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Urs Fischer

Urs Fischer, Bad Timing, Lamb Chop!, 2004–05 Cast aluminum, polyurethane resin, and enamel paint, 177 ⅛ × 90 ½ × 129 ⅞ inches (450 × 230 × 330 cm), edition of 2© Urs Fischer. Photo: Erich Koyama

Urs Fischer, Bad Timing, Lamb Chop!, 2004–05

Cast aluminum, polyurethane resin, and enamel paint, 177 ⅛ × 90 ½ × 129 ⅞ inches (450 × 230 × 330 cm), edition of 2
© Urs Fischer. Photo: Erich Koyama

Urs Fischer, quarteredukulele, 2011 Top: ultralight MDF, acrylic sealer, wallpaper primer, wallpaper adhesive, paper, silk-screened acrylic paints, acrylic polymer emulsion, acrylic polyurethane, and urethane; base: cold-rolled steel powder-coated with polyester TGIC (RAL 6034), polyester tape, cork composite, and hardware; 34 ½ × 34 ½ × 24 ¾ inches (87.6 × 87.6 × 62.9 cm)© Urs Fischer/Gavin Brown Enterprise

Urs Fischer, quarteredukulele, 2011

Top: ultralight MDF, acrylic sealer, wallpaper primer, wallpaper adhesive, paper, silk-screened acrylic paints, acrylic polymer emulsion, acrylic polyurethane, and urethane; base: cold-rolled steel powder-coated with polyester TGIC (RAL 6034), polyester tape, cork composite, and hardware; 34 ½ × 34 ½ × 24 ¾ inches (87.6 × 87.6 × 62.9 cm)
© Urs Fischer/Gavin Brown Enterprise

Urs Fischer, quarteredukulele, 2011 Top: ultralight MDF, acrylic sealer, wallpaper primer, wallpaper adhesive, paper, silk-screened acrylic paints, acrylic polymer emulsion, acrylic polyurethane, and urethane; base: cold-rolled steel powder-coated with polyester TGIC (RAL 6034), polyester tape, cork composite, and hardware; 34 ½ × 34 ½ × 24 ¾ inches (87.6 × 87.6 × 62.9 cm)© Urs Fischer/Gavin Brown Enterprise

Urs Fischer, quarteredukulele, 2011

Top: ultralight MDF, acrylic sealer, wallpaper primer, wallpaper adhesive, paper, silk-screened acrylic paints, acrylic polymer emulsion, acrylic polyurethane, and urethane; base: cold-rolled steel powder-coated with polyester TGIC (RAL 6034), polyester tape, cork composite, and hardware; 34 ½ × 34 ½ × 24 ¾ inches (87.6 × 87.6 × 62.9 cm)
© Urs Fischer/Gavin Brown Enterprise

Urs Fischer, Horse/Bed, 2013 Milled aluminum, galvanized steel, screws, bolts, and two-component resin, 85 ⅞ × 103 ⅝ × 43 ¾ inches (218.2 × 263.1 × 111.1 cm), edition of 3© Urs Fischer

Urs Fischer, Horse/Bed, 2013

Milled aluminum, galvanized steel, screws, bolts, and two-component resin, 85 ⅞ × 103 ⅝ × 43 ¾ inches (218.2 × 263.1 × 111.1 cm), edition of 3
© Urs Fischer

Urs Fischer, mermaid, 2014 Cast bronze, 40 ½ × 48 × 84 inches (102.9 × 121.9 × 213.4 cm), edition of 2© Urs Fischer. Photo: Melissa Christy

Urs Fischer, mermaid, 2014

Cast bronze, 40 ½ × 48 × 84 inches (102.9 × 121.9 × 213.4 cm), edition of 2
© Urs Fischer. Photo: Melissa Christy

Urs Fischer, last supper, 2014 Cast bronze, 60 × 60 × 300 inches (152.4 × 152.4 × 762 cm), edition of 2© Urs Fischer. Photo: Melissa Christy

Urs Fischer, last supper, 2014

Cast bronze, 60 × 60 × 300 inches (152.4 × 152.4 × 762 cm), edition of 2
© Urs Fischer. Photo: Melissa Christy

Urs Fischer, Oxygen, 2015 Aluminum panel, aramid honeycomb, two-component polyurethane adhesive, two-component epoxy primer, galvanized steel rivet nuts, acrylic primer, gesso, acrylic ink, acrylic silkscreen medium, and acrylic paint, 132 ½ × 106 inches (336.6 × 269.2 cm)© Urs Fischer. Photo: Mats Nordman

