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Lecture Series

Gregory Crewdson
2020 Yale Photo Pop Up Lecture Series

Gregory Crewdson, director of graduate studies in photography at the Yale School of Artis opening his 2020 MFA Photography Pop Up Lecture Series to the public while the Yale campus goes online, hosting twenty-eight question-and-answer sessions with leading figures of contemporary film and photography on Zoom. Featuring a wide range of guest speakers including William Eggleston, Spike Jonze, Tilda Swinton, and Kara Walker, the series opens up a conversation about how to find artistic inspiration in this moment of great change. To watch previous talks, visit www.art.yale.edu.

Still from “Yale Photo Pop Up Lecture Series: Tilda Swinton”

Still from “Yale Photo Pop Up Lecture Series: Tilda Swinton”

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Still from “Yale Photo Pop Up Lecture Series presents Jeff Wall”

Lecture Series

Gregory Crewdson
2021 Yale Photo Pop Up Lecture Series

The Yale Photo Pop Up Lecture Series has returned for a second year. The series was started in 2020 by Gregory Crewdson, director of graduate studies in photography at the Yale School of Art, as a response to the shift to online learning. The biweekly talks feature a wide range of guest speakers, including leading figures of contemporary film and photography, announced twenty-four hours in advance of the event. In each half-hour session, Crewdson asks the guest questions about artistic practice and the anticipation of an end to the pandemic crisis. The series is free and open to the public. Space is limited and will be granted on a first-come, first-served basis.

To find out about upcoming lectures, follow @yalephoto or @crewdsonstudio on Instagram.

Still from “Yale Photo Pop Up Lecture Series presents Jeff Wall”

Dress from Namacheko’s Autumn/Winter 2020 collection featuring an image from Gregory Crewdson’s Hover series

Design

Namacheko and Gregory Crewdson
AW20 Collection

Belgian fashion label Namacheko is launching a new collection inspired by and featuring Gregory Crewdson’s photographs. The garments were shown for the first time at Namacheko’s Fall 2020 runway show in January at Espace Niemeyer, the French Communist Party headquarters in Paris, designed by Oscar Niemeyer. The clothing will be available later this year at select retailers, including the Gagosian Shop.

Dress from Namacheko’s Autumn/Winter 2020 collection featuring an image from Gregory Crewdson’s Hover series

Film still from Gregory Crewdson: There but Not There (2017), directed by Juliane Hiam © Crewdson Studio

Talk and Screening

Gregory Crewdson

May 19–20, 2018
Festival of Disruption at Brooklyn Steel, New York
www.festivalofdisruption.com

Gregory Crewdson will participate in the Festival of Disruption, curated by David Lynch. He will be giving a talk in conjunction with the screening of Gregory Crewdson: There but Not There, a short documentary released in 2017 that offers a rare glimpse into his casting and artistic process.

Film still from Gregory Crewdson: There but Not There (2017), directed by Juliane Hiam © Crewdson Studio

Marta Kuzma, Eileen Costello, and Caitlin Murray in conversation surrounded by Donald Judd paintings.

In Conversation
Eileen Costello, Marta Kuzma, and Caitlin Murray on Donald Judd: Paintings

Art historian Eileen Costello and Yale School of Art professor Marta Kuzma discuss Donald Judd’s two-dimensional work and how the lessons he learned from the innovations of Abstract Expressionist and Color Field paintings permeate his entire body of work. Their conversation is moderated by Caitlin Murray, director of archives and programs at Judd Foundation.

Cover of Gagosian Quarterly with Jasper Johns’s Target with Four Faces (1955)

Now available
Gagosian Quarterly Winter 2021

The Winter 2021 issue of Gagosian Quarterly is now available, featuring Jasper Johns’s Target with Four Faces (1955) on its cover.

Still from "Sally Mann: Vinculum".

