Thursday, October 10, 2019, 6pm
Gagosian, Hong Kong
Gagosian senior director Han-I Wang will lead a tour of Albert Oehlen’s first exhibition in Asia, a series of new paintings in watercolor on canvas. In these works, Oehlen emphasizes the importance of spontaneity within his artistic method. Oehlen’s use of watercolor in this series diverges from his recent works created with oil or lacquer on aluminum or the aluminum composite Dibond, and marks a stylistic return to his hazy, blended, almost impressionistic oil paintings dating from 2016 and earlier. To attend the free event, RSVP to firstname.lastname@example.org. Space is limited.
Albert Oehlen, Untitled, 2019 © Albert Oehlen. Photo: Jeff McLane
Albert Oehlen: The History
Art Basel Hong Kong 2019 Online Viewing Room
We can now see that this painting marks the exact point where all of Oehlen’s influences—de Kooning, Rauschenberg, Richter, Polke—come to a head, and how it acts as a departure point for what he will do over the next thirty years.
Learn more about Albert Oehlen and the history behind this monumental 1988 painting with Gagosian directors Andrew Fabricant and Sam Orlofsky.
Albert Oehlen: The Market
Art Basel Hong Kong 2019 Online Viewing Room
We have long followed Oehlen’s work and watched it develop over time. It’s clear that we are on the verge of an upward trajectory. It’s just a perfect moment for him and this painting.
Gagosian directors Andrew Fabricant and Sam Orlofsky discuss the recent sales trends for Albert Oehlen and where they see his market heading.
Online Viewing Room
Art Basel Hong Kong 2019
March 23–31, 2019
Alongside the presentation of works by several gallery artists at Art Basel Hong Kong, the Online Viewing Room features a single important painting by Albert Oehlen. Informational texts and video on the abstract work from 1988 are available in English and Chinese, and Gagosian staff are available online twenty-four hours a day for live assistance. This online offering of a major painting by Oehlen—a work made at a pivotal moment in his trajectory as a painter—comes on the heels of the career-spanning survey Albert Oehlen: Cows by the Water at Palazzo Grassi, Venice.
The Art Basel Hong Kong Online Viewing Room will open at 12:00am on Saturday, March 23, in Hong Kong, and close at 11:59pm on Sunday, March 31, in Los Angeles and San Francisco.
For more information about the Art Basel Hong Kong 2019 Online Viewing Room or the work to be featured, please contact email@example.com.
Albert Oehlen, Untitled, 1988 © Albert Oehlen
The Art of Perception: Richard Serra’s Films
For eleven years, from 1968 to 1979, Richard Serra created a collection of films and videos that felt out the uncharted phenomenological boundaries of the medium. Carlos Valladares explores a selection of these works.
Gagosian Quarterly Fall 2019
The Fall 2019 issue of Gagosian Quarterly is now available, featuring a detail from Sinking (2019) by Nathaniel Mary Quinn on its cover.
Sterling Ruby: Disjointed Monuments to Nothing
Alessandro Rabottini investigates the theoretical and formal underpinnings of Sterling Ruby’s career through the lens of the artist’s series ACTS.
Nathaniel Mary Quinn
Anderson Cooper spoke with the artist at his Brooklyn studio about his childhood and the visionary nature of his art.
Behind the Art
Michael Craig-Martin: Ordinariness
Join Michael Craig-Martin at his London studio as he speaks about his working methods, his interest in the ordinary, and his abiding concern for the sculptural.
Rachel Feinstein at Chatsworth
A new sculpture by Rachel Feinstein has been unveiled on the grounds of Chatsworth, the celebrated Derbyshire estate, where Feinstein recently spent time as Gucci’s inaugural artist in residence. Alice Godwin tells the story of how it came to be.
Nina Simone, Our National Treasure
Text by Salamishah Tillet.
Pittura/Panorama: Paintings by Helen Frankenthaler, 1952–1992
Pittura/Panorama: Paintings by Helen Frankenthaler, 1952–1992 marks the first time that Frankenthaler’s paintings have been exhibited in Venice since her inclusion in the 1966 Biennale as part of the US Pavilion. This video, including interviews with the show’s curator, John Elderfield; the chairman of the Helen Frankenthaler Foundation, Clifford Ross; and the Foundation’s executive director, Elizabeth Smith, provides viewers with an in-depth look at the fourteen paintings included in the exhibition.
Sally Mann and Jenny Saville
The two artists discuss being drawn to difficult subjects, the effects of motherhood on their practice, embracing chance, and their shared adoration of Cy Twombly.
Nature and Inspiration: Henry Moore at Houghton Hall
Sebastiano Barassi reflects on the centrality of nature in the work of Henry Moore—as form, material, inspiration, and site.
The Studio Museum in Harlem
Established in 1968, the Studio Museum in Harlem has served as a crucial institution in the development, presentation, and promotion of artists of African descent. With the museum now preparing for the construction of a new home, Gagosian’s Mark Francis spoke with Thelma Golden, director and chief curator, and Sir David Adjaye OBE, the project’s principal architect, about the building plans and the centrality of artists in their collaboration.
Intimate Grandeur: Glenstone Museum
Paul Goldberger tracks the evolution of Mitchell and Emily Rales’s Glenstone Museum in Potomac, Maryland. Set amid 230 acres of pristine landscape and housing a world-class collection of modern and contemporary art, this graceful complex of pavilions, designed by architects Thomas Phifer and Partners, opened to the public in the fall of 2018.