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Urs Fischer

Urs Fischer, Bad Timing, Lamb Chop!, 2004–05 Cast aluminum, polyurethane resin, and enamel paint, 177 ⅛ × 90 ½ × 129 ⅞ inches (450 × 230 × 330 cm), edition of 2© Urs Fischer. Photo: Erich Koyama

Urs Fischer, Bad Timing, Lamb Chop!, 2004–05

Cast aluminum, polyurethane resin, and enamel paint, 177 ⅛ × 90 ½ × 129 ⅞ inches (450 × 230 × 330 cm), edition of 2
© Urs Fischer. Photo: Erich Koyama

Urs Fischer, quarteredukulele, 2011 Top: ultralight MDF, acrylic sealer, wallpaper primer, wallpaper adhesive, paper, silk-screened acrylic paints, acrylic polymer emulsion, acrylic polyurethane, and urethane; base: cold-rolled steel powder-coated with polyester TGIC (RAL 6034), polyester tape, cork composite, and hardware; 34 ½ × 34 ½ × 24 ¾ inches (87.6 × 87.6 × 62.9 cm)© Urs Fischer/Gavin Brown Enterprise

Urs Fischer, quarteredukulele, 2011

Top: ultralight MDF, acrylic sealer, wallpaper primer, wallpaper adhesive, paper, silk-screened acrylic paints, acrylic polymer emulsion, acrylic polyurethane, and urethane; base: cold-rolled steel powder-coated with polyester TGIC (RAL 6034), polyester tape, cork composite, and hardware; 34 ½ × 34 ½ × 24 ¾ inches (87.6 × 87.6 × 62.9 cm)
© Urs Fischer/Gavin Brown Enterprise

Urs Fischer, quarteredukulele, 2011 Top: ultralight MDF, acrylic sealer, wallpaper primer, wallpaper adhesive, paper, silk-screened acrylic paints, acrylic polymer emulsion, acrylic polyurethane, and urethane; base: cold-rolled steel powder-coated with polyester TGIC (RAL 6034), polyester tape, cork composite, and hardware; 34 ½ × 34 ½ × 24 ¾ inches (87.6 × 87.6 × 62.9 cm)© Urs Fischer/Gavin Brown Enterprise

Urs Fischer, quarteredukulele, 2011

Top: ultralight MDF, acrylic sealer, wallpaper primer, wallpaper adhesive, paper, silk-screened acrylic paints, acrylic polymer emulsion, acrylic polyurethane, and urethane; base: cold-rolled steel powder-coated with polyester TGIC (RAL 6034), polyester tape, cork composite, and hardware; 34 ½ × 34 ½ × 24 ¾ inches (87.6 × 87.6 × 62.9 cm)
© Urs Fischer/Gavin Brown Enterprise

Urs Fischer, Horse/Bed, 2013 Milled aluminum, galvanized steel, screws, bolts, and two-component resin, 85 ⅞ × 103 ⅝ × 43 ¾ inches (218.2 × 263.1 × 111.1 cm), edition of 3© Urs Fischer

Urs Fischer, Horse/Bed, 2013

Milled aluminum, galvanized steel, screws, bolts, and two-component resin, 85 ⅞ × 103 ⅝ × 43 ¾ inches (218.2 × 263.1 × 111.1 cm), edition of 3
© Urs Fischer

Urs Fischer, mermaid, 2014 Cast bronze, 40 ½ × 48 × 84 inches (102.9 × 121.9 × 213.4 cm), edition of 2© Urs Fischer. Photo: Melissa Christy

Urs Fischer, mermaid, 2014

Cast bronze, 40 ½ × 48 × 84 inches (102.9 × 121.9 × 213.4 cm), edition of 2
© Urs Fischer. Photo: Melissa Christy

Urs Fischer, last supper, 2014 Cast bronze, 60 × 60 × 300 inches (152.4 × 152.4 × 762 cm), edition of 2© Urs Fischer. Photo: Melissa Christy

Urs Fischer, last supper, 2014

Cast bronze, 60 × 60 × 300 inches (152.4 × 152.4 × 762 cm), edition of 2
© Urs Fischer. Photo: Melissa Christy

