Menu

News / Events

In Conversation

Michael Craig-Martin
Emilie Gordenker

Saturday, October 5, 2019, 12pm
Regent’s Park, London
frieze.com

In conjunction with the retrospective display of his drawings at Frieze Masters, Michael Craig-Martin will be in conversation with Dr. Emilie Gordenker, director of the Mauritshuis at the Hague, Netherlands. The pair will discuss Craig-Martin’s work, with particular emphasis on the long-standing centrality of drawing in his practice, as well as the artist’s experience of the changing character of art and the art world over the past fifty years. To attend the free event, register at the Frieze Masters auditorium desk the day of the talk.

Michael Craig-Martin, Untitled (group I), 2017 © Michael Craig-Martin

Michael Craig-Martin, Untitled (group I), 2017 © Michael Craig-Martin

Related News

Michael Craig-Martin’s installation at Pacific Place, Hong Kong, 2021. Artwork © Michael Craig-Martin

Public Installation

Michael Craig-Martin

May 19–June 9, 2021
Pacific Place, Hong Kong
pacificplace.com.hk

Michael Craig-Martin’s powder-coated steel sculptures and his brightly colored flags depicting everyday objects are on display at Pacific Place, Hong Kong. The forms have an instant sensory, intellectual, and emotional impact; evoking the tangible experiences of day-to-day life while speaking to the symbolic potency the represented objects hold. This installation is part of Swire Properties Arts Month, in partnership with Art Basel Hong Kong, and celebrates the company’s commitment to art and culture.

Michael Craig-Martin’s installation at Pacific Place, Hong Kong, 2021. Artwork © Michael Craig-Martin

Michael Craig-Martin’s poster thanking health workers around the world, 2020

Design

Michael Craig-Martin
Thank You Health Workers Poster

Michael Craig-Martin has created a poster for people to customize and share to show support for health workers around the world. Originally conceived for the BBC Arts’s Culture in Quarantine program to thank National Health Service workers in the United Kingdom, the artist decided to make this international version to thank frontline health care workers around the world. The printable poster template can be downloaded, customized, and shared in windows or digitally.

Post your finished design on Instagram using #GagosianChallenge by May 11. Craig-Martin will be selecting his favorites to repost on Gagosian’s Instagram.

Download the poster in color (pdf) or black and white (pdf)

Michael Craig-Martin’s poster thanking health workers around the world, 2020

Michael Craig-Martin’s installation of flags on Bond Street, London, 2019

Art Fair

Michael Craig-Martin at artgenève

January 30–February 2, 2020
Palexpo, Geneva
artgeneve.ch

Colorful flags by Michael Craig-Martin will be installed among the booths of artgenève. The flags—depicting mass-produced everyday items, such as sunglasses and shoes—probe the relationship between object and image, harnessing the human capacity to imagine absent forms through symbols and pictures. In July 2019, the work was installed in London, as part of Art in Mayfair, organized by the Royal Academy of Arts and Bond Street.

Michael Craig-Martin’s installation of flags on Bond Street, London, 2019

Taryn Simon, details from An American Index of the Hidden and Unfamiliar, 2007; A Living Man Declared Dead and Other Chapters I–XVIII, 2008–11; A Cold Hole, 2018; An Occupation of Loss, 2016; and Paperwork and the Will of Capital, 2015

In Conversation
Taryn Simon and Teju Cole

This spring, as part of the Lambert Family Lecture Series at the Wexner Center for the Arts, Taryn Simon joined Teju Cole for an online conversation about her artistic practice and creative process.

Carrie Mae Weems’s The Louvre (2006), on the cover of Gagosian Quarterly, Summer 2021

Now available
Gagosian Quarterly Summer 2021

The Summer 2021 issue of Gagosian Quarterly is now available, featuring Carrie Mae Weems’s The Louvre (2006) on its cover.

Rick Lowe, Black Wall Street Journey #5, 2021, Acrylic and paper collage on canvas, 108 × 192 inches (274.3 × 487.7 cm)© Rick Lowe Studio. Photo: Thomas Dubrock

Notes on Social Works

Antwaun Sargent presents a collection of thoughts and images, gathered from conversations with artists, curators, architects, and educators, as well as essays, social media, and the news, that inform the exhibition Social Works. The essay serves as an introduction to the corresponding supplement guest edited by Sargent for the Summer 2021 issue of the Quarterly.

João Menegussi and Calvin Royal III in Touché (2020), choreographed by Christopher Rudd. Photo: courtesy Matador Content

Christopher Rudd’s Touché

In celebration of LGBTQ+ Pride Month, we share Christopher Rudd’s acclaimed pas de deux, for a limited engagement from June 24 to June 30. American Ballet Theatre dancers João Menegussi and Calvin Royal III perform this charged and ultimately tender love story. The work is unique for its challenge of ballet’s traditional gender roles and its use of an intimacy director to navigate choreographic consent.

Frank Gehry, drawing for mixed-use urban redevelopment proposal, Central Business District, Kalamazoo, Michigan, 1981. Image: courtesy Gehry Partners, LLP

Frank Gehry: Fish Lamps

Paul Goldberger traces the history of the fish form throughout Frank Gehry’s career.

Still from video documentation of a 2018 performance of Taryn Simon's An Occupation of Loss.

Taryn Simon: An Occupation of Loss

In Taryn Simon’s performance work An Occupation of Loss  (2016), professional mourners enact rituals of grief, simultaneously broadcasting their lamentations from within a sculptural installation. This video by filmmaker Boris B. Bertram documents the April 2018 performance of this work with Artangel in Islington, London.

Helen Frankenthaler, Heart of London Map, steel sculpture

Helen Frankenthaler: A Painter’s Sculptures

On the occasion of four exhibitions in London exploring different aspects of Helen Frankenthaler’s work, Lauren Mahony introduces texts by the sculptor Anthony Caro and by the artist herself on her relatively unfamiliar first body of sculpture, made in the summer of 1972 in Caro’s London studio.

Installation view, Adriana Varejão: Talavera, Gagosian, West 21st Street, New York, May 3–June 26, 2021. Photo: Rob McKeever

Adriana Varejão: For a Poetics of Difference

Curator Luisa Duarte considers the artist’s oeuvre, writing on Varejão’s active engagement with theories of difference, as well as the cultural specters of the past.

Jack McCollough and Lazaro Hernandez in their New York studio, 2019.

Fashion and Art: Proenza Schouler

Derek Blasberg speaks with Lazaro Hernandez and Jack McCollough, the designers behind the New York fashion brand Proenza Schouler, about their influences and collaborations, from Mark Rothko to Harmony Korine.

Thomas McEvilley, Ulay (hiding behind a slab of wood), Eric Orr, and James Lee Byars, c. 1995 © Ulay, courtesy ULAY Foundation/Artists Rights Society (ARS), New York

Game Changer
Thomas McEvilley

David Frankel celebrates the art-historical contributions made by the scholar, poet, and critic Thomas McEvilley.

Black-and-white photograph of Marie-Laure de Noailles in 1936 by Man Ray.

Game Changer
Vicomtesse Marie-Laure de Noailles

Ariella Wolens explores the patron’s role in fostering the legendary art world of early twentieth-century France.

To Create a Vision: Jia Aili in Conversation with Philip Tinari

To Create a Vision: Jia Aili in Conversation with Philip Tinari

Jia Aili speaks with curator Philip Tinari about his arts education, his working process, and his desire to expand the talking points around painting.