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Francis Bacon
Couplings

Wednesday, June 19, 2019, 6pm
Gagosian, Grosvenor Hill, London

Gagosian director and art historian Richard Calvocoressi will lead a tour of the exhibition Francis Bacon: Couplings at Gagosian, Grosvenor Hill, London. The exhibition of Bacon’s double-figure paintings explores a theme that preoccupied the artist throughout his career: the relationship between two people, both physical and psychological. The event has reached capacity. To join the wait list, contact londontours@gagosian.com

Installation view, Francis Bacon: Couplings, Gagosian, Grosvenor Hill, London, June 6–August 3, 2019. Artwork © The Estate of Francis Bacon. All rights reserved, DACS 2019. Photo: Mike Bruce

Installation view, Francis Bacon: Couplings, Gagosian, Grosvenor Hill, London, June 6–August 3, 2019. Artwork © The Estate of Francis Bacon. All rights reserved, DACS 2019. Photo: Mike Bruce

Related News

Francis Bacon: Couplings (London: Gagosian, 2019). Artwork © The Estate of Francis Bacon. All rights reserved/DACS, London/Artimage 2019

In Conversation

Richard Calvocoressi and Martin Harrison on Francis Bacon

Friday, October 4, 2019, 5:30–7:30pm
Hatchards, Piccadilly, London
hatchards.co.uk

Join Gagosian at Hatchards, London’s oldest bookshop, to celebrate the publication of Francis Bacon: Couplings. Gagosian curator Richard Calvocoressi and leading Bacon scholar Martin Harrison, both contributors to the catalogue, will discuss the artist’s double-figure paintings, which were recently on view at Gagosian, Grosvenor Hill, London. To attend the free event, RSVP to baconrsvp@gagosian.com. Space is limited. 

Francis Bacon: Couplings (London: Gagosian, 2019). Artwork © The Estate of Francis Bacon. All rights reserved/DACS, London/Artimage 2019

Visions of the Self: Rembrandt and Now (London: Gagosian, 2020)

Book Launch

Visions of the Self
Rembrandt and Now

Tuesday, March 17, 2020, 6:30–8:30pm
Kenwood House, London
www.english-heritage.org.uk

In the interest of public health, this event has been postponed until further notice.

Gagosian is pleased to host a drinks reception to celebrate the release of Visions of the Self: Rembrandt and Now, published on the occasion of the recent eponymous exhibition at Gagosian, Grosvenor Hill, London. Organized in partnership with English Heritage, the exhibition places Rembrandt’s masterpiece Self-Portrait with Two Circles (c. 1665) in dialogue with self-portraits by Francis Bacon, Jean-Michel Basquiat, Lucian Freud, and Pablo Picasso, as well as leading contemporary artists such as Georg Baselitz, Glenn Brown, Urs Fischer, Damien Hirst, Howard Hodgkin, Giuseppe Penone, Richard Prince, Jenny Saville, Cindy Sherman, and Rudolf Stingel, among others. The catalogue includes an introduction by Wendy Monkhouse, senior curator at English Heritage, and a text by art historian David Freedberg. To attend the free event, RSVP to londonevents@gagosian.com. Space is limited.

Visions of the Self: Rembrandt and Now (London: Gagosian, 2020)

Gagosian at Galeries Lafayette Champs-Élysées, Paris, 2019

Visit

Gagosian at Galeries Lafayette Champs-Élysées

Opening reception: Saturday, October 12, 6:30–8pm
October 12–20, 2019
Galeries Lafayette Champs-Élysées, Paris
galerieslafayettechampselysees.com

In celebration of FIAC in Paris, Gagosian is pleased to collaborate with Galeries Lafayette Champs-Élysées on a two-floor pop-up takeover featuring products related to Gagosian artists. On the first floor, the Coin Culture section will feature catalogues, posters, apparel, and audio productions. The second floor, the Library, will house an additional selection of limited-edition books, publications, and catalogues raisonnés.

Download the full press release in English (PDF) or French (PDF)

Gagosian at Galeries Lafayette Champs-Élysées, Paris, 2019

Still from the video "In Conversation: Rachel Whiteread and Ann Gallagher"

In Conversation
Rachel Whiteread and Ann Gallagher

Rachel Whiteread speaks to Ann Gallagher about a new group of resin sculptures for an upcoming exhibition at Gagosian in London. They discuss the works’ emphasis on surface texture, light, and reflection.

The crowd at the public funeral of Reverend Dr. Martin Luther King, Jr., in April 1968. Photo by Moneta Sleet Jr.

Now available
Gagosian Quarterly Fall 2020

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Piero della Francesca, The Baptism of Christ, after 1437, egg on poplar.

Rachel Whiteread on Piero della Francesca

Rachel Whiteread writes about the Italian artist’s Baptism of Christ (after 1437) and what has drawn her to this painting, from her first experience of it at a young age to the present day.

Mercedes Matter with students at the New York Studio School. Photo: Herbert Matter, courtesy the Department of Special Collections, Stanford University Libraries

Game Changer
Mercedes Matter

Lauren Mahony and Michael Tcheyan pay homage to the founder of the New York Studio School.

Titus Kaphar in his studio, touching his painting.

Titus Kaphar: From a Tropical Space

Join the artist in his studio in New Haven, Connecticut, where he speaks about his latest paintings.

Nathaniel Mary Quinn in his studio

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Hear the painter describe the creation of a new work in this time-lapse documentation of his process.

Theaster Gates in his studio

Theaster Gates: Black Vessel

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Gregory Crewdson, Red Star Express, 2018–19, digital pigment print, 56 ¼ × 94 ⅞ inches (127 × 225.7 cm)

Gregory Crewdson: An Eclipse of Moths

Gregory Crewdson discusses his new work with actor Cate Blanchett.

Mary Weatherford, Orion’s Belt, 2016, Flashe and neon on linen.

Mary Weatherford: Train Yards

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Ed Ruscha, At That, 2020, dry pigment and acrylic on paper.

“Things Fall Apart”: Ed Ruscha’s Swiped Words

Lisa Turvey examines the range of effects conveyed by the blurred phrases in recent drawings by the artist, detailing the ways these words in motion evoke the experience of the current moment.

Bebe Miller and Cynthia Oliver in motion dancing, mid-jump, against a white background

Bebe Miller and Cynthia Oliver

The legendary choreographers discuss their history together, the evolution of Cynthia Oliver’s boom!, imposed boundaries on “Black dance,” and the choreographies of the pandemic.

Jay DeFeo working on The Rose (then titled Deathrose), photographed by Burt Glinn in 1960.

Jay DeFeo

Suzanne Hudson speaks with Leah Levy, executive director of the Jay DeFeo Foundation, about the artist’s life and work.