Urs Fischer, Oxygen, 2015

Aluminum panel, aramid honeycomb, two-component polyurethane adhesive, two-component epoxy primer, galvanized steel rivet nuts, acrylic primer, gesso, acrylic ink, acrylic silkscreen medium, and acrylic paint, 132 ½ × 106 inches (336.6 × 269.2 cm)
© Urs Fischer. Photo: Mats Nordman

Urs Fischer, Landscape, 2016 Aluminum panel, epoxy, reinforced polyurethane foam, acrylic primer, gesso, acrylic ink, acrylic silkscreen medium, and acrylic paint, 71 × 127 ⅜ inches (180.3 × 323.5 cm)© Urs Fischer

Urs Fischer, Landscape, 2016

Aluminum panel, epoxy, reinforced polyurethane foam, acrylic primer, gesso, acrylic ink, acrylic silkscreen medium, and acrylic paint, 71 × 127 ⅜ inches (180.3 × 323.5 cm)
© Urs Fischer

Urs Fischer, Low Lying Cloud, 2016 Cast bronze, acrylic primer, chalk gesso, rabbit skin glue, and oil paint, 8 ¼ × 15 ¼ × 7 ½ inches (21 × 38.7 × 19.1 cm), edition of 2© Urs Fischer. Photo: Mats Nordman

Urs Fischer, Low Lying Cloud, 2016

Cast bronze, acrylic primer, chalk gesso, rabbit skin glue, and oil paint, 8 ¼ × 15 ¼ × 7 ½ inches (21 × 38.7 × 19.1 cm), edition of 2
© Urs Fischer. Photo: Mats Nordman

Urs Fischer, aceofpigs, 2016 Aluminum, epoxy, steel, acrylic primer, gesso, acrylic ink, acrylic silkscreen medium, and acrylic paint, 59 × 59 ¾ inches (149.9 × 151.8 cm), edition of 2 + 1 AP© Urs Fischer. Photo: Rob McKeever

Urs Fischer, aceofpigs, 2016

Aluminum, epoxy, steel, acrylic primer, gesso, acrylic ink, acrylic silkscreen medium, and acrylic paint, 59 × 59 ¾ inches (149.9 × 151.8 cm), edition of 2 + 1 AP
© Urs Fischer. Photo: Rob McKeever

Urs Fischer, Foamcore, 2017 Aluminum panel, aramid honeycomb, two-component polyurethane adhesive, two-component epoxy primer, galvanized steel rivet nuts, acrylic primer, gesso, acrylic ink, acrylic silkscreen medium, acrylic paint, and oil medium, 96 × 120 inches (243.8 × 304.8 cm)© Urs Fischer. Photo: Mats Nordman

Urs Fischer, Foamcore, 2017

Aluminum panel, aramid honeycomb, two-component polyurethane adhesive, two-component epoxy primer, galvanized steel rivet nuts, acrylic primer, gesso, acrylic ink, acrylic silkscreen medium, acrylic paint, and oil medium, 96 × 120 inches (243.8 × 304.8 cm)
© Urs Fischer. Photo: Mats Nordman

About

People seem to fear art. Art has always been a word for this thing that can’t be rationalized; when you see or hear something that you struggle to explain. But that’s its strength, of course, that’s what the word “art” is for.
—Urs Fischer

Urs Fischer mines the potential of materials—from clay, steel, and paint to bread, dirt, and produce—to create works that disorient and bewilder. Through scale distortions, illusion, and the juxtaposition of common objects, his sculptures, paintings, photographs, and large-scale installations explore themes of perception and representation while maintaining a witty irreverence and mordant humor.

Fischer began his artistic career studying photography at the Schule für Gestaltung in Zurich. He later lived in London and Los Angeles, and shared a studio with Rudolf Stingel in both Berlin and New York. Themes of absence and presence, as well as the processes of art production, pervade his work, in which Fischer makes use of tables, chairs, shadows, and light to explore distortion and anthropomorphism. In Stuhl mit (1995–2001), bulbous, fabric-covered legs merge with a wooden chair, and in Studies for chairs for individual seating positions (1993), the absence of a human body is suggested by a sawdust and rubber mold draped over the furniture. Food is also a major element in Fischer’s work. Rotting, melting, and crumbling, and placed in juxtaposition with permanent materials like metal, bricks, and mortar, it serves as a memento mori; Rotten Foundation (1998) comprises a brick structure built on a foundation of rotting produce; Untitled (Bread House) (2004–05), a Swiss chalet constructed entirely of loaves of bread, was left to be eaten by parakeets; and in the Problem Paintings (2011–), portraits mounted on aluminum panels are obscured by images of eggs, peppers, and kiwis, as well as twisted bolts and half-smoked cigarettes.

