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Katharina Grosse

Katharina Grosse, Untitled, 2000 Acrylic on wall, 14 feet 9 ¼ inches × 39 feet 4 ⅜ inches (4.5 × 14.5 × 12.5 m), Nationalgalerie im Hamburger Bahnhof, Germany, 2001© Katharina Grosse und VG Bild-Kunst, Bonn, 2018. Photo: Werner Hannappel

Katharina Grosse, Untitled, 2000

Acrylic on wall, 14 feet 9 ¼ inches × 39 feet 4 ⅜ inches (4.5 × 14.5 × 12.5 m), Nationalgalerie im Hamburger Bahnhof, Germany, 2001
© Katharina Grosse und VG Bild-Kunst, Bonn, 2018. Photo: Werner Hannappel

Katharina Grosse, Untitled, 2001 Acrylic on billboard, 14 feet 9 ¼ inches × 39 feet 4 ⅜ inches (4.5 × 12 m), Auckland, New Zealand, 2001© Katharina Grosse und VG Bild-Kunst, Bonn, 2018. Photo: Katharina Grosse

Katharina Grosse, Untitled, 2001

Acrylic on billboard, 14 feet 9 ¼ inches × 39 feet 4 ⅜ inches (4.5 × 12 m), Auckland, New Zealand, 2001
© Katharina Grosse und VG Bild-Kunst, Bonn, 2018. Photo: Katharina Grosse

Katharina Grosse, Untitled, 2003 Acrylic on wall, 29 feet ⅜ inches × 57 feet 5 inches × 77 feet 1 ¼ inches (8.9 × 17.5 × 23.5 m), Pearson International Airport, Toronto© Katharina Grosse und VG Bild-Kunst, Bonn, 2018. Photo: Isaac Applebaum

Katharina Grosse, Untitled, 2003

Acrylic on wall, 29 feet ⅜ inches × 57 feet 5 inches × 77 feet 1 ¼ inches (8.9 × 17.5 × 23.5 m), Pearson International Airport, Toronto
© Katharina Grosse und VG Bild-Kunst, Bonn, 2018. Photo: Isaac Applebaum

Katharina Grosse, Double Floor Painting, 2004 Acrylic on wall, bookshelf, and canvases, 22 feet 3 ¾ inches × 124 feet 8 inches × 36 feet 1 ⅛ inches (6.8 × 38 × 11 m), Kunsthallen Brandts Klædefabrik, Odense, Denmark© Katharina Grosse und VG Bild-Kunst, Bonn, 2018. Photo: Torben Eskerod

Katharina Grosse, Double Floor Painting, 2004

Acrylic on wall, bookshelf, and canvases, 22 feet 3 ¾ inches × 124 feet 8 inches × 36 feet 1 ⅛ inches (6.8 × 38 × 11 m), Kunsthallen Brandts Klædefabrik, Odense, Denmark
© Katharina Grosse und VG Bild-Kunst, Bonn, 2018. Photo: Torben Eskerod

Katharina Grosse, Untitled, 2006 Acrylic on wall and canvas, 19 feet 8 ¼ inches × 75 feet 5 ½ inches × 9 feet 10 ⅛ inches (6 × 23 × 3 m), Museum Bochum, Germany© Katharina Grosse und VG Bild-Kunst, Bonn, 2018. Photo: Olaf Bergmann

Katharina Grosse, Untitled, 2006

Acrylic on wall and canvas, 19 feet 8 ¼ inches × 75 feet 5 ½ inches × 9 feet 10 ⅛ inches (6 × 23 × 3 m), Museum Bochum, Germany
© Katharina Grosse und VG Bild-Kunst, Bonn, 2018. Photo: Olaf Bergmann

Katharina Grosse, Cincy, 2006 Acrylic on wall, floor, glass, styrofoam, and soil, 15 feet 9 inches × 24 feet 3 ⅜ inches × 38 feet 8 ⅝ inches (4.8 × 7.4 × 11.8 m), Contemporary Arts Center, Cincinnati, OH, October 27, 2006–May 06, 2007© Katharina Grosse und VG Bild-Kunst, Bonn, 2018. Photo: Tony Walsh and Katharina Grosse