Urs Fischer, Oxygen, 2015 Aluminum panel, aramid honeycomb, two-component polyurethane adhesive, two-component epoxy primer, galvanized steel rivet nuts, acrylic primer, gesso, acrylic ink, acrylic silkscreen medium, and acrylic paint, 132 ½ × 106 inches (336.6 × 269.2 cm)© Urs Fischer. Photo: Mats Nordman

Urs Fischer, Oxygen, 2015

Aluminum panel, aramid honeycomb, two-component polyurethane adhesive, two-component epoxy primer, galvanized steel rivet nuts, acrylic primer, gesso, acrylic ink, acrylic silkscreen medium, and acrylic paint, 132 ½ × 106 inches (336.6 × 269.2 cm)
© Urs Fischer. Photo: Mats Nordman

Urs Fischer, Landscape, 2016 Aluminum panel, epoxy, reinforced polyurethane foam, acrylic primer, gesso, acrylic ink, acrylic silkscreen medium, and acrylic paint, 71 × 127 ⅜ inches (180.3 × 323.5 cm)© Urs Fischer

Urs Fischer, Landscape, 2016

Aluminum panel, epoxy, reinforced polyurethane foam, acrylic primer, gesso, acrylic ink, acrylic silkscreen medium, and acrylic paint, 71 × 127 ⅜ inches (180.3 × 323.5 cm)
© Urs Fischer

Urs Fischer, Low Lying Cloud, 2016 Cast bronze, acrylic primer, chalk gesso, rabbit skin glue, and oil paint, 8 ¼ × 15 ¼ × 7 ½ inches (21 × 38.7 × 19.1 cm), edition of 2© Urs Fischer. Photo: Mats Nordman

Urs Fischer, Low Lying Cloud, 2016

Cast bronze, acrylic primer, chalk gesso, rabbit skin glue, and oil paint, 8 ¼ × 15 ¼ × 7 ½ inches (21 × 38.7 × 19.1 cm), edition of 2
© Urs Fischer. Photo: Mats Nordman

Urs Fischer, aceofpigs, 2016 Aluminum, epoxy, steel, acrylic primer, gesso, acrylic ink, acrylic silkscreen medium, and acrylic paint, 59 × 59 ¾ inches (149.9 × 151.8 cm), edition of 2 + 1 AP© Urs Fischer. Photo: Rob McKeever

Urs Fischer, aceofpigs, 2016

Aluminum, epoxy, steel, acrylic primer, gesso, acrylic ink, acrylic silkscreen medium, and acrylic paint, 59 × 59 ¾ inches (149.9 × 151.8 cm), edition of 2 + 1 AP
© Urs Fischer. Photo: Rob McKeever

Urs Fischer, Foamcore, 2017 Aluminum panel, aramid honeycomb, two-component polyurethane adhesive, two-component epoxy primer, galvanized steel rivet nuts, acrylic primer, gesso, acrylic ink, acrylic silkscreen medium, acrylic paint, and oil medium, 96 × 120 inches (243.8 × 304.8 cm)© Urs Fischer. Photo: Mats Nordman

Urs Fischer, Foamcore, 2017

Aluminum panel, aramid honeycomb, two-component polyurethane adhesive, two-component epoxy primer, galvanized steel rivet nuts, acrylic primer, gesso, acrylic ink, acrylic silkscreen medium, acrylic paint, and oil medium, 96 × 120 inches (243.8 × 304.8 cm)
© Urs Fischer. Photo: Mats Nordman

About

People seem to fear art. Art has always been a word for this thing that can’t be rationalized; when you see or hear something that you struggle to explain. But that’s its strength, of course, that’s what the word “art” is for.
—Urs Fischer

Urs Fischer mines the potential of materials—from clay, steel, and paint to bread, dirt, and produce—to create works that disorient and bewilder. Through scale distortions, illusion, and the juxtaposition of common objects, his sculptures, paintings, photographs, and large-scale installations explore themes of perception and representation while maintaining a witty irreverence and mordant humor.