In 2009 Fischer had his first large-scale solo presentation in an American museum, at New York’s New Museum; the exhibition featured a series of immersive installations and hallucinatory environments including cityscapes and mirrored labyrinths. At the Venice Biennale in 2011, his wax copy of Giambologna’s late-sixteenth-century sculpture Rape of the Sabine Women slowly melted, looming over another candle depicting an ordinary man wearing glasses and a sport coat. The candle works, which Fischer has produced since 2001, attest to his mastery of entropy, as well as his simultaneous incorporation and rejection of tradition.

Fischer had his first solo show with Gagosian in 2012. The following year for his exhibition Yes at the Geffen Contemporary at MOCA Los Angeles, 1,400 volunteers produced unfired clay sculptures in the weeks leading up to the exhibition. As soon as Fischer has accomplished one material feat, he embarks on another, in ways that are complicated and playful, messy and perfected.

Installation view, Urs Fischer: PLAY with choreography by Madeline Hollander, Gagosian, West 21st Street, New York, September 6–October 13, 2018.

Play

Urs Fischer and choreographer Madeline Hollander speak with novelist Natasha Stagg about the ways in which choreographic experimentation and an interest in our ability to project emotion onto objects led to the one-of-a-kind project PLAY.

Still from video Visions of the Self: Jenny Saville on Rembrandt

Visions of the Self: Jenny Saville on Rembrandt

Jenny Saville reveals the process behind her new self-portrait, painted in response to Rembrandt’s masterpiece Self-Portrait with Two Circles.

Gagosian Quarterly Winter 2018

Gagosian Quarterly Winter 2018

The Winter 2018 issue of Gagosian Quarterly is now available. Our cover this issue comes from High Times, a new body of work by Richard Prince.

Who is choreographing whom?

Who is choreographing whom?

PLAY, currently on view at Gagosian on West 21st Street in New York, is a work by Urs Fischer in which nine office chairs move through the gallery and interact with visitors. Artist and choreographer Madeline Hollander worked with Fischer and a team of programmers and animators to create various gestures, movements, and behavior sequences for the chairs. Gagosian’s Angela Brown sat down to talk with Hollander about this process.

Urs Fischer: Sotatsu

Urs Fischer: Sotatsu

Urs Fischer and Francesco Bonami sat down with the Gagosian Quarterly to discuss Sōtatsu, a new painting in nine parts.

Urs Fischer: Things

Urs Fischer: Things

In midtown Manhattan, a new sculpture by Urs Fischer, entitled Things, was debuted in May 2018. Fischer and international curator, Francesco Bonami, discuss this unique exhibition with the Gagosian Quarterly.

Rx Art

The Bigger Picture
Rx Art

Derek Blasberg speaks with Diane Brown, president and founder of RxArt, and with contributing artists Dan Colen, Urs Fischer, and Jeff Koons about the transformative power of visual art.

Mina Stone and Urs Fischer: Cooking for Artists

Mina Stone and Urs Fischer: Cooking for Artists

For Printed Matter’s 2015 LA Art Book Fair, artist Urs Fischer and chef Mina Stone hosted an installation of a kitchen within Gagosian’s booth. Here is a recap of the fair.

Fairs, Events & Announcements

John Currin, Young Woman on a Lounger, 2014 © John Currin

Art Fair

Taipei Dangdai 2020

January 17–19, 2020, booth E20
Taipei Nangang Exhibition Center
taipeidangdai.com

Gagosian is pleased to participate in Taipei Dangdai 2020, presenting works by Georg Baselitz, John Currin, Edmund de Waal, Urs Fischer, Katharina Grosse, Damien Hirst, Robert Indiana, John Mason, Takashi Murakami, Takashi Murakami & Virgil Abloh, Albert Oehlen, Nam June Paik, Steven Parrino, Richard Prince, Ed Ruscha, Spencer Sweeney, Tom Wesselmann, and Jonas Wood, among others. 