Katharina Grosse, Cincy, 2006

Acrylic on wall, floor, glass, styrofoam, and soil, 15 feet 9 inches × 24 feet 3 ⅜ inches × 38 feet 8 ⅝ inches (4.8 × 7.4 × 11.8 m), Contemporary Arts Center, Cincinnati, OH, October 27, 2006–May 06, 2007
© Katharina Grosse und VG Bild-Kunst, Bonn, 2018. Photo: Tony Walsh and Katharina Grosse

Katharina Grosse, Untitled, 2006 Acrylic on wall, floor, glass, Styrofoam, and soil, 15 feet 1 ⅛ inches × 34 feet 5 ⅜ inches × 26 feet 3 inches (4.6 × 10.5 × 8 m), Taipei Fine Arts Museum, November 4, 2006–February 25, 2007© Katharina Grosse und VG Bild-Kunst, Bonn, 2018, photo by Katharina Grosse

Katharina Grosse, Untitled, 2006

Acrylic on wall, floor, glass, Styrofoam, and soil, 15 feet 1 ⅛ inches × 34 feet 5 ⅜ inches × 26 feet 3 inches (4.6 × 10.5 × 8 m), Taipei Fine Arts Museum, November 4, 2006–February 25, 2007
© Katharina Grosse und VG Bild-Kunst, Bonn, 2018, photo by Katharina Grosse

Katharina Grosse, Untitled, 2008 Acrylic on various objects, 24 feet 7 ¼ inches × 39 feet 4 ½ inches × 16 feet 4 ¾ inches (7.5 × 12 × 5 m), New Orleans, November 1, 2008–January 18, 2009© Katharina Grosse und VG Bild-Kunst, Bonn, 2018. Photo: Studio Grosse

Katharina Grosse, Untitled, 2008

Acrylic on various objects, 24 feet 7 ¼ inches × 39 feet 4 ½ inches × 16 feet 4 ¾ inches (7.5 × 12 × 5 m), New Orleans, November 1, 2008–January 18, 2009
© Katharina Grosse und VG Bild-Kunst, Bonn, 2018. Photo: Studio Grosse

Katharina Grosse, Un altro uomo che ha fatto sgocciolare il sui pennello, 2008 Acrylic on wall and floor, polyester resin, soil, canvas, and various objects, 26 feet 3 inches × 36 feet 1 ⅛ inches × 36 feet 1 ⅛ inches (8 × 11 × 11 m), Galleria Civica di Modena, Italy, September 19, 2008–January 6, 2009© Katharina Grosse and VG Bild-Kunst, Bonn, 2018. Photo: Paolo Terzi

Katharina Grosse, Un altro uomo che ha fatto sgocciolare il sui pennello, 2008

Acrylic on wall and floor, polyester resin, soil, canvas, and various objects, 26 feet 3 inches × 36 feet 1 ⅛ inches × 36 feet 1 ⅛ inches (8 × 11 × 11 m), Galleria Civica di Modena, Italy, September 19, 2008–January 6, 2009
© Katharina Grosse and VG Bild-Kunst, Bonn, 2018. Photo: Paolo Terzi

Installation view, Katharina Grosse: Stuntweed, Neues Museum Nürnberg, Germany, May 1–September 13, 2009 © Katharina Grosse und VG Bild-Kunst, Bonn, 2018. Photo: Wilfried Petzi

Installation view, Katharina Grosse: Stuntweed, Neues Museum Nürnberg, Germany, May 1–September 13, 2009

© Katharina Grosse und VG Bild-Kunst, Bonn, 2018. Photo: Wilfried Petzi

Installation view, Katharina Grosse: Shadowbox, Temporäre Kunsthalle Berlin, April 10–June 14, 2009 © Katharina Grosse und VG Bild-Kunst, Bonn, 2018. Photo: Jens Ziehe

Installation view, Katharina Grosse: Shadowbox, Temporäre Kunsthalle Berlin, April 10–June 14, 2009

© Katharina Grosse und VG Bild-Kunst, Bonn, 2018. Photo: Jens Ziehe

Katharina Grosse, One Floor Up More Highly, 2010 Acrylic on wall, floor, clothing, Styrofoam, and fiberglass reinforced plastic, Massachusetts Museum of Contemporary Art, North Adams, MA, April 4, 2010–January 1, 2012© Katharina Grosse und VG Bild-Kunst, Bonn, 2018. Photo: Art Evans

