October 18–21, 2018, booth 0.B33
Grand Palais, Paris
Gagosian will present works by gallery artists, with a large section of the booth dedicated to new works by Katharina Grosse. The centerpiece will be Ingres Wood (2018), a large-scale sculpture comprising segments of a huge tree trunk piled over voluminous draped fabric, spray-painted across all surfaces. The pine tree, felled just last year, was famously planted by Jean-Auguste Dominique Ingres (1790–1867) when he was director of Villa Medici. On the walls surrounding the sculpture will be boldly painted works on paper. To receive a PDF with detailed information on the works, please contact the gallery at email@example.com. To preview our booth, go to www.artsy.net. To attend the fair, purchase tickets at fiac.com.
Art Basel Hong Kong
March 29–31, 2019, booth 1C18
Hong Kong Convention and Exhibition Centre
Gagosian is pleased to participate in Art Basel Hong Kong 2019, with works by Georg Baselitz, Edmund de Waal, Urs Fischer, Katharina Grosse, Andreas Gursky, Duane Hanson, Damien Hirst, Thomas Houseago, Yayoi Kusama, René Magritte, Giorgio Morandi, Takashi Murakami, Albert Oehlen, Nam June Paik, Richard Prince, Ed Ruscha, Richard Serra, Andy Warhol, Tom Wesselmann, Rachel Whiteread, Jonas Wood, Christopher Wool, Zao Wou-Ki, Zeng Fanzhi, and others.
Zeng Fanzhi, Rooster, 2019 © 2019 Zeng Fanzhi
January 17–20, 2019, booth 309
Fort Mason Festival Pavilion, San Francisco
Gagosian is pleased to participate in FOG Design+Art 2019, with modern and contemporary artworks by Joe Bradley, Edmund de Waal, Helen Frankenthaler, Katharina Grosse, Mark Grotjahn, Damien Hirst, Marc Newson, Giuseppe Penone, Nancy Rubins, Ed Ruscha, Richard Serra, Adriana Varejão, Mary Weatherford, Rachel Whiteread, Jonas Wood, Richard Wright, and others.
To receive a PDF with detailed information on the works, please contact the gallery at firstname.lastname@example.org. To attend the fair, purchase tickets at fogfair.com. To preview our booth, go to artsy.net.
Adriana Varejão, Pearl Song, 2018 © Adriana Varejão
Marc Newson and Derek Blasberg
Marc Newson tells Derek Blasberg about his newest creations, explaining the backstory of these ornate works.
Gagosian Quarterly Summer 2019
The Summer 2019 issue of Gagosian Quarterly is now available, featuring a detail from Afrylic by Ellen Gallagher on its cover.
Andy Warhol: Everything Is Good
Richard Hell writes about the “transcendentally camp” Pop artist, portraitist of daily life.
Frieze Sculpture New York: An Interview with Brett Littman
The inaugural presentation of Frieze Sculpture New York at Rockefeller Center opened on April 25, 2019. Before the opening, Brett Littman, the director of the Isamu Noguchi Foundation and Garden Museum and the curator of this exhibition, told Wyatt Allgeier about his vision for the project and detailed the artworks included.
Roy Lichtenstein: 1961 to 1965
Gillian Pistell examines Roy Lichtenstein’s aesthetic developments in the years 1961 to 1965.
Arakawa: Diagrams for the Imagination
The exhibition Arakawa: Diagrams for the Imagination receives a closer look by Gagosian director Ealan Wingate. In this video, he discusses the artist’s arrival in New York and examines the importance of maps and language in Arakawa’s work.
Jeff Wall: The World as It Appears
The artist speaks with David Rimanelli about his newest works, the physicality of photography, and the persistence of certain motifs throughout his career.
Time by Dance by Paik
Gillian Jakab considers the role of choreography in Nam June Paik’s 1989 video installation Fin de Siècle II.
Zeng Fanzhi on Cézanne, Morandi, and Sanyu
Zeng Fanzhi speaks about curating the exhibition Cézanne, Morandi, and Sanyu at Gagosian, Hong Kong, and the connections between the three artists’ works. Interview by Jin Jing.
David Bailey: The Sixties
The photographer speaks about his signature portraits of the 1960s, recounting how he came to photograph such luminaries of the era as Mick Jagger, Jean Shrimpton, and Andy Warhol, among many others.
Helen Frankenthaler: Sea Change
Elizabeth Smith, executive director of the Helen Frankenthaler Foundation, and curator John Elderfield discuss a decade of Frankenthaler’s work on the occasion of her first exhibition of paintings in Rome.
Anna Eavis, the curatorial director of English Heritage, traces the history of Kenwood House and details the remarkable collection of paintings that reside there.