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Giuseppe Penone
The Inner Life of Forms

An excerpt of Giuseppe Penone: The Inner Life of Forms is available for online reading from July 1 through July 30 as part of the From the Library series. The selected essay, Sculpting Time by archaeologist and art historian Salvatore Settis, draws Penone’s work into dialogue with classical and preclassical history. The full monograph, edited by Carlos Basualdo of the Philadelphia Museum of Art, is the most comprehensive survey of the artist’s oeuvre to date. The book consists of two components: a three-part, in-depth dialogue between Basualdo and Penone and essays by Emily Braun, Tim Ingold, Rémi Labrusse, and Settis; and twelve individual booklets containing eleven new texts by longtime Penone scholar and collaborator Daniela Lancioni that explore the core themes and interests embodied in the artist’s work.

Giuseppe Penone: The Inner Life of Forms (New York: Gagosian, 2018)

Giuseppe Penone: The Inner Life of Forms (New York: Gagosian, 2018)

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Giuseppe Penone, Project for Royal Djurgaden, 2022 © Giuseppe Penone/2024 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo: © Archivio Penone

Honor

Giuseppe Penone
Årets Konstnär 2024

Giuseppe Penone has been named 2024’s Artist of the Year by Prinsessan Estelles Kulturstiftelse (preks), a foundation established in 2019 by Sweden’s Crown Princess Victoria and Prince Daniel and named for their daughter, Princess Estelle, with the mission of promoting cultural activities in the country. Every year, the chosen artist is invited to create a monumental, site-specific work to be permanently installed within Prinsessan Estelles Skulpturpark, a sculpture park at Royal Djurgården in Stockholm. Penone’s sculpture, The Inner Flow of Life (2022), will be unveiled on May 30, 2024.

Giuseppe Penone, Project for Royal Djurgaden, 2022 © Giuseppe Penone/2024 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo: © Archivio Penone

Giuseppe Penone, La logica del vegetale – Metamorfosi (Vegetal Logic – Metamorphosis), 2024, installation view, AlUla, Saudi Arabia © Giuseppe Penone/2024 Artists Rights Society (ARS), New York/ADAGP, Paris

Public Installation

Giuseppe Penone
Desert X AlUla 2024

February 9–March 23, 2024
AlUla, Saudi Arabia
desertx.org

Giuseppe Penone’s sculpture La logica del vegetale – Metamorfosi (Vegetal Logic – Metamorphosis) (2024) is installed in an ancient desert canyon in the Arabian Peninsula as part of Desert X AlUla 2024. The 17-meter-tall (almost 56-foot-tall) cast bronze chestnut tree lies on its side with gnarled roots exposed, surrounded by pieces of fossilized trees, revealing the interdependence between sculpture and nature across geological timeThis is the third edition of Desert X AlUla, a collaboration between Desert X and the Royal Commission for AlUla established to advance new cultural dialogue through art. Curated by Maya El Khalil and Marcello Dantas, the selection of works explores the theme “In the Presence of Absence” and asks the question “What cannot be seen?”

Giuseppe Penone, La logica del vegetale – Metamorfosi (Vegetal Logic – Metamorphosis), 2024, installation view, AlUla, Saudi Arabia © Giuseppe Penone/2024 Artists Rights Society (ARS), New York/ADAGP, Paris

Giuseppe Penone, Impronte di luce (Imprints of Light), 2023 © Giuseppe Penone/2023 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo: Thomas Lannes

In Conversation

Giuseppe Penone
Hala Wardé

Wednesday, December 6, 2023, 6:30pm
Gagosian, 4 rue de Ponthieu, Paris

Please join Gagosian for a conversation between Giuseppe Penone and architect Hala Wardé inside Impronte di luce / Empreintes de lumière, an exhibition of new paintings by the artist inspired by his experience of Le Corbusier’s Couvent Sainte-Marie de La Tourette in Éveux, France. The longtime friends will discuss Penone’s latest body of work and their most recent collaboration for Louvre Abu Dhabi, where Wardé was partner architect and Penone was one of two artists commissioned to create site-specific permanent installations. They will also consider the creative exploration of space, form, and material inherent to both art and architecture, shedding light on the fascinating intersections that shape their collaborative efforts. The conversation will be conducted in French.

