Performances and Talk
Dan Colen, Dimitri Chamblas, Douglas Fogle
Wednesday, December 5, 2018, 4:30–8pm
Gagosian, Beverly Hills
Join Gagosian for the premiere of At Least They Died Together and Carry On Cowboy, two new performance pieces by Dan Colen with choreographer Dimitri Chamblas. The works will be performed in the exhibition Dan Colen: High Noon currently on view at Gagosian Beverly Hills and will start at 4:30pm and 5pm, respectively. The performances will be followed by a conversation with Colen and Chamblas moderated by curator and author Douglas Fogle. The discussion will start promptly at 7pm. To attend the free event, RSVP to email@example.com.
Dan Colen, The Silent Stranger, 2018 (detail) © Dan Colen
Art Basel Miami Beach
December 6–9, 2018, booth D7
Miami Beach Convention Center
Gagosian is pleased to participate in Art Basel Miami Beach 2018 with modern and contemporary artworks by Georg Baselitz, Jean-Michel Basquiat, Joe Bradley, Glenn Brown, John Chamberlain, Dan Colen, John Currin, Urs Fischer, Katharina Grosse, Mark Grotjahn, Andreas Gursky, Keith Haring, Damien Hirst, Howard Hodgkin, Jeff Koons, Roy Lichtenstein, Vera Lutter, Man Ray, Peter Marino, Takashi Murakami, Pablo Picasso, Richard Prince, Sterling Ruby, Ed Ruscha, Jenny Saville, Rudolf Stingel, Tatiana Trouvé, Cy Twombly, Andy Warhol, Tom Wesselmann, and Jonas Wood, among others.
Jeff Koons, Ode to Love, 2010–17 © Jeff Koons
West Bund Art & Design
November 8–11, 2018, booth A120
West Bund Art Center, Shanghai
Gagosian is pleased to participate in West Bund Art & Design for the first time, with a booth of modern and contemporary works by artists including Glenn Brown, Dan Colen, John Currin, Jean Dubuffet, Rachel Feinstein, Urs Fischer, Walton Ford, Ellen Gallagher, Douglas Gordon, Jennifer Guidi, Hao Liang, Damien Hirst, Thomas Houseago, Alex Israel, Y.Z. Kami, Takashi Murakami, Yoshitomo Nara, Nam June Paik, Richard Prince, Sterling Ruby, Ed Ruscha, Rudolf Stingel, and Jonas Wood.
Additionally, a large-scale painting by Takashi Murakami, Dragon in Clouds – Indigo Blue (2010), will be installed in a special presentation at the entrance to Hall N. To receive a PDF with detailed information on the works, please contact the gallery at firstname.lastname@example.org. To preview our booth, go to artsy.net.
Thomas Houseago, Untitled (Colored Skull I), 2018 © Thomas Houseago
Online Viewing Room
Frieze London 2018
October 1–10, 2018
Coinciding with the gallery’s presentations at Frieze London and Frieze Masters, the Online Viewing Room will feature works that will be available exclusively online by artists including Helen Frankenthaler, Roy Lichtenstein, Sterling Ruby, and Jonas Wood.
The Frieze London Online Viewing Room will open at 12:00am on October 1 in Hong Kong, and close at 11:59pm on October 10 in Los Angeles and San Francisco (see below for dates and times in cities where Gagosian has gallery locations).
Online Viewing Room opens:
12:00am HKT on October 1 (Hong Kong)
7:00pm EEST on September 30 (Athens)
6:00pm CEST on September 30 (Geneva, Paris, Rome)
5:00pm BST on September 30 (London)
12:00pm EDT on September 30 (New York)
9:00am PDT on September 30 (Los Angeles, San Francisco)
Online Viewing Room closes:
2:59pm HKT on October 11 (Hong Kong)
9:59am EEST on October 11 (Athens)
8:59am CEST on October 11 (Geneva, Paris, Rome)
7:59am BST on October 11 (London)
2:59am EDT on October 11 (New York)
11:59pm PDT on October 10 (Los Angeles, San Francisco)
For more information about the Frieze London 2018 Online Viewing Room or the works that will be included, please contact email@example.com.
Sterling Ruby, WIDW. FLAME WAR., 2018 © Sterling Ruby. Photo: Robert Wedemeyer
Pittura/Panorama: Paintings by Helen Frankenthaler, 1952–1992
Pittura/Panorama: Paintings by Helen Frankenthaler, 1952–1992 marks the first time that Frankenthaler’s paintings have been exhibited in Venice since her inclusion in the 1966 Biennale as part of the US Pavilion. This video, including interviews with the show’s curator, John Elderfield; the chairman of the Helen Frankenthaler Foundation, Clifford Ross; and the Foundation’s executive director, Elizabeth Smith, provides viewers with an in-depth look at the fourteen paintings included in the exhibition.
Gagosian Quarterly Summer 2019
The Summer 2019 issue of Gagosian Quarterly is now available, featuring a detail from Afrylic by Ellen Gallagher on its cover.
Nature and Inspiration: Henry Moore at Houghton Hall
Sebastiano Barassi reflects on the centrality of nature in the work of Henry Moore—as form, material, inspiration, and site.
Behind the Art
Setsuko: Into the Trees
Setsuko takes Jean-Olivier Després on a tour of her exhibition of terra-cotta and enameled ceramics in Paris, explaining her passion for trees and describing her approach to painting.
The Bigger Picture
Children’s Arts Guild
Founded in 2010, the Children’s Arts Guild is using creative expression to empower young people in defining who they are and who they want to be. Guild co-founder Alexander Kopelman talks to Jennifer Knox White about the organization’s mission and future plans.
Edmund de Waal: psalm
The artist speaks about his two-part exhibition psalm, on view in Venice. He describes its connection to the history of the city and to notions of exile, and the profound cultural wealth that comes from migration.
Jeff Wall: The Space of Photography
Jeff Wall leads a tour through his most recent exhibition in New York.
Text by Richard Hell.
Visions of the Self: Jenny Saville on Rembrandt
Jenny Saville reveals the process behind her new self-portrait, painted in response to Rembrandt’s masterpiece Self-Portrait with Two Circles.
Marc Newson and Derek Blasberg
Marc Newson tells Derek Blasberg about his newest creations, explaining the backstory of these ornate works.
An exhibition at Gagosian, Paris, is raising funds to aid in the reconstruction of the Cathédrale Notre-Dame de Paris following the devastating fire of April 2019. Gagosian directors Serena Cattaneo Adorno and Jean-Olivier Després spoke to Jennifer Knox White about the generous response of artists and others, and what the restoration of this iconic structure means across the world.
Andy Warhol: Everything Is Good
Richard Hell writes about the “transcendentally camp” Pop artist, portraitist of daily life.