York; David Hammons © David Hammons; Paul Wonner © Estate of Paul Wonner and William Theophilius Brown, Crocker Art Museum, Sacramento, California; Cecilia Vicuña © Cecilia Vicuña; Maria Helena Vieira da Silva © 2019 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo: David M. Heald

Opening this Week

Artistic License
Six Takes on the Guggenheim Collection

May 24, 2019–January 12, 2020
Solomon R. Guggenheim Museum, New York
www.guggenheim.org

This exhibition celebrates the institution’s extensive twentieth-century holdings through the eyes of six contemporary artists, all of whom have contributed to shaping the museum’s history with their own pivotal solo shows: Cai Guo-Qiang, Paul Chan, Jenny Holzer, Julie Mehretu, Richard Prince, and Carrie Mae Weems. Through collection highlights and rarely seen works from the turn of the century to 1980, this presentation includes nearly three hundred paintings, sculptures, works on paper, and installations selected by the six artists that engage with the cultural discourse of their time. Work by Francis Bacon, Willem de Kooning, and Lawrence Weiner is included.

Works from the Solomon R. Guggenheim Museum’s collection in storage. Artwork, clockwise from top left: Jean Dubuffet, Martin Barré, and Wifredo Lam © 2019 Artists Rights Society (ARS), New York/ADAGP, Paris; Willem de Kooning © 2019 The Willem de Kooning Foundation/Artists Rights Society (ARS), New York; David Hammons © David Hammons; Paul Wonner © Estate of Paul Wonner and William Theophilius Brown, Crocker Art Museum, Sacramento, California; Cecilia Vicuña © Cecilia Vicuña; Maria Helena Vieira da Silva © 2019 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo: David M. Heald

Georg Baselitz, Lehr nich ratte much wilm (Lelf bal wile), 2013 © Georg Baselitz 2018

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Counterpoint
Selections from the Peter Marino Collection

July 28–September 23, 2018
Southampton Arts Center, New York
southamptonartscenter.org

In 1978 Peter Marino acquired an artwork from Andy Warhol. Since then, the Peter Marino Collection has grown to encompass hundreds of paintings and mixed-media pieces representing some of the most notable artists of today. Work by Georg Baselitz, Glenn Brown, Damien Hirst, Anselm Kiefer, Richard Prince, and Andy Warhol is included.

Georg Baselitz, Lehr nich ratte much wilm (Lelf bal wile), 2013 © Georg Baselitz 2018

Ellen Gallagher, Untitled (10), 2000 © Ellen Gallagher

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Praying for Time

March 2–July 8, 2018
Rose Art Museum, Brandeis University, Waltham, Massachusetts
www.brandeis.edu

Marked by the fall of the Berlin Wall, the attacks of September 11, and civil war, the end of the twentieth century can also be viewed as a time that presaged immense global revolutions, both social and digital, that have transformed our world. Praying for Time reflects the diversity of voices and concerns in art produced during that pivotal period from 1980 through the early 2000s. Work by Gregory Crewdson, Ellen Gallagher, Richard Prince, Richard Serra, and Andy Warhol is included. 

Ellen Gallagher, Untitled (10), 2000 © Ellen Gallagher

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