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Giuseppe Penone, Impronte di luce (Imprints of Light), 2023 © Giuseppe Penone/2023 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo: Thomas Lannes

Self portrait of Francesca Woodman, she stands against a wall holding pieces of ripped wallpaper in front of her face and legs

Francesca Woodman

Ahead of the first exhibition of Francesca Woodman’s photographs at Gagosian, director Putri Tan speaks with historian and curator Corey Keller about new insights into the artist’s work. The two unravel themes of the body, space, architecture, and ambiguity.

Cover of Gagosian Quarterly, Spring 2024, featuring Jean-Michel Basquiat Cover

Now available
Gagosian Quarterly Spring 2024

The Spring 2024 issue of Gagosian Quarterly is now available with a fresh cover design featuring Jean-Michel Basquiat’s Lead Plate with Hole (1984).

Installation view, with three paintings by Simon Hantaï

Simon Hantaï: Azzurro

Join curator Anne Baldassari as she discusses the exhibition Simon Hantaï:Azzurro, Gagosian, Rome, and the significance of blue in the artist’s practice. The show forms part of a triptych with Gagosian’s two previous Hantaï exhibitions, LES NOIRS DU BLANC, LES BLANCS DU NOIR at Le Bourget in 2019–20, and Les blancs de la couleur, la couleur du blanc in New York, in 2022.

Sofia Coppola: Archive

Sofia Coppola: Archive

MACK recently published Sofia Coppola: Archive 1999–2023, the first publication to chronicle Coppola’s entire body of work in cinema. Comprised of the filmmaker’s personal photographs, developmental materials, drafted and annotated scripts, collages, and unseen behind-the-scenes photography from all of her films, the monograph offers readers an intimate look into the process behind these films.

Prosperity’s Long Song #1: At Lights-Out Hour

Prosperity’s Long Song #1: At Lights-Out Hour

We present the first installment of a four-part short story by Arinze Ifeakandu. Set at the Marian Boys’ Boarding School in Nigeria, “Prosperity’s Long Song” explores the country’s political upheavals through the lens of ancient mythologies and the mystical power of poetry.

Still from The World of Apu (1959), directed by Satyajit Ray, it features a close up shot of a person crying, only half of their face is visible, the rest is hidden behind fabric

Mount Fuji in Satyajit Ray’s Woodblock Art, Part II

In the first installment of this two-part feature, published in our Winter 2023 edition, novelist and critic Amit Chaudhuri traced the global impacts of woodblock printing. Here, in the second installment, he focuses on the films of Satyajit Ray, demonstrating the enduring influence of the woodblock print on the formal composition of these works.

Two people stand on a snowy hill looking down

Adaptability

Adam Dalva looks at recent films born from short stories by the Japanese writer Haruki Murakami and asks, What makes a great adaptation? He considers how the beloved surrealist’s prose particularly lends itself to cinematic interpretation.

Chris Eitel in the Kagan Design Group workshop

Vladimir Kagan’s First Collection: An Interview with Chris Eitel

Chris Eitel, Vladimir Kagan’s protégé and the current director of design and production at Vladimir Kagan Design Group, invited the Quarterly’s Wyatt Allgeier to the brand’s studio in New Jersey, where the two discussed the forthcoming release of the First Collection. The series, now available through holly hunt, reintroduces the first chair and table that Kagan ever designed—part of Eitel’s efforts to honor the furniture avant-gardist’s legacy while carrying the company into the future.

Black and white portrait of Alexey Brodovitch

Game Changer: Alexey Brodovitch

Gerry Badger reflects on the persistent influence of the graphic designer and photographer Alexey Brodovitch, the subject of an upcoming exhibition at the Barnes Foundation, Philadelphia.

Various artworks by Jeff Perrone hang on a white gallery wall

Outsider Artist

David Frankel considers the life and work of Jeff Perrone, an artist who rejected every standard of success, and reflects on what defines an existence devoted to art.

Interior of Goetheanum, Dornach, Switzerland

Goetheanum: Rudolf Steiner and Contemporary Art

Author and artist Ross Simonini reports on a recent trip to the world center of the anthroposophical movement, the Goetheanum in Switzerland, exploring the influence of the movement’s founder and building’s designer Rudolf Steiner on twentieth-century artists.

A sculpture by the artist Duane Hanson of two human figures sitting on a bench

Duane Hanson: To Shock Ourselves

On the occasion of an exhibition at Fondation Beyeler, novelist Rachel Cusk considers the ethical and aesthetic arrangements that Duane Hanson’s sculpture initiates within the viewer.