Giuseppe Penone at Fort Mason
October 24, 2019–October 25, 2020
Fort Mason, San Francisco
Gagosian presents a yearlong outdoor installation by Giuseppe Penone in San Francisco’s historic Fort Mason. Two sculptures by Penone—La logica del vegetale (The Logic of the Vegetal) (2012) and Idee di pietra (Ideas of Stone) (2004)—will be installed in Fort Mason’s Great Meadow, part of the Golden Gate National Recreation Area, overlooking San Francisco Bay and the Golden Gate Bridge. This project is presented in partnership with the Golden Gate National Parks Conservancy and the Golden Gate National Recreation Area through the Art in the Parks program. To attend the opening reception on Thursday, October 24, from 5:45 to 6:30pm, RSVP to firstname.lastname@example.org.
Giuseppe Penone, Idee di pietra (Ideas of Stone), 2004, installation view, Académie de France à Rome – Villa Médicis, 2008 © 2019 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo: Archivio Penone
Thursday, October 24, 2019, 5pm
Fort Mason Center Chapel, San Francisco
In celebration of the unveiling of Giuseppe Penone at Fort Mason, the artist will discuss his large-scale outdoor sculptures with art historian Elizabeth Mangini, associate professor and chair of Visual Studies at California College of the Arts and author of a forthcoming monograph on the artist. Doors will open at 4:30pm. A reception will take place in Fort Mason’s Great Meadow immediately following the talk, at 5:45pm. The conversation is presented by Gagosian Quarterly Talks.
This event has reached capacity. To attend the reception at 5:45pm, RSVP to email@example.com.
Giuseppe Penone with his Idee di pietra – 1372 kg di luce (Ideas of Stone – 1372 kg of Light) (2010) in Madison Square Park, New York, 2013. Photo: James Ewing
Foglie di bronzo / Leaves of Bronze
Saturday, September 14, 2019, 3pm
Gagosian, San Francisco
Join Gagosian for a tour of Giuseppe Penone’s first solo exhibition in San Francisco. Penone uses objects from the natural world to document the intertwined relationship between humans and nature. Gagosian’s Graham Dalik will provide an overview of the artist’s career, from his early works as a major figure of the Arte Povera movement in the 1960s to the present day, and offer an in-depth look at a selection of the sculptures on view in the show. To attend the free event, RSVP to firstname.lastname@example.org.
Giuseppe Penone, Pensieri di foglie (Thoughts of Leaves), 2014 (detail) © 2019 Giuseppe Penone/Artists Rights Society (ARS), New York/ADAGP, Paris. Photo: Archivio Penone
Art Basel Unlimited 2019
Edgar Cleijne and Ellen Gallagher, Duane Hanson, Steven Parrino, Giuseppe Penone, Tom Wesselmann
June 13–16, 2019, hall 1.1
Gagosian is pleased to announce that works by Edgar Cleijne and Ellen Gallagher, Duane Hanson, Steven Parrino, Giuseppe Penone, and Tom Wesselmann have been selected for Art Basel Unlimited 2019, curated by Gianni Jetzer. Launched in 2000, Unlimited is an exhibition platform for exciting large-scale works that transcend the limits of the standard art fair booth. The five artworks are:
Edgar Cleijne and Ellen Gallagher, Highway Gothic, 2017–19
Duane Hanson, Lunchbreak, 1989
Steven Parrino, 13 Shattered Panels (for Joey Ramone), 2001
Giuseppe Penone, Cedro di Versailles (Cedar of Versailles), 2000–03
Tom Wesselmann, Still Life #60, 1973
Before the Smoke Has Cleared
Angela Brown provides a glimpse into the charged ecologies of recent drawings and sculptures by Tatiana Trouvé. These works will be included in On the Eve of Never Leaving, Trouvé’s first solo exhibition in Los Angeles, opening in November 2019.
Gagosian Quarterly Fall 2019
The Fall 2019 issue of Gagosian Quarterly is now available, featuring a detail from Sinking (2019) by Nathaniel Mary Quinn on its cover.
Sarah Sze: Art That Explores Time and Memory
Join Sarah Sze as she talks about the questions that drive her work. She describes creating immersive experiences that blur the lines between time, memory, and space—and between art and life.
Abstract Climates: Helen Frankenthaler in Provincetown
Lise Motherwell, a stepdaughter of Helen Frankenthaler and vice president of the Helen Frankenthaler Foundation, and Elizabeth Smith, executive director of the Foundation, recently cocurated an exhibition of the artist’s work entitled Abstract Climates: Helen Frankenthaler in Provincetown. Here they discuss the origin of the exhibition, the relationship between the artist’s work and her summers spent in Provincetown, and the presentations at the Provincetown Art Association and Museum, in 2018, and the Parrish Art Museum, Water Mill, New York, in 2019.
Nathaniel Mary Quinn and Troy Carter
On the eve of the opening of his first exhibition with Gagosian, in Beverly Hills, Nathaniel Mary Quinn joined Troy Carter for a conversation at LA’s Hammer Museum. They spoke about deliverance, Quinn’s new work, and what drives him to make art.
The Art of Perception: Richard Serra’s Films
For eleven years, from 1968 to 1979, Richard Serra created a collection of films and videos that felt out the uncharted phenomenological boundaries of the medium. Carlos Valladares explores a selection of these works.
Sterling Ruby: Disjointed Monuments to Nothing
Alessandro Rabottini investigates the theoretical and formal underpinnings of Sterling Ruby’s career through the lens of the artist’s series ACTS.
Behind the Art
Michael Craig-Martin: Ordinariness
Join Michael Craig-Martin at his London studio as he speaks about his working methods, his interest in the ordinary, and his abiding concern for the sculptural.
Nathaniel Mary Quinn
Anderson Cooper spoke with the artist at his Brooklyn studio about his childhood and the visionary nature of his art.
Nina Simone, Our National Treasure
Text by Salamishah Tillet.
Pittura/Panorama: Paintings by Helen Frankenthaler, 1952–1992
Pittura/Panorama: Paintings by Helen Frankenthaler, 1952–1992 marks the first time that Frankenthaler’s paintings have been exhibited in Venice since her inclusion in the 1966 Biennale as part of the US Pavilion. This video, including interviews with the show’s curator, John Elderfield; the chairman of the Helen Frankenthaler Foundation, Clifford Ross; and the Foundation’s executive director, Elizabeth Smith, provides viewers with an in-depth look at the fourteen paintings included in the exhibition.
Sally Mann and Jenny Saville
The two artists discuss being drawn to difficult subjects, the effects of motherhood on their practice, embracing chance, and their shared adoration of Cy Twombly.