Giuseppe Penone at Fort Mason
October 24, 2019–October 25, 2020
Fort Mason, San Francisco
Gagosian presents a yearlong outdoor installation by Giuseppe Penone in San Francisco’s historic Fort Mason. Two sculptures by Penone—La logica del vegetale (The Logic of the Vegetal) (2012) and Idee di pietra (Ideas of Stone) (2004)—will be installed in Fort Mason’s Great Meadow, part of the Golden Gate National Recreation Area, overlooking San Francisco Bay and the Golden Gate Bridge. This project is presented in partnership with the Golden Gate National Parks Conservancy and the Golden Gate National Recreation Area through the Art in the Parks program. To attend the opening reception on Thursday, October 24, from 5 to 6:30pm, RSVP to firstname.lastname@example.org.
Giuseppe Penone, Idee di pietra (Ideas of Stone), 2004, installation view, Fort Mason, San Francisco, 2019 © 2019 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo: Matthew Millman
Giuseppe Penone at Fort Mason
Thursday, October 24, 2019, 5–6:30pm
Great Meadow, Fort Mason, San Francisco
As the sun sets over the San Francisco Bay, join us to celebrate the opening of a yearlong public installation of two large-scale bronze sculptures by Giuseppe Penone in San Francisco’s historic Fort Mason. The evening will include brief remarks by Gagosian’s Charlie Spalding with a drinks reception to follow. To attend the free event, RSVP to email@example.com.
Giuseppe Penone, Idee di pietra (Ideas of Stone), 2004, installation view, Fort Mason, San Francisco, 2019 © 2019 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo: Archivio Penone
Thursday, October 17, 2019, 5:30pm
Palais d’Iéna, Paris
Giuseppe Penone will speak with Germano Celant about his exhibition Matrice di linfa, opening at the Palais d’Iéna, Paris, on October 15, on the occasion of FIAC 2019. The event is free to attend.
Giuseppe Penone in his studio, Turin, Italy, 2016. Photo: Angela Moore
Foglie di bronzo / Leaves of Bronze
Saturday, September 14, 2019, 3pm
Gagosian, San Francisco
Join Gagosian for a tour of Giuseppe Penone’s first solo exhibition in San Francisco. Penone uses objects from the natural world to document the intertwined relationship between humans and nature. Gagosian’s Graham Dalik will provide an overview of the artist’s career, from his early works as a major figure of the Arte Povera movement in the 1960s to the present day, and offer an in-depth look at a selection of the sculptures on view in the show. To attend the free event, RSVP to firstname.lastname@example.org.
Giuseppe Penone, Pensieri di foglie (Thoughts of Leaves), 2014 (detail) © 2019 Giuseppe Penone/Artists Rights Society (ARS), New York/ADAGP, Paris. Photo: Archivio Penone
Work in Progress
The artist tells Negar Azimi about her interest in the monstrous, the influence of science fiction on her practice, and her recent rooftop commission at the Metropolitan Museum of Art, New York.
Gagosian Quarterly Winter 2019
The Winter 2019 issue of Gagosian Quarterly is now available, featuring a selection from Christopher Wool’s Westtexaspsychosculpture series on its cover.
Mansplaining: Figuring Masculinity in the Age of #MeToo
In light of recent developments around the definition of masculinity in American culture, Alison M. Gingeras, the curator of John Currin: My Life as a Man at Dallas Contemporary looks closely at the artist’s depictions of male subjects.
Reading Nam June Paik
Earlier this year, MIT Press released We Are in Open Circuits: Writings by Nam June Paik. Here Gregory Zinman, coeditor of the book along with John Hanhardt and Edith Decker-Phillips, writes about his first exposure to the artist’s archives, the discoveries made there, and the relationship between Paik’s writings and his larger practice.
Before the Smoke Has Cleared
Angela Brown provides a glimpse into the charged ecologies of recent drawings and sculptures by Tatiana Trouvé. These works will be included in On the Eve of Never Leaving, Trouvé’s first solo exhibition in Los Angeles, opening in November 2019.
Sarah Sze: Art That Explores Time and Memory
Join Sarah Sze as she talks about the questions that drive her work. She describes creating immersive experiences that blur the lines between time, memory, and space—and between art and life.
Abstract Climates: Helen Frankenthaler in Provincetown
Lise Motherwell, a stepdaughter of Helen Frankenthaler and vice president of the Helen Frankenthaler Foundation, and Elizabeth Smith, executive director of the Foundation, recently cocurated an exhibition of the artist’s work entitled Abstract Climates: Helen Frankenthaler in Provincetown. Here they discuss the origin of the exhibition, the relationship between the artist’s work and her summers spent in Provincetown, and the presentations at the Provincetown Art Association and Museum, in 2018, and the Parrish Art Museum, Water Mill, New York, in 2019.
Nathaniel Mary Quinn and Troy Carter
On the eve of the opening of his first exhibition with Gagosian, in Beverly Hills, Nathaniel Mary Quinn joined Troy Carter for a conversation at LA’s Hammer Museum. They spoke about deliverance, Quinn’s new work, and what drives him to make art.
The Art of Perception: Richard Serra’s Films
For eleven years, from 1968 to 1979, Richard Serra created a collection of films and videos that felt out the uncharted phenomenological boundaries of the medium. Carlos Valladares explores a selection of these works.
Sterling Ruby: Disjointed Monuments to Nothing
Alessandro Rabottini investigates the theoretical and formal underpinnings of Sterling Ruby’s career through the lens of the artist’s series ACTS.
Behind the Art
Michael Craig-Martin: Ordinariness
Join Michael Craig-Martin at his London studio as he speaks about his working methods, his interest in the ordinary, and his abiding concern for the sculptural.
Alexander Wolf explores the economic, social, and methodological concerns of Piero Golia’s art practice, revealing the real-world implications of the artist’s experiments with form and process.