Urs Fischer: Wave
In this video, Urs Fischer elaborates on the creative process behind his public installation Wave, at Place Vendôme, Paris.
Beauty is genetic, not aesthetic.
—Urs Fischer
Gagosian is pleased to announce Beauty, an exhibition of new works from Urs Fischer’s series Problem Paintings (2010–) at the gallery’s rue de Castiglione location, opening on March 5, 2024. The exhibition follows the fall 2023 presentation of Fischer’s public sculpture Wave (2018) at Place Vendôme, and the coincident display of his painting Candyfloss (2023) in the street-facing vitrine at Gagosian’s rue de Ponthieu gallery.
Marshaling a dizzying variety of materials and methods both established and unconventional, Fischer explores themes of perception and representation, distorting scale and reimagining common objects and images through technological intervention. By evoking and reworking historical genres and motifs, he embraces transformation and decay, producing art that inhabits a space between the real and the imagined. The Problem Paintings series represents a conscious flattening out and forcing together of disparate categories and associations, calling the status and relationship of each image’s components into question.
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In this video, Urs Fischer elaborates on the creative process behind his public installation Wave, at Place Vendôme, Paris.
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PLAY, currently on view at Gagosian on West 21st Street in New York, is a work by Urs Fischer in which nine office chairs move through the gallery and interact with visitors. Artist and choreographer Madeline Hollander worked with Fischer and a team of programmers and animators to create various gestures, movements, and behavior sequences for the chairs. Gagosian’s Angela Brown sat down to talk with Hollander about this process.
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