Katharina Grosse, One Floor Up More Highly, 2010

Acrylic on wall, floor, clothing, Styrofoam, and fiberglass reinforced plastic, Massachusetts Museum of Contemporary Art, North Adams, MA, April 4, 2010–January 1, 2012
© Katharina Grosse und VG Bild-Kunst, Bonn, 2018. Photo: Art Evans

Katharina Grosse, In Seven Days Time, 2011 Acrylic on fiberglass reinforced plastic, 30 feet 2 ¼ inches × 63 feet 11 ¾ inches × 4 ¾ inches (9.2 × 19.5 × .1 m), Kunstmuseum Bonn, Germany© Katharina Grosse und VG Bild-Kunst, Bonn, 2018. Photo: Olaf Bergmann and David Ertl

Katharina Grosse, In Seven Days Time, 2011

Acrylic on fiberglass reinforced plastic, 30 feet 2 ¼ inches × 63 feet 11 ¾ inches × 4 ¾ inches (9.2 × 19.5 × .1 m), Kunstmuseum Bonn, Germany
© Katharina Grosse und VG Bild-Kunst, Bonn, 2018. Photo: Olaf Bergmann and David Ertl

Katharina Grosse, Third Man Begins Digging through Her Pockets, 2012 Acrylic on wall, 39 feet 6 ⅞ inches × 36 feet 1 ⅛ inches × 30 feet 11 ¾ inches (12.1 × 11 × 9.4 m), Museum of Contemporary Art Cleveland, OH, October 8, 2012–September 1, 2013© Katharina Grosse und VG Bild-Kunst, Bonn, 2018. Photo: Tim Safraneck

Katharina Grosse, Third Man Begins Digging through Her Pockets, 2012

Acrylic on wall, 39 feet 6 ⅞ inches × 36 feet 1 ⅛ inches × 30 feet 11 ¾ inches (12.1 × 11 × 9.4 m), Museum of Contemporary Art Cleveland, OH, October 8, 2012–September 1, 2013
© Katharina Grosse und VG Bild-Kunst, Bonn, 2018. Photo: Tim Safraneck

Katharina Grosse, Third Man Begins Digging through Her Pockets, 2012 Acrylic on wall, 39 feet 6 ⅞ inches × 36 feet 1 ⅛ inches × 30 feet 11 ¾ inches (12.1 × 11 × 9.4 m), Museum of Contemporary Art Cleveland, OH, October 8, 2012–September 1, 2013© Katharina Grosse und VG Bild-Kunst, Bonn, 2018. Photo: Tim Safraneck

Katharina Grosse, Third Man Begins Digging through Her Pockets, 2012

Acrylic on wall, 39 feet 6 ⅞ inches × 36 feet 1 ⅛ inches × 30 feet 11 ¾ inches (12.1 × 11 × 9.4 m), Museum of Contemporary Art Cleveland, OH, October 8, 2012–September 1, 2013
© Katharina Grosse und VG Bild-Kunst, Bonn, 2018. Photo: Tim Safraneck

Katharina Grosse, Sie trocknen ihre Knie mit einem Kissen, 2012 Acrylic on wall and canvas, 19 feet 8 ¼ inches × 52 feet 5 ⅞ inches × 27 feet 10 ⅝ inches (6 × 16 × 8.5 cm), Sammlung Hoffmann, Berlin© Katharina Grosse und VG Bild-Kunst, Bonn, 2018. Photo: Nic Tenwiggenhorn

Katharina Grosse, Sie trocknen ihre Knie mit einem Kissen, 2012

Acrylic on wall and canvas, 19 feet 8 ¼ inches × 52 feet 5 ⅞ inches × 27 feet 10 ⅝ inches (6 × 16 × 8.5 cm), Sammlung Hoffmann, Berlin
© Katharina Grosse und VG Bild-Kunst, Bonn, 2018. Photo: Nic Tenwiggenhorn

Katharina Grosse, Just Two of Us, 2013 Acrylic on fiberglass reinforced plastic, dimensions variable, MetroTech Plaza, Brooklyn, NY, October 27, 2013–July 13, 2014© Katharina Grosse und VG Bild-Kunst, Bonn, 2018. Photo: James Ewing