Fischer began his artistic career studying photography at the Schule für Gestaltung in Zurich. He later lived in London and Los Angeles, and shared a studio with Rudolf Stingel in both Berlin and New York. Themes of absence and presence, as well as the processes of art production, pervade his work, in which Fischer makes use of tables, chairs, shadows, and light to explore distortion and anthropomorphism. In Stuhl mit (1995–2001), bulbous, fabric-covered legs merge with a wooden chair, and in Studies for chairs for individual seating positions (1993), the absence of a human body is suggested by a sawdust and rubber mold draped over the furniture. Food is also a major element in Fischer’s work. Rotting, melting, and crumbling, and placed in juxtaposition with permanent materials like metal, bricks, and mortar, it serves as a memento mori; Rotten Foundation (1998) comprises a brick structure built on a foundation of rotting produce; Untitled (Bread House) (2004–05), a Swiss chalet constructed entirely of loaves of bread, was left to be eaten by parakeets; and in the Problem Paintings (2011–), portraits mounted on aluminum panels are obscured by images of eggs, peppers, and kiwis, as well as twisted bolts and half-smoked cigarettes.

In 2009 Fischer had his first large-scale solo presentation in an American museum, at New York’s New Museum; the exhibition featured a series of immersive installations and hallucinatory environments including cityscapes and mirrored labyrinths. At the Venice Biennale in 2011, his wax copy of Giambologna’s late-sixteenth-century sculpture Rape of the Sabine Women slowly melted, looming over another candle depicting an ordinary man wearing glasses and a sport coat. The candle works, which Fischer has produced since 2001, attest to his mastery of entropy, as well as his simultaneous incorporation and rejection of tradition.

Fischer had his first solo show with Gagosian in 2012. The following year for his exhibition Yes at the Geffen Contemporary at MOCA Los Angeles, 1,400 volunteers produced unfired clay sculptures in the weeks leading up to the exhibition. As soon as Fischer has accomplished one material feat, he embarks on another, in ways that are complicated and playful, messy and perfected.

Urs Fischer

Photo: Robert Banat

Website

ursfischer.com

From the Quarterly

Fairs, Events & Announcements

Georg Baselitz, Frau am Strand (Woman on the Beach), 1981 © Georg Baselitz 2018

Art Fair

Art Basel

June 14–17, 2018
Messe Basel, booth B11
www.artbasel.com

Gagosian is pleased to participate in Art Basel 2018, presenting works by modern and contemporary artists including Georg Baselitz, John Chamberlain, Dan Colen, John Currin, Willem de Kooning, Urs Fischer, Helen Frankenthaler, Ellen Gallagher, Jennifer Guidi, Andreas Gursky, Neil Jenney, Jeff Koons, Roy Lichtenstein, Henri Matisse, Takashi Murakami, Giuseppe Penone, Pablo Picasso, Richard Prince, Sterling Ruby, Richard Serra, Rudolf Stingel, Mark Tansey, Cy Twombly, Andy Warhol, Mary Weatherford, and Tom Wesselmann. To receive a PDF with detailed information on the works, please contact the gallery at inquire@gagosian.com. To preview our booth go to www.artsy.net. To purchase tickets to attend the fair go to www.artbasel.com.

Georg Baselitz, Frau am Strand (Woman on the Beach), 1981 © Georg Baselitz 2018

Zeng Fanzhi, 8, 2018 © Zeng Fanzhi 2018

Art Fair

Art Basel Hong Kong

March 29–31, 2018, booth ICI8
Hong Kong Convention and Exhibition Center
www.artbasel.com

Gagosian is pleased to participate in Art Basel Hong Kong. To view highlights from the booth in advance of the fair visit www.artsy.com. Our presentation will include works by Georg Baselitz, Jean-Michel Basquiat, Joe Bradley, Cecily Brown, Glenn Brown, Alexander Calder, John Currin, Willem de Kooning, Edmund De Waal, Jean Dubuffet, Urs Fischer, Lucio Fontana, Walton Ford, Katharina Grosse, Mark Grotjahn, Andreas Gursky, Damien Hirst, Jia Aili, Anish Kapoor, Yves Klein, Karen Kneffel, Jeff Koons, Harmony Korine, Roy Lichtenstein, Takashi Murakami, Takashi Murakami & Virgil Abloh, Albert Oehlen, Nam June Paik, Francis Picabia, Pablo Picasso, Sterling Ruby, Ed Ruscha, Jenny Saville, Richard Serra, Rudolf Stingel, Mark Tansey, Cy Twombly, Andy Warhol, Jonas Wood, Christopher Wool, and Zeng Fanzhi. Tickets are available at www.artbasel.com.