To receive a PDF with detailed information on the works, please contact the gallery at inquire@gagosian.com. To attend the fair, purchase tickets at taipeidangdei.com

Download the full press release in English (pdf), Simplified Chinese (pdf), or Traditional Chinese (pdf)

John Currin, Young Woman on a Lounger, 2014 © John Currin

Installation view, Urs Fischer: Leo, Gagosian, Paris, October 14–December 20, 2019. Artwork © Urs Fischer. Photo: Stefan Altenburger

Tour

Urs Fischer
Leo

Wednesday, December 11, 2019, 6:30pm
Gagosian, Paris

Journalist and curator Judith Benhamou-Huet will lead a tour of the exhibition Urs Fischer: Leo at Gagosian, Paris. In Fischer’s work, the processes of material creation and destruction are often explored through the use of impermanent materials. Fischer’s candle sculptures, which he began to make in the early 2000s, exemplify this relationship. The artist’s newest candle portrait, Leo (George & Irmelin) (2019), depicts Leonardo DiCaprio with his parents, George DiCaprio and Irmelin Indenbirken. As with all of Fischer’s candle sculptures, Leo (George & Irmelin) will melt slowly over the course of the exhibition, its original composition transmuted into a form dictated by the wayward laws of physics. To attend the free event, RSVP to paristours@gagosian.com. Space is limited.

Installation view, Urs Fischer: Leo, Gagosian, Paris, October 14–December 20, 2019. Artwork © Urs Fischer. Photo: Stefan Altenburger

Urs Fischer: Sculptures 2013–2018 (New York: Kiito-San, LLC, 2019)

Book Launch

Urs Fischer

November 11–December 14, 2019
Gagosian, Geneva

Gagosian is pleased to celebrate the release of Urs Fischer: Sculptures 2013–2018, published by Kiito-San, with a special presentation of the book featuring a selection of recent sculptures, works from the Bandaids series, and other important publications made by the artist.

Featuring more than one hundred works as well as documentation of forty exhibitions and installations both public and private, Sculptures 2013–2018 presents six years of Fischer’s material explorations in a substantial volume. Arranged chronologically, the book allows the reader to follow his developments in form and his frequent adventure into whimsy. Fischer’s instinct for design is evident not only in individual works but also in his clarity of vision for a space. Encountering the immense and the minuscule, the ever-changing and the static, the viewer must reconcile with his or her own presence in time.

Urs Fischer: Sculptures 2013–2018 (New York: Kiito-San, LLC, 2019)

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Museum Exhibitions

Installation view, Third Dimension: Works from the Brant Foundation, Brant Foundation, New York, November 13, 2019–September 3, 2020. Artwork, front to back: © Urs Fischer, © Dan Flavin

On View

Third Dimension
Works from the Brant Foundation

Through September 3, 2020
Brant Foundation, New York
brantfoundation.org

Bringing together more than twenty artists integral to the Brant Foundation’s collection, this exhibition offers a glimpse into the multifaceted practices of artists whose work Peter M. Brant has collected over the past fifty years. Work by Jean-Michel Basquiat, Urs Fischer, Mike Kelley, Adam McEwen, Richard Prince, Andy Warhol, and Franz West is included.

Installation view, Third Dimension: Works from the Brant Foundation, Brant Foundation, New York, November 13, 2019–September 3, 2020. Artwork, front to back: © Urs Fischer, © Dan Flavin

Artwork © Urs Fischer

On View

Urs Fischer
The Lyrical and the Prosaic

Opening soon
Aïshti Foundation, Jal el Dib, Lebanon
www.aishtifoundation.com

Aïshti Foundation presents a solo exhibition by Urs Fischer.

Artwork © Urs Fischer

Installation view, Urs Fischer: Errors, Brant Foundation, Greenwich, Connecticut, May 13–October 1, 2019 © Urs Fischer. Photo: Stefan Altenburger

Closed

Urs Fischer
Error

May 13–September 13, 2019
Brant Foundation, Greenwich, Connecticut
brantfoundation.org

The Brant Foundation celebrates its tenth anniversary at its Greenwich, Connecticut, space with an exhibition by Urs Fischer, the first artist to have had a solo show at the center in 2010. This exhibition features some of the artist’s most notable large-scale sculptures alongside paintings and other highlights from the Brant Collections.

Installation view, Urs Fischer: Errors, Brant Foundation, Greenwich, Connecticut, May 13–October 1, 2019 © Urs Fischer. Photo: Stefan Altenburger

Urs Fischer, Mr. Flosky, 2001–02 © Urs Fischer

Closed

How to See [What Isn’t There]

September 9, 2018–March 17, 2019
Langen Foundation, Neuss, Germany
www.langenfoundation.de

How to See [What Isn’t There] brings together works from the Burger Collection Hong Kong by thirty-two artists from around the world. The exhibition features forty-five works including sculpture, installation, painting, photography, video, VR, and performance. The artists and works that have been selected for this exhibition highlight and blur the lines between presence and absence. Work by Urs Fischer and Douglas Gordon is included.

Urs Fischer, Mr. Flosky, 2001–02 © Urs Fischer

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Press

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