Katharina Grosse, Just Two of Us, 2013

Acrylic on fiberglass reinforced plastic, dimensions variable, MetroTech Plaza, Brooklyn, NY, October 27, 2013–July 13, 2014
© Katharina Grosse und VG Bild-Kunst, Bonn, 2018. Photo: James Ewing

Katharina Grosse, Wunderblock, 2013 Acrylic on canvas, soil, and wall, 14 feet 1 ⅜ inches × 8 feet 6 ⅜ inches × 66 feet 11 ¼ inches (4.3 × 2.6 × 20.4 cm), Nasher Sculpture Center, Dallas, TX, June 1–September 1, 2013© Katharina Grosse und VG Bild-Kunst, Bonn, 2018. Photo: Kevin Todora

Katharina Grosse, Wunderblock, 2013

Acrylic on canvas, soil, and wall, 14 feet 1 ⅜ inches × 8 feet 6 ⅜ inches × 66 feet 11 ¼ inches (4.3 × 2.6 × 20.4 cm), Nasher Sculpture Center, Dallas, TX, June 1–September 1, 2013
© Katharina Grosse und VG Bild-Kunst, Bonn, 2018. Photo: Kevin Todora

Installation view, Katharina Grosse: Two Younger Women Come In and Pull Out a Table, De Pont Museum, Tilburg, The Netherlands, February 16–June 9, 2013 © Katharina Grosse und VG Bild-Kunst, Bonn, 2018. Photo: Peter Cox

Installation view, Katharina Grosse: Two Younger Women Come In and Pull Out a Table, De Pont Museum, Tilburg, The Netherlands, February 16–June 9, 2013

© Katharina Grosse und VG Bild-Kunst, Bonn, 2018. Photo: Peter Cox

Installation view, Katharina Grosse: Two Younger Women Come In and Pull Out a Table, De Pont Museum, Tilburg, The Netherlands, February 16–June 9, 2013 © Katharina Grosse und VG Bild-Kunst, Bonn, 2018. Photo: Peter Cox

Installation view, Katharina Grosse: Two Younger Women Come In and Pull Out a Table, De Pont Museum, Tilburg, The Netherlands, February 16–June 9, 2013

© Katharina Grosse und VG Bild-Kunst, Bonn, 2018. Photo: Peter Cox

Installation view, Katharina Grosse: Inside the Speaker—Leinwandsaal, Kunstpalast Düsseldorf, Germany, September 30, 2014–February 1, 2015 © Katharina Grosse und VG Bild-Kunst, Bonn, 2018. Photo: Nic Tenwiggenhorn

Installation view, Katharina Grosse: Inside the Speaker—Leinwandsaal, Kunstpalast Düsseldorf, Germany, September 30, 2014–February 1, 2015

© Katharina Grosse und VG Bild-Kunst, Bonn, 2018. Photo: Nic Tenwiggenhorn

Katharina Grosse, Inside the Speaker—Erdraum, 2014 Acrylic on fabric, soil, and glass fiber reinforced plastic, 14 feet 9 ¼ inches × 136 feet 9 ¾ inches × 61 feet 4 ¼ inches (4.5 × 41.7 × 18.7 cm), Kunstpalast Düsseldorf, Germany, September 30, 2014–February 1, 2015© Katharina Grosse und VG Bild-Kunst, Bonn, 2018. Photo: Nic Tenwiggenhorn

Katharina Grosse, Inside the Speaker—Erdraum, 2014

Acrylic on fabric, soil, and glass fiber reinforced plastic, 14 feet 9 ¼ inches × 136 feet 9 ¾ inches × 61 feet 4 ¼ inches (4.5 × 41.7 × 18.7 cm), Kunstpalast Düsseldorf, Germany, September 30, 2014–February 1, 2015
© Katharina Grosse und VG Bild-Kunst, Bonn, 2018. Photo: Nic Tenwiggenhorn

Katharina Grosse, psychylustro—The Warehouse, 2014 Acrylic on wall and various objects, 68 feet 10 ⅞ inches × 475 feet 8 ¾ inches (21 × 145 cm), Philadelphia, PA© Katharina Grosse und VG Bild-Kunst, Bonn, 2018. Photo: Steve Weinik

