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Georg Baselitz
Académie des Beaux-Arts Foreign Associate Member

Georg Baselitz has been elected a foreign associate member of the prestigious Académie des Beaux-Arts, one of five institutions comprising the Institut de France. Baselitz joins ten other foreign members, taking the seat previously held by the late Polish film director Andrzej Wajda.

Dedicated to the fine arts, the Académie des Beaux-Arts encourages artistic creation and ensures the defense of France’s cultural heritage by awarding prizes to both emerging and recognized artists, organizing competitions, funding artist residencies, and granting aid to artistic projects, events, and associations. As an advisory body to the French public authorities, it is organized around the notion of multidisciplinarity, bringing together members within eight different artistic sections, foreign associate members, and corresponding members.

Georg Baselitz, Ammersee, Germany, 2018. Photo: Martin Müller

Georg Baselitz, Ammersee, Germany, 2018. Photo: Martin Müller

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Georg Baselitz, Piet M., 2018 © Georg Baselitz. Photo: Jochen Littkemann


“Georg Baselitz: Devotion”
with Morgan Falconer

Thursday, February 14, 2019, 6:30–8pm
Gagosian, West 24th Street, New York

In conjunction with the 2019 College Art Association Annual Conference in New York, critic and art historian Morgan Falconer will lead a tour of Georg Baselitz: Devotion at Gagosian, West 24th Street, New York. Falconer will discuss Baselitz’s new paintings and works on paper and the artist’s interest in portraiture. To attend the free event, RSVP to Space is limited and will be granted on a first-come-first-serve basis.

Georg Baselitz, Piet M., 2018 © Georg Baselitz. Photo: Jochen Littkemann

Artwork © Georg Baselitz. Photo: Wilfried Hösl


Georg Baselitz

Through March 2019
Nationaltheater, Munich

Georg Baselitz has designed the set for a new reiteration of Parsifal at the Nationaltheater. The opera, composed by Richard Wagner, was first performed in Bayreuth, Germany, in 1882. To attend the event, purchase tickets at

Artwork © Georg Baselitz. Photo: Wilfried Hösl

Photo: Peter Knaup

Artist Talk

Georg Baselitz

Friday, February 16, 2018, 6:30–8pm
Fondation Beyeler, Riehen/Basel

Georg Baselitz will discuss his practice and current retrospective at the Fondation Beyeler as part of the museum’s Artists Talks program with UBS. The talk is sold out, but will be streamed live on Facebook.

Photo: Peter Knaup

Albert Oehlen, Untitled, 2019, watercolor on canvas, 83 ⅞ × 72 ⅛ inches (213 × 183 cm).

Albert Oehlen: Maximum Chance Maximum Control

The artist met with art historian Christian Malycha to discuss his newest paintings.

Cover of the Winter 2019 Gagosian Quarterly, featuring a selection from a black-and-white Christopher Wool photograph

Now available
Gagosian Quarterly Winter 2019

The Winter 2019 issue of Gagosian Quarterly is now available, featuring a selection from Christopher Wool’s Westtexaspsychosculpture series on its cover.

Still from the video Giuseppe Penone at Fort Mason showing the artist's 2004 sculpture Idee di pietra (Ideas of Stone) installed at Fort Mason in San Francisco.

Giuseppe Penone at Fort Mason

A yearlong outdoor installation by Giuseppe Penone in San Francisco’s historic Fort Mason features two life-size bronze sculptures cast from fallen trees. The project continues the artist’s long investigation of the perpetual give-and-take between humans and nature. In this video, Penone discusses what drew him to this landscape and the concepts behind the installation.

Tatiana Trouvé, Between sky and earth, 2012–.

Tatiana Trouvé: In Time

In upstate New York, Jenny Jaskey discovers Tatiana Trouvé’s Between sky and earth. Begun in 2012, this multifaceted installation exists as a crucial nexus in the artist’s career, both a result of her ongoing practice and a generative source for continuing investigations.

Sally Mann and Edmund de Waal at the Frick Collection, New York, November 8, 2019.

In Conversation
Edmund de Waal and Sally Mann

Sally Mann joins Edmund de Waal onstage at the Frick Collection in New York to converse about art, writing, and the importance of place in their respective bodies of work. 

Theaster Gates, Paris, 2019.

Theaster Gates: Amalgam

Theaster Gates’s exhibition Amalgam explores the social histories of migration and interracial relations by highlighting the specific history of the Maine island of Malaga. Here, William Whitney considers the exhibition in relation to Gates’s ongoing art practices and social commitments.

A photograph of the Casa Malaparte house in Capri, Italy.

Casa Malaparte: A House Like Ourselves

Wyatt Allgeier explores the legacy of Curzio Malaparte and corresponds with the avant-garde author’s youngest descendant, Tommaso Rositani Suckert, on the subject of his decision to reproduce select pieces of furniture from the iconic Casa Malaparte in Capri, Italy.

Installation view of Giuseppe Penone’s exhibition at Gagosian, San Francisco. A bronze sculpture and a wall-mounted sculpture including leaves.

Giuseppe Penone: Foglie di bronzo / Leaves of Bronze

Gagosian director Pepi Marchetti Franchi speaks about Giuseppe Penone’s recent exhibition in San Francisco, detailing the various works and their relationships to the artist’s long-standing sculptural practice.

Rachel Feinstein in her West 15th Street studio, New York, 2002.

Rachel Feinstein

The artist discusses her life and work with Alan Yentob.

Huma Bhabha during the installation of Huma Bhabha: The Company at Gagosian, Rome, September 2019.

Work in Progress
Huma Bhabha

The artist tells Negar Azimi about her interest in the monstrous, the influence of science fiction on her practice, and her recent rooftop commission at the Metropolitan Museum of Art, New York.

Edmund de Waal and Jan Dalley, FT Weekend Festival, London, September 7, 2019

In Conversation
Edmund de Waal and Jan Dalley

At the FT Weekend Festival 2019 in London, Edmund de Waal sat down for a conversation with Financial Times arts editor Jan Dalley. They spoke about the relationship between words and sculpture in his practice, and about two recent projects: the two-part exhibition psalm, in Venice, and Elective Affinities, at the Frick Collection, New York.

A black-and-white photograph of a woman's face by Dora Maar.

Discovering Dora Maar

Brigitte Benkemoun’s book Je suis le carnet de Dora Maar takes a novel approach to the art of biography. For the Quarterly, Benkemoun recounts her discovery of a mysterious Hermès address book, the subsequent realization of its genius former owner, and her journey to learn more about the life, friends, and art of Dora Maar.