Zeng Fanzhi, 8, 2018 © Zeng Fanzhi 2018

Tom Wesselmann, Smoker #11, 1973 © The Estate of Tom Wesselmann/Licensed by VAGA, New York

Art Fair

Art Basel Miami Beach

December 7–10, 2017, booth D7
Miami Beach Convention Center
www.artbasel.com

Gagosian is pleased to participate in Art Basel Miami Beach 2017, presenting a selection of works by modern and contemporary artists including:

Richard Artschwager, Jean-Michel Basquiat, Cecily Brown, Glenn Brown, John Chamberlain, Dan Colen, John Currin, Urs Fischer, Sam Francis, Helen Frankenthaler, Katharina Grosse, Mark Grotjahn, Andreas Gursky, Damien Hirst, Alex Israel, Neil Jenney, Jasper Johns, Jeff Koons, Harmony Korine, Roy Lichtenstein, Brice Marden, Adam McEwen, Takashi Murakami, Albert Oehlen, Pablo Picasso, Richard Prince, Sterling Ruby, Ed Ruscha, Jenny Saville, Frank Stella, Rudolf Stingel, Mark Tansey, Robert Therrien, Cy Twombly, Andy Warhol, Mary Weatherford, Tom Wesselmann, and Christopher Wool.

Tickets are available at www.artbasel.com.

Tom Wesselmann, Smoker #11, 1973 © The Estate of Tom Wesselmann/Licensed by VAGA, New York

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Museum Exhibitions

Urs Fischer, Mr. Flosky, 2001–02 © Urs Fischer

On View

How to See [What Isn’t There]

Through March 17, 2019
Langen Foundation, Neuss, Germany
www.langenfoundation.de

How to See [What Isn’t There] brings together works from the Burger Collection Hong Kong by thirty-two artists from around the world. The exhibition features forty-five works including sculpture, installation, painting, photography, video, VR, and performance. The artists and works that have been selected for this exhibition highlight and blur the lines between presence and absence. Work by Urs Fischer and Douglas Gordon is included.

Urs Fischer, Mr. Flosky, 2001–02 © Urs Fischer

Urs Fischer, Green Solace, 16 Handles, Red Solace, 2017 © Urs Fischer. Photo: Mats Nordman

On View

Mad World

Opened August 18, 2018
Marciano Foundation, Los Angeles
marcianoartfoundation.org

Mad World brings together works from the Marciano collection that reflect the rampant absurdities of contemporary life. Many works address the overwhelming accumulation of information, images, and ideas emanating from our phones, computers, billboards, televisions, and radios. Work by Roe Ethridge, Urs Fischer, and Nate Lowman is included.

Urs Fischer, Green Solace, 16 Handles, Red Solace, 2017 © Urs Fischer. Photo: Mats Nordman

Opening Soon

Black Hole
Arte e matericità tra informe et invisibile

October 4, 2018–January 6, 2019
GAMeC — Galleria d’Arte Moderna et Contemporanea di Bergamo, Italy
gamec.it

Black Hole: Arte e matericità tra informe et invisibile is the first exhibition in an ambitious three-year research program dedicated to the theme of matter. Activating a dialogue with the history of scientific and technological discoveries, and investigating the development of aesthetics theories, Black Hole showcases the work of artists who have explored the material element’s most intrinsic significance, where the actual concept of matter shatters to open up a more profound idea of matter as an original element, as the primordial substance that constitutes everything. Work by Urs Fischer, Lucio Fontana, Alberto Giacometti, Anselm Kiefer, and Piero Manzoni is included.

Artwork © Urs Fischer. Photo courtesy the artist

Closed

Urs Fischer in
Glasgow International

April 20–May 7, 2018
Modern Institute, Glasgow
glasgowinternational.org

Glasgow International draws on the city’s strengths as a vibrant and distinctive center of artistic production and display. The festival combines commissions and exhibitions by artists living both locally and internationally, in large-scale and familiar public venues as well as smaller, less conventional sites. Work by Urs Fischer will be included.

Artwork © Urs Fischer. Photo courtesy the artist

See all Museum Exhibitions for Urs Fischer