Katharina Grosse, psychylustro—The Warehouse, 2014

Acrylic on wall and various objects, 68 feet 10 ⅞ inches × 475 feet 8 ¾ inches (21 × 145 cm), Philadelphia, PA
© Katharina Grosse und VG Bild-Kunst, Bonn, 2018. Photo: Steve Weinik

Katharina Grosse, psychylustro—The Drama Wall, 2014 Acrylic on wall, floor, and various objects, 41 feet ⅛ inches × 328 feet 1 inch × 14 feet 9 ¼ inches (12.5 × 100 × 4.5 m), Philadelphia, PA© Katharina Grosse und VG Bild-Kunst, Bonn, 2018. Photo: Steve Weinik

Katharina Grosse, psychylustro—The Drama Wall, 2014

Acrylic on wall, floor, and various objects, 41 feet ⅛ inches × 328 feet 1 inch × 14 feet 9 ¼ inches (12.5 × 100 × 4.5 m), Philadelphia, PA
© Katharina Grosse und VG Bild-Kunst, Bonn, 2018. Photo: Steve Weinik

Katharina Grosse, Wer, ich? Wen, Du? (Who, I? Whom, You?), 2014 Acrylic on foam and floor, 22 feet 8 ⅛ inches × 111 feet 6 ⅝ inches × 180 feet 5 ⅜ inches (6.9 × 34 × 55 m), Kunsthaus Graz, Austria, June 6–October 12, 2014© Katharina Grosse und VG Bild-Kunst, Bonn, 2018. Photo: Nicolas UMJ Lackner

Katharina Grosse, Wer, ich? Wen, Du? (Who, I? Whom, You?), 2014

Acrylic on foam and floor, 22 feet 8 ⅛ inches × 111 feet 6 ⅝ inches × 180 feet 5 ⅜ inches (6.9 × 34 × 55 m), Kunsthaus Graz, Austria, June 6–October 12, 2014
© Katharina Grosse und VG Bild-Kunst, Bonn, 2018. Photo: Nicolas UMJ Lackner

Katharina Grosse, yes no why later, 2015 Acrylic on fabric and wood, 18 feet ⅝ inches × 59 feet ¾ inches (5.5 × 18 × 44 m), Garage Pavilion, Garage Museum of Contemporary Art, Moscow, June 1–August 9, 2015© Katharina Grosse und VG Bild-Kunst, Bonn, 2018. Photo: Egor Sliziak

Katharina Grosse, yes no why later, 2015

Acrylic on fabric and wood, 18 feet ⅝ inches × 59 feet ¾ inches (5.5 × 18 × 44 m), Garage Pavilion, Garage Museum of Contemporary Art, Moscow, June 1–August 9, 2015
© Katharina Grosse und VG Bild-Kunst, Bonn, 2018. Photo: Egor Sliziak

Katharina Grosse, Untitled, 2015 Acrylic on canvas, 94 ½ × 152 ¾ inches (240 × 388 cm)© Katharina Grosse und VG Bild-Kunst Bonn, 2018. Photo: Olaf Bergmann

Katharina Grosse, Untitled, 2015

Acrylic on canvas, 94 ½ × 152 ¾ inches (240 × 388 cm)
© Katharina Grosse und VG Bild-Kunst Bonn, 2018. Photo: Olaf Bergmann

Installation view, Katharina Grosse: Sieben Stunden, Acht Stimmen, Drei Bäume, Museum Wiesbaden, Germany, July 10–October 11, 2015 © Katharina Grosse und VG Bild-Kunst, Bonn, 2018. Photo: Nic Tenwiggenhorn

Installation view, Katharina Grosse: Sieben Stunden, Acht Stimmen, Drei Bäume, Museum Wiesbaden, Germany, July 10–October 11, 2015

© Katharina Grosse und VG Bild-Kunst, Bonn, 2018. Photo: Nic Tenwiggenhorn

Katharina Grosse, Untitled Trumpet, 2015 Acrylic on wall, floor, and various objects, 21 feet 7 ¾ inches × 68 feet 10 ¾ inches × 42 feet 7 ⅞ inches (6.6 × 21 × 13 m), Biennale di Venezia, Venice, May 9–November 22, 2015© Katharina Grosse und VG Bild-Kunst, Bonn, 2018. Photo: Nic Tenwiggenhorn