Sally Mann: Vinculum

Join Sally Mann at her studio in Lexington, Virginia. Filmed at work in her darkroom and within the surrounding landscape, she discusses her exploratory approach to making and printing pictures, what draws her to the landscape of the American South, and her newest body of work, Vinculum.

Manuel Mathieu, Siblings 2, 2021, mixed media, 70 × 62 inches (117.8 × 157.5 cm)

Social Works II: Manuel Mathieu | The Delusion of Power

Artist Manuel Mathieu reflects on Haiti, Francisco Goya, and conceptualizations of power, examining their roles in his practice.

Still from video, featuring artwork by Jonas Wood

Behind the Art
Jonas Wood in Hong Kong

Join Jonas Wood on a virtual tour through the creation of his first solo exhibition in Hong Kong. Wood narrates the genesis and development of the new paintings, drawings, and wallpaper.

Martha Buskirk and Peter Ballantine speaking with one another

In Conversation
Peter Ballantine and Martha Buskirk on Donald Judd

Peter Ballantine, Donald Judd’s longtime fabricator of plywood works, and Martha Buskirk, professor of art history and criticism at Montserrat College of Art in Beverly, Massachusetts, discuss the development, production, and history of the largest plywood construction Judd ever made, an untitled work from 1980.

Ugo Mulas, Jasper Johns, 1964, vintage gelatin silver print, 9 ⅞ × 14 ½ inches (25 × 37 cm), Ugo Mulas Archive, Milan © Ugo Mulas Heirs

Jasper Johns: Mind/Mirror

Carlos Basualdo, the Keith L. and Katherine Sachs Senior Curator of Contemporary Art at the Philadelphia Museum of Art, and Scott Rothkopf, Senior Deputy Director and Nancy and Steve Crown Family Chief Curator at the Whitney Museum of American Art, New York, spoke with the Quarterly’s Alison McDonald ahead of the opening of the unprecedented collaborative retrospective Jasper Johns: Mind/Mirror to discuss the goals, revelations, and unique structure of the project.

Issy Wood, The down payment, 2021, oil on linen.

Picture Books: Ottessa Moshfegh and Issy Wood

Emma Cline introduces her new publication project, Picture Books, with a conversation between author Ottessa Moshfegh and artist Issy Wood.

Jenny Saville, Pietà I, 2019–21, charcoal and pastel on canvas

Jenny Saville: A cyclical rhythm of emergent forms

An exhibition curated by Sergio Risaliti, director of the Museo Novecento, Florence, pairs artworks by Jenny Saville with artists of the Italian Renaissance. On view across that city at the Museo Novecento, the Museo di Palazzo Vecchio, the Museo dell’Opera del Duomo, the Museo degli Innocenti, and the Museo di Casa Buonarroti through February 20, 2022, the presentation features paintings and drawings by Saville from the 1990s through to work made especially for the occasion. Here, Risaliti reflects on the resonances and reverberations brought about by these pairings.

Installation view, Semiotext(e) exhibition at the 2014 Whitney Biennial

Leaders in the Arts: Publishing Edition

Chris Kraus and Hedi El Kholti, coeditors of the legendary press Semiotext(e), speak with Kandis Williams, the founder and editor of Cassandra Press, and Lisa Pearson, the founder and editor of Siglio Press.

Hao Liang, Eight Views of Xiaoxiang—Relics, 2015–16, ink on silk, 72 ½ × 152 ⅜ inches (184 × 387 cm).

Hao Liang: To Forge the Chain of Being

Fan Jingzhong analyzes the classical concepts and references in Hao Liang’s paintings.

Still from "Hao Liang: Poetics of Li Shangyin"

Behind the Art
Hao Liang: Poetics of Li Shangyin

Join Hao Liang in his Beijing studio as he discusses the inspiration behind his latest series of paintings, rendered in ink and color on silk. Evoking the tradition of literati painting, the three works picture imagery conceived in response to passages of poetry by the ninth-century poet Li Shangyin.