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Tetsuya Ishida

Tetsuya Ishida, Waiting for a Chance, 1999 Acrylic on board, 57 5/16 × 81 ⅛ inches (145.6 × 206 cm)

Tetsuya Ishida, Waiting for a Chance, 1999

Acrylic on board, 57 5/16 × 81 ⅛ inches (145.6 × 206 cm)

About

Tetsuya Ishida came of age as a painter during Japan’s “lost decade”—a time of nationwide economic recession that lasted through the 1990s. In his afflictive paintings, he captured the feelings of hopelessness, claustrophobia, and emotional isolation that burdened him and dominated Japanese society. From his early career until his untimely death in 2005, Ishida provided vivid allegories of the challenges to Japanese life and morale in paintings and graphic works charged with dark Orwellian absurdity.

Ishida was born in 1973 in Yaizu, Japan, and died in 2005 in Tokyo. He graduated in 1996 from Musashino Art University, Tokyo. Solo exhibitions include The person who was not able to fly, Sunpu Museum, Shizuoka, Japan (2006); Shizuoka Prefectural Museum of Art, Japan (2007); Yaizu City Culture Center, Japan (2007); Nerima Art Museum, Tokyo (2008); Note of Tetsuya Ishida, Ashikaga Museum of Art, Japan (2013, traveled to Hiratsuka Museum of Art, Japan; Tonami Art Museum, Japan; and Shizuoka Prefectural Museum of Art, Japan, through 2015); Notes, Evidence of Dreams, Tonami Art Museum, Japan (2014); and Saving the World with a Brushstroke, Asian Art Museum, San Francisco (2014).

Fairs, Events & Announcements

Tetsuya Ishida, Untitled (Planting Trees), 2000 © Estate of Tetsuya Ishida

Art Fair

West Bund Art & Design 2021

November 12–14, 2021, booth A102
West Bund Art Center, Shanghai
westbundshanghai.com

Gagosian is pleased to participate in the eighth edition of West Bund Art & Design. The gallery will present works by Balthus, Georg Baselitz, Jean-Michel Basquiat, Glenn Brown, Helen Frankenthaler, Katharina Grosse, Mark Grotjahn, Damien Hirst, Thomas Houseago, Tetsuya Ishida, Alex Israel, Takashi Murakami, Albert Oehlen, Nam June Paik, Sterling Ruby, Ed Ruscha, Rudolf Stingel, Spencer Sweeney, Zao Wou-Ki, and Zeng Fanzhi, among others.

To receive a pdf with detailed information on the works, please contact the gallery at inquire@gagosian.com.

Tetsuya Ishida, Untitled (Planting Trees), 2000 © Estate of Tetsuya Ishida

Georg Baselitz, Noch ein Orangenesser, 2020 © Georg Baselitz

Art Fair

Art Basel Hong Kong 2021

May 21–23, 2021, booth 1d30
Hong Kong Convention and Exhibition Centre
www.artbasel.com

Gagosian is pleased to participate in Art Basel Hong Kong with a presentation of modern and contemporary painting and sculpture by gallery artists. New paintings by Georg BaselitzAlex IsraelEd Ruscha, and Sarah Sze are featured alongside exceptional works in a range of mediums by Louise BonnetTheaster GatesHenry MooreNam June Paik, and others, uncovering formal and conceptual innovations and associations that span genres and aesthetic approaches.

Georg Baselitz, Noch ein Orangenesser, 2020 © Georg Baselitz

John Currin, Pistachio, 2016 © John Currin

Art Fair

West Bund Art & Design 2020

November 12–15, 2020, booth A102
West Bund Art Center, Shanghai
westbundshanghai.com

Gagosian is pleased to participate in West Bund Art & Design 2020 with an extensive group presentation. Along with the gallery’s booth at ART021 Shanghai, on view between November 14 and 15, this will be Gagosian’s first in-person art fair since the covid-19 lockdown in March. The gallery’s participation was made possible by extraordinary support from the artists involved.

John Currin, Pistachio, 2016 © John Currin

See all News for Tetsuya Ishida

Museum Exhibitions

Tetsuya Ishida, Awakening, 1998 © Estate of Tetsuya Ishida

Closed

Tetsuya Ishida
Self-Portrait of Other

October 3–December 14, 2019
Wrightwood659, Chicago
wrightwood659.org

In a span of just ten years, Tetsuya Ishida (1973–2005) produced a formidable body of work centered on human isolation and alienation in a world dominated by uncontrollable forces. The exhibition features works that evoke the uncertainty and desolation of a Japanese society drastically altered by the technological advances and successive crises that have affected economies and politics all over the world. This exhibition originated at the Museo Reina Sofía in Madrid as Autorretrato de otro.

Tetsuya Ishida, Awakening, 1998 © Estate of Tetsuya Ishida

Tetsuya Ishida, Recalled, 1998 © Estate of Tetsuya Ishida

Closed

Tetsuya Ishida
Autorretrato de otro

April 12–September 8, 2019
Palacio de Velázquez, Madrid
www.museoreinasofia.es

In a span of just ten years, Tetsuya Ishida (1973–2005) produced a formidable body of work centered on isolation and alienation in a world dominated by uncontrollable forces. This exhibition—whose title translates to Self-Portrait of Other—was organized by the Museo Nacional Centro de Arte Reina Sofía and features works that evoke the uncertainty and desolation of a Japanese society drastically altered by the technological advances and successive crises that have affected economies and politics the world over.

Tetsuya Ishida, Recalled, 1998 © Estate of Tetsuya Ishida