Katharina Grosse, Untitled Trumpet, 2015

Acrylic on wall, floor, and various objects, 21 feet 7 ¾ inches × 68 feet 10 ¾ inches × 42 feet 7 ⅞ inches (6.6 × 21 × 13 m), Biennale di Venezia, Venice, May 9–November 22, 2015
© Katharina Grosse und VG Bild-Kunst, Bonn, 2018. Photo: Nic Tenwiggenhorn

Katharina Grosse, Untitled, 2016 Acrylic on canvas, 114 ¼ × 76 inches (290 × 193 cm)© Katharina Grosse und VG Bild-Kunst Bonn, 2018. Photo: Jens Ziehe

Katharina Grosse, Untitled, 2016

Acrylic on canvas, 114 ¼ × 76 inches (290 × 193 cm)
© Katharina Grosse und VG Bild-Kunst Bonn, 2018. Photo: Jens Ziehe

Katharina Grosse, Rockaway!, 2016 Acrylic on wall, floor, and various objects, 19 feet 8 ¼ inches × 49 feet 2 ⅝ inches × 114 feet 10 inches (6 × 15 × 35 cm), Gateway National Recreation Area at Fort Tilden, New York, July 3, 2016–September 15, 2017© Katharina Grosse and VG Bild-Kunst Bonn, 2018

Katharina Grosse, Rockaway!, 2016

Acrylic on wall, floor, and various objects, 19 feet 8 ¼ inches × 49 feet 2 ⅝ inches × 114 feet 10 inches (6 × 15 × 35 cm), Gateway National Recreation Area at Fort Tilden, New York, July 3, 2016–September 15, 2017
© Katharina Grosse and VG Bild-Kunst Bonn, 2018

Katharina Grosse, This Drove My Mother up the Wall, 2017 Acrylic on wall and floor, 22 feet 11 ⅝ inches × 68 feet 10 ¾ inches × 32 feet 9 ¾ inches (7 × 21 × 10 m), South London Gallery, September 28–December 3, 2017© Katharina Grosse and VG Bild-Kunst Bonn, 2018

Katharina Grosse, This Drove My Mother up the Wall, 2017

Acrylic on wall and floor, 22 feet 11 ⅝ inches × 68 feet 10 ¾ inches × 32 feet 9 ¾ inches (7 × 21 × 10 m), South London Gallery, September 28–December 3, 2017
© Katharina Grosse and VG Bild-Kunst Bonn, 2018

Katharina Grosse, Untitled, 2018 Acrylic on canvas, 86 ⅝ × 59 ⅛ inches (220 × 150 cm)© Katharina Grosse and VG Bild-Kunst Bonn, 2018. Photo: Jens Ziehe

Katharina Grosse, Untitled, 2018

Acrylic on canvas, 86 ⅝ × 59 ⅛ inches (220 × 150 cm)
© Katharina Grosse and VG Bild-Kunst Bonn, 2018. Photo: Jens Ziehe

About

Embracing the events and incidents that arise as she paints, Katharina Grosse opens up surfaces and spaces to the countless perceptual possibilities of the medium. While she is widely known for her temporary and permanent in situ work, which she paints directly onto architecture, interiors, and landscapes, her approach begins in the studio. With calculated focus, she allows new patterns and procedures in her paintings to emerge from action, further multiplying this potential with stencils cut from cardboard and thick foam rubber—tools with which to develop further cuts, layers, and perspectival depths. Grosse’s gestures unfold all at the same time in unmixed acrylic colors, engulfing the viewer in a toxic sublime.

