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Gagosian is pleased to announce an exhibition of paintings by Tetsuya Ishida (1973–2005). The first exhibition dedicated to the artist’s work in France, Tetsuya Ishida opens on June 10 at 4 rue de Ponthieu.

Ishida came of age during Japan’s “lost decade” of the 1990s, an era that saw a severe, long-lasting recession accompanied by social challenges and economic displacement that significantly affected his generation. The scenarios in Ishida’s vivid, hyper-detailed paintings address those travails, their absurdities resonating on both psychological and sociological levels.

Many of Ishida’s protagonists are young people or working-age men with blank expressions, their generic anonymity recalling René Magritte’s bowler-hatted figures. Isolated and desperate, they face bizarre, dreamlike situations and are often subject to mechanical or animalistic metamorphoses. Drawing on Social Realism, Surrealism, and Japanese popular culture, Ishida’s wildly imaginative works are powerful symbols of the loss of individual agency in a society organized around work, consumption, and technological dependency.

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Nostalgia and Apocalypse

Nostalgia and Apocalypse

In conjunction with My Anxious Self, the most comprehensive survey of paintings by the late Tetsuya Ishida (1973–2005) to have been staged outside of Japan and the first-ever exhibition of his work in New York, Gagosian hosted a panel discussion. Here, Alexandra Munroe, senior curator at large, Global Arts, Solomon R. Guggenheim Museum and Foundation, and Tomiko Yoda, Takashima Professor of Japanese Humanities at Harvard University, delve into the societal context in which Ishida developed his work, in a conversation moderated by exhibition curator Cecilia Alemani.

Tetsuya Ishida: My Weak Self, My Pitiful Self, My Anxious Self

Tetsuya Ishida: My Weak Self, My Pitiful Self, My Anxious Self

The largest exhibition of the Japanese artist Tetsuya Ishida’s work ever mounted in the United States will open at Gagosian, New York, in September 2023. Curated by Cecilia Alemani, the show tracks the full scope of Ishida’s career. In this excerpt from Alemani’s essay in the exhibition catalogue, she contextualizes Ishida’s paintings against the background of a fraught era in Japan’s history and investigates the work’s enduring relevance in our own time.

Tetsuya Ishida’s Nihilist Realism

Tetsuya Ishida’s Nihilist Realism

Mika Yoshitake details the economic, psychological, and cultural conditions that gave rise to Tetsuya Ishida’s unique strain of Japanese postwar realism.

Tetsuya Ishida: Painter of Modern Life

Tetsuya Ishida: Painter of Modern Life

Yūko Hasegawa explores the fantastical convergences and amalgamations in Tetsuya Ishida’s paintings, their connections to manga and advertising imagery, and the shift that occurred in the artist’s work as he moved from acrylic to oil paint in 2000.

Tetsuya Ishida’s Testimony

Tetsuya Ishida’s Testimony

Edward M. Gómez writes on the Japanese artist’s singular aesthetic, describing him as an astute observer of the culture of his time.

Cover of the book Tetsuya Ishida: My Anxious Self

Tetsuya Ishida: My Anxious Self

$100
Haunted Realism Tetsuya Ishida Poster

Haunted Realism (Tetsuya Ishida)

$10
Cover of the book Haunted Realism

Haunted Realism

$120
Cover of the Gagosian Quarterly: Fall 2023 Issue featuring artwork by Derrick Adams

Gagosian Quarterly: Fall 2023 Issue

$20
Cover of the Spring 2022 issue of Gagosian Quarterly magazine, featuring artwork by Maurizio Cattelan

Gagosian Quarterly: Spring 2022 Issue

$20