Académie des Beaux-Arts Foreign Associate Member
Georg Baselitz has been elected a foreign associate member of the prestigious Académie des Beaux-Arts, one of five institutions comprising the Institut de France. Baselitz joins ten other foreign members, taking the seat previously held by the late Polish film director Andrzej Wajda.
Dedicated to the fine arts, the Académie des Beaux-Arts encourages artistic creation and ensures the defense of France’s cultural heritage by awarding prizes to both emerging and recognized artists, organizing competitions, funding artist residencies, and granting aid to artistic projects, events, and associations. As an advisory body to the French public authorities, it is organized around the notion of multidisciplinarity, bringing together members within eight different artistic sections, foreign associate members, and corresponding members.
Georg Baselitz, Ammersee, Germany, 2018. Photo: Martin Müller
“Georg Baselitz: Devotion”
with Morgan Falconer
Thursday, February 14, 2019, 6:30–8pm
Gagosian, West 24th Street, New York
In conjunction with the 2019 College Art Association Annual Conference in New York, critic and art historian Morgan Falconer will lead a tour of Georg Baselitz: Devotion at Gagosian, West 24th Street, New York. Falconer will discuss Baselitz’s new paintings and works on paper and the artist’s interest in portraiture. To attend the free event, RSVP to email@example.com. Space is limited and will be granted on a first-come-first-serve basis.
Georg Baselitz, Piet M., 2018 © Georg Baselitz. Photo: Jochen Littkemann
Through March 2019
Georg Baselitz has designed the set for a new reiteration of Parsifal at the Nationaltheater. The opera, composed by Richard Wagner, was first performed in Bayreuth, Germany, in 1882. To attend the event, purchase tickets at www.staatsoper.de.
Artwork © Georg Baselitz. Photo: Wilfried Hösl
Friday, February 16, 2018, 6:30–8pm
Fondation Beyeler, Riehen/Basel
Georg Baselitz will discuss his practice and current retrospective at the Fondation Beyeler as part of the museum’s Artists Talks program with UBS. The talk is sold out, but will be streamed live on Facebook.
Photo: Peter Knaup
Albert Oehlen: Maximum Chance Maximum Control
The artist met with art historian Christian Malycha to discuss his newest paintings.
Gagosian Quarterly Winter 2019
The Winter 2019 issue of Gagosian Quarterly is now available, featuring a selection from Christopher Wool’s Westtexaspsychosculpture series on its cover.
Giuseppe Penone at Fort Mason
A yearlong outdoor installation by Giuseppe Penone in San Francisco’s historic Fort Mason features two life-size bronze sculptures cast from fallen trees. The project continues the artist’s long investigation of the perpetual give-and-take between humans and nature. In this video, Penone discusses what drew him to this landscape and the concepts behind the installation.
Tatiana Trouvé: In Time
In upstate New York, Jenny Jaskey discovers Tatiana Trouvé’s Between sky and earth. Begun in 2012, this multifaceted installation exists as a crucial nexus in the artist’s career, both a result of her ongoing practice and a generative source for continuing investigations.
Edmund de Waal and Sally Mann
Sally Mann joins Edmund de Waal onstage at the Frick Collection in New York to converse about art, writing, and the importance of place in their respective bodies of work.
Theaster Gates: Amalgam
Theaster Gates’s exhibition Amalgam explores the social histories of migration and interracial relations by highlighting the specific history of the Maine island of Malaga. Here, William Whitney considers the exhibition in relation to Gates’s ongoing art practices and social commitments.
Casa Malaparte: A House Like Ourselves
Wyatt Allgeier explores the legacy of Curzio Malaparte and corresponds with the avant-garde author’s youngest descendant, Tommaso Rositani Suckert, on the subject of his decision to reproduce select pieces of furniture from the iconic Casa Malaparte in Capri, Italy.
Giuseppe Penone: Foglie di bronzo / Leaves of Bronze
Gagosian director Pepi Marchetti Franchi speaks about Giuseppe Penone’s recent exhibition in San Francisco, detailing the various works and their relationships to the artist’s long-standing sculptural practice.
The artist discusses her life and work with Alan Yentob.
Work in Progress
The artist tells Negar Azimi about her interest in the monstrous, the influence of science fiction on her practice, and her recent rooftop commission at the Metropolitan Museum of Art, New York.
Edmund de Waal and Jan Dalley
At the FT Weekend Festival 2019 in London, Edmund de Waal sat down for a conversation with Financial Times arts editor Jan Dalley. They spoke about the relationship between words and sculpture in his practice, and about two recent projects: the two-part exhibition psalm, in Venice, and Elective Affinities, at the Frick Collection, New York.
Discovering Dora Maar
Brigitte Benkemoun’s book Je suis le carnet de Dora Maar takes a novel approach to the art of biography. For the Quarterly, Benkemoun recounts her discovery of a mysterious Hermès address book, the subsequent realization of its genius former owner, and her journey to learn more about the life, friends, and art of Dora Maar.