Grosse was born in 1961 in Freiburg/Breisgau, Germany. She studied at the Kunstakademie Düsseldorf and Kunstakademie Münster, Germany. Recent solo museum exhibitions include Hammer Projects: Katharina Grosse, Hammer Museum, Los Angeles (2001); Artsonje Museum, Gyeongju, South Korea (2001); Kunsthalle zu Kiel, Germany (2002); Der weisse Saal trifft sich im Wald, Kunstmuseum St. Gallen, Switzerland (2002); Perspectives 143: Katharina Grosse, Contemporary Arts Museum, Houston (2004); Safn, Reykjavík (2004); Kunsthallen Brandts Klædefabrik, Odense, Denmark (2004); Something Leadlight, Bergen Kunsthall, Norway (2005); Constructions à cru, Palais de Tokyo, Paris (2005); Contemporary Arts Center, Cincinnati (2006); Factory for Art and Design, Copenhagen (2006); FRAC Auvergne, France (2007); Atoms Outside Eggs, Museu de Serralves, Porto, Portugal (2007); FRAC Auvergne, France (2008); Hello Little Butterfly I Love You What’s Your Name, ARKEN—Museum for Moderne Kunst, Copenhagen (2009); Neues Museum, Nuremberg, Germany (2009); Museum für Neue Kunst, Freiburg/Breisgau, Germany (2010); One Floor Up More Highly, MASS MoCA, North Adams, Massachusetts (2010); Kunstmuseum Bonn, Germany (2011); Third Man Begins Digging Through Her Pockets, Museum of Contemporary Art, Cleveland (2012); Two younger women come in and pull out a table, De Pont Museum, Tilburg, Netherlands (2013); WUNDERBLOCK, Nasher Sculpture Center, Dallas (2013); Inside the Speaker, Museum Kunstpalast, Düsseldorf (2014); yes no why later, Garage Museum of Contemporary Art, Moscow (2015); Seven Hours, Eight Rooms, Three Trees, Museum Wiesbaden, Germany (2015); and Museum Frieder Burda, Baden-Baden, Germany (2016). Grosse’s recent site-specific installations include Untitled Trumpet, for the 56th Biennale di Venezia, Venice (2015); Rockaway! for MoMA PS1’s Rockaway! program (2016); The Horse Trotted Another Couple of Meters, Then It Stopped, Carriageworks, Sydney (2018); and Wunderbild, National Gallery, Prague (2018).

Grosse lives and works in Berlin.

Katharina Grosse

Photo: Andrea Stappert

From the Quarterly

Fairs, Events & Announcements

William Forsythe, Lectures from Improvisation Technologies, 2011, performed by William Forsythe © William Forsythe

Book Fair

NY Art Book Fair
William Forsythe

September 21–23, 2018, project space room, booth S202
MoMA PS1, New York
www.nyartbookfair.com

Gagosian is participating in the NY Art Book Fair 2018 with a special project space conceived in collaboration with choreographer William Forsythe, exploring visual and notational approaches to dance and movement. Forsythe is a radical innovator in choreography and dance who has redefined the very syntax and praxis of his field. In the course of his singular career spanning five decades, he has developed an extensive repertoire of groundbreaking ballet choreographies and experimental, non-proscenium-based dance-theater works, as well as an open-access digital platform for dance analysis, notation, and improvisation.

At the NYABF, printed materials and videos by Forsythe are featured alongside selected Gagosian publications, as well as additional books and ephemera that reveal Forsythe’s wide-ranging influences and interests including Chris Burden, Katharina Grosse, Richard Serra, Cy Twombly, and Rachel Whiteread.

William Forsythe, Lectures from Improvisation Technologies, 2011, performed by William Forsythe © William Forsythe

Ed Ruscha, Even Though He’s Light Years Away, His Heart Belongs to Me, 1963 © Ed Ruscha

Art Fair

Seattle Art Fair

August 2–5, 2018, booth A09
CenturyLink Field Event Center, Seattle
www.seattleartfair.com

Gagosian is pleased to present Out of This World: Artists Explore Space, a booth curated by Larry Gagosian for the 2018 Seattle Art Fair. The presentation gathers works that reveal artistic and scientific explorations of the cosmos. Featured artists include Richard Avedon, Andisheh Avini, Chris Burden, Alexander Calder, Vija Celmins, Ellen Gallagher, Andreas Gursky, Damien Hirst, Neil Jenney, Mike Kelley, Yves Klein, Vera Lutter, Brice Marden, Marc Newson, Nam June Paik, Thomas Ruff, Ed Ruscha, Tom Sachs, Taryn Simon, Yves Tanguy, and Andy Warhol, among others.

To receive a PDF with detailed information on the works, please contact the gallery at inquire@gagosian.com. To attend the fair, purchase tickets at seattleartfair.com.

