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Nancy Rubins

The Museum of Arts and Design will honor Nancy Rubins at the MAD Ball 2018 on November 6, 2018, in New York. Recipients of this distinction exemplify the museum’s mission to celebrate leadership and the creative process of art making that enhance contemporary life.

Photo: Brian Guido

Photo: Brian Guido

Related News

Nancy Rubins’s 5,000 lbs. of Sonny’s Airplane Parts, Linda’s Place, and 550 lbs. of Tire-Wire (1997) being installed at Ruby City in San Antonio, Texas, 2019


Nancy Rubins
Installation at Ruby City

Watch as Nancy Rubins’s 5,000 lbs. of Sonny’s Airplane Parts, Linda’s Place, and 550 lbs. of Tire-Wire (1997) gets installed at Ruby City, a contemporary art center in San Antonio, Texas, opening October 13, 2019. Designed by Adjaye Associates in collaboration with Alamo Architects, Ruby City will provide a space for the city’s thriving creative community to experience works by both local and internationally acclaimed artists.

Nancy Rubins’s 5,000 lbs. of Sonny’s Airplane Parts, Linda’s Place, and 550 lbs. of Tire-Wire (1997) being installed at Ruby City in San Antonio, Texas, 2019

Nancy Rubins, Crocodylius Philodendrus, 2016–17 (detail) © Nancy Rubins. Photo: Brian Guido

Public Installation

Nancy Rubins in
Sculpture in the City 2018

June 27, 2018–April 15, 2019
Various locations in London

Nancy Rubins’s Crocodylius Philodendrus (2016–17) is featured in Sculpture in the City, an annual urban sculpture park set in London’s Square Mile. Clusters of animal forms are arranged in balanced compression and secured with tensile cables. “Tensegrity,” the term for the structural property that Rubins employs, galvanizes the bronze animals into purely formal, abstract components that propel into space due to their aggregate momentum. The work is from her series Diversifolia, which was first exhibited at Gagosian, Britannia Street, London, earlier this year.

Nancy Rubins, Crocodylius Philodendrus, 2016–17 (detail) © Nancy Rubins. Photo: Brian Guido

Nancy Rubins, Study: Big Edge, 2009. Photo: Rob Ebeltoft


Nancy Rubins

August 3–6, 2017
CenturyLink Field Event Center, Seattle

Three sculptures by Nancy Rubins will be installed throughout the public areas of the Seattle Art Fair. Known for her large-scale assemblages of found objects, this selected presentation of studies allows for an intimate consideration of the artist’s iconic boat sculptures and reveals the system of compression and tension utilized in the large-scale works. 

Nancy Rubins, Study: Big Edge, 2009. Photo: Rob Ebeltoft

A black-and-white photograph of a woman's face by Dora Maar.

Discovering Dora Maar

Brigitte Benkemoun’s book Je suis le carnet de Dora Maar takes a novel approach to the art of biography. For the Quarterly, Benkemoun recounts her discovery of a mysterious Hermès address book, the subsequent realization of its genius former owner, and her journey to learn more about the life, friends, and art of Dora Maar.

Cover of the Winter 2019 Gagosian Quarterly, featuring a selection from a black-and-white Christopher Wool photograph

Now available
Gagosian Quarterly Winter 2019

The Winter 2019 issue of Gagosian Quarterly is now available, featuring a selection from Christopher Wool’s Westtexaspsychosculpture series on its cover.

Edmund de Waal and Jan Dalley, FT Weekend Festival, London, September 7, 2019

In Conversation
Edmund de Waal and Jan Dalley

At the FT Weekend Festival 2019 in London, Edmund de Waal sat down for a conversation with Financial Times arts editor Jan Dalley. They spoke about the relationship between words and sculpture in his practice, and about two recent projects: the two-part exhibition psalm, in Venice, and Elective Affinities, at the Frick Collection, New York.

Rachel Feinstein in her West 15th Street studio, New York, 2002.

Rachel Feinstein

The artist discusses her life and work with Alan Yentob.

Huma Bhabha during the installation of Huma Bhabha: The Company at Gagosian, Rome, September 2019.

Work in Progress
Huma Bhabha

The artist tells Negar Azimi about her interest in the monstrous, the influence of science fiction on her practice, and her recent rooftop commission at the Metropolitan Museum of Art, New York.

John Currin, The Shaving Man, 1993.

Mansplaining: Figuring Masculinity in the Age of #MeToo

In light of recent developments around the definition of masculinity in American culture, Alison M. Gingeras, the curator of John Currin: My Life as a Man at Dallas Contemporary looks closely at the artist’s depictions of male subjects.

Artist Nam June Paik writing on his typewriter in black and white photo.

Reading Nam June Paik

Earlier this year, MIT Press released We Are in Open Circuits: Writings by Nam June Paik. Here Gregory Zinman, coeditor of the book along with John Hanhardt and Edith Decker-Phillips, writes about his first exposure to the artist’s archives, the discoveries made there, and the relationship between Paik’s writings and his larger practice.

Before the Smoke Has Cleared

Before the Smoke Has Cleared

Angela Brown provides a glimpse into the charged ecologies of recent drawings and sculptures by Tatiana Trouvé. These works will be included in On the Eve of Never Leaving, Trouvé’s first solo exhibition in Los Angeles, opening in November 2019.

Helen Frankenthaler in her studio in Provincetown. Black and white image.

Abstract Climates: Helen Frankenthaler in Provincetown

Lise Motherwell, a stepdaughter of Helen Frankenthaler and vice president of the Helen Frankenthaler Foundation, and Elizabeth Smith, executive director of the Foundation, recently cocurated an exhibition of the artist’s work entitled Abstract Climates: Helen Frankenthaler in Provincetown. Here they discuss the origin of the exhibition, the relationship between the artist’s work and her summers spent in Provincetown, and the presentations at the Provincetown Art Association and Museum, in 2018, and the Parrish Art Museum, Water Mill, New York, in 2019.

Richard Serra, Hands Scraping, 1968, film still.

The Art of Perception: Richard Serra’s Films

For eleven years, from 1968 to 1979, Richard Serra created a collection of films and videos that felt out the uncharted phenomenological boundaries of the medium. Carlos Valladares explores a selection of these works.

Piero Golia.


Alexander Wolf explores the economic, social, and methodological concerns of Piero Golia’s art practice, revealing the real-world implications of the artist’s experiments with form and process.

Jerry Schatzberg, Self Portrait in the Mirror, Trinidad, 1964.

The Center of the Storm

Carlos Valladares writes on filmmaker and photographer Jerry Schatzberg’s prolific career.