Ed Ruscha, Even Though He’s Light Years Away, His Heart Belongs to Me, 1963 © Ed Ruscha

Zeng Fanzhi, 8, 2018 © Zeng Fanzhi 2018

Art Fair

Art Basel Hong Kong

March 29–31, 2018, booth ICI8
Hong Kong Convention and Exhibition Center
www.artbasel.com

Gagosian is pleased to participate in Art Basel Hong Kong. To view highlights from the booth in advance of the fair visit www.artsy.com. Our presentation will include works by Georg Baselitz, Jean-Michel Basquiat, Joe Bradley, Cecily Brown, Glenn Brown, Alexander Calder, John Currin, Willem de Kooning, Edmund De Waal, Jean Dubuffet, Urs Fischer, Lucio Fontana, Walton Ford, Katharina Grosse, Mark Grotjahn, Andreas Gursky, Damien Hirst, Jia Aili, Anish Kapoor, Yves Klein, Karen Kneffel, Jeff Koons, Harmony Korine, Roy Lichtenstein, Takashi Murakami, Takashi Murakami & Virgil Abloh, Albert Oehlen, Nam June Paik, Francis Picabia, Pablo Picasso, Sterling Ruby, Ed Ruscha, Jenny Saville, Richard Serra, Rudolf Stingel, Mark Tansey, Cy Twombly, Andy Warhol, Jonas Wood, Christopher Wool, and Zeng Fanzhi. Tickets are available at www.artbasel.com.

Zeng Fanzhi, 8, 2018 © Zeng Fanzhi 2018

See all News for Katharina Grosse

Museum Exhibitions

Ellen Gallagher, DeLuxe, 2004–05 (detail) © Ellen Gallagher

Opening this Week

The World on Paper

September 27, 2018–January 7, 2019
Palais Populaire by Deutsche Bank, Berlin
www.db-palaispopulaire.de

This exhibition includes works on paper by 133 artists from thirty-four countries and explores the evolution of this medium from postwar modernism to the digital age. Work by Ellen Gallagher and Katharina Grosse is included.

Ellen Gallagher, DeLuxe, 2004–05 (detail) © Ellen Gallagher

Glenn Brown, The Life Hereafter, 2011, Scharpff Collection © Glenn Brown

Just Opened

The Flexible Plan
The Rococo in Contemporary Art

Through January 6, 2019
Museum Morsbroich, Leverkusen, Germany
www.museum-morsbroich.de

The Flexible Plan: The Rococo in Contemporary Art examines the survival of European grandeur in contemporary art. The exhibition presents a varied panorama of works against the backdrop of the Rococo castle that houses the museum. Work by Glenn Brown and Katharina Grosse is included.

Glenn Brown, The Life Hereafter, 2011, Scharpff Collection © Glenn Brown

Installation view, Katharina Grosse: Wunderbild, National Gallery, Prague, February 16, 2018–January 6, 2019, commissioned by National Gallery Prague © Katharina Grosse and VG Bild-Kunst Bonn. Photo by Nic Tenwiggenhorn, courtesy Galerie nächst St. Stephan, Gagosian, and König Gallery

On View

Katharina Grosse
Wunderbild

Through January 6, 2019
National Gallery, Prague
www.ngprague.cz

Katharina Grosse has been invited to develop a site-responsive work for the main hall of the Trade Fair Palace in the National Gallery, Prague. Wunderbild, which consists of two outsize paintings on cloth, will hang from the wall.

Installation view, Katharina Grosse: Wunderbild, National Gallery, Prague, February 16, 2018–January 6, 2019, commissioned by National Gallery Prague © Katharina Grosse and VG Bild-Kunst Bonn. Photo by Nic Tenwiggenhorn, courtesy Galerie nächst St. Stephan, Gagosian, and König Gallery

Katharina Grosse, Untitled, 2015 © Katharina Grosse and VG Bild-Kunst Bonn, 2018

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Katharina Grosse in
German Forest

May 23, 2017–June 12, 2018
Staatliche Kunstsammlungen Dresden, Germany
albertinum.skd.museum

This exhibition of works from the first half of the nineteenth century brings together works from the collection of Staatliche Kunstsammlungen Dresden related to themes of forests, trees, and hunting. A monumental work by Katharina Grosse appears alongside these Romantic and early Realist paintings, acting as both a corrective to and shift away from the earlier work.

Katharina Grosse, Untitled, 2015 © Katharina Grosse and VG Bild-Kunst Bonn, 2018

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