Cecily Brown, Giuseppe Penone, and Nathaniel Mary Quinn in
100 Drawings from Now
October 7, 2020–January 17, 2021
Drawing Center, New York
The benefit exhibition 100 Drawings from Now features drawings made by an international group of artists since early 2020, providing a snapshot of artistic production during the period of profound global unrest that has resulted from the ongoing health and economic crises, as well as the surge of activism in response to systemic racism, social injustice, and police brutality in the United States. Together, the donated works spotlight the urgency, intimacy, and universality of drawing during moments of upheaval and isolation. Proceeds from the sales will support the Drawing Center and the artists. Work by Cecily Brown, Giuseppe Penone, and Nathaniel Mary Quinn is included.
Nathaniel Mary Quinn, Treasure Hunt #2, 2020 © Nathaniel Mary Quinn
March 25–September 12, 2021
Piazza della Signoria, Florence, Italy
Giuseppe Penone’s Abete (Fir) is installed in the Piazza della Signoria in Florence, Italy, to celebrate Dantedì, the day dedicated to the Florentine poet Dante Alighieri, and the 700th anniversary of his death. The trunk and branches are made of cast stainless steel, encircled by a lattice with eighteen cast bronze elements. At just over 72 feet high, Penone’s sculpture is the largest ever installed in a public space in Florence and anticipates an upcoming exhibition of his work at the Gallerie degli Uffizi entitled Alberi In-versi (Trees In-Verses), opening June 1.
Giuseppe Penone, Abete (Fir), 2013, installation view, Piazza della Signoria, Florence, Italy © Giuseppe Penone/2021 Artists Rights Society (ARS), New York/ADAGP, Paris
FIAC Online 2021
March 2–12, 2021
Gagosian is pleased to present Printemps oublié for the first online edition of FIAC. This curated presentation reflects the dual character of springtime as a reminder of past trials and the harbinger of a vibrant new season to come.
All the artworks will appear on the Gagosian website and a rotating selection will appear in the inaugural FIAC Online Viewing Rooms, from March 4 to 7.
Jeff Koons, Bluebird Planter, 2010–16 © Jeff Koons
Nathaniel Mary Quinn
January 27–February 2, 2021
In his composite portraits derived from sources both personal and found, Nathaniel Mary Quinn probes the relationship between visual memory and perception. Fragments of images taken from online sources, fashion magazines, and family photographs come together to form hybrid faces and figures that are at once Dadaesque and adamantly realist, evoking the intimacy and intensity of a face-to-face encounter.
Photo: Eddie Lee
Vicomtesse Marie-Laure de Noailles
Ariella Wolens explores the patron’s role in fostering the legendary art world of early twentieth-century France.
Gagosian Quarterly Summer 2021
The Summer 2021 issue of Gagosian Quarterly is now available, featuring Carrie Mae Weems’s The Louvre (2006) on its cover.
Building a Legacy
Famously Unknown: Legacy Building in the Art World
In this video, Raymond Foye and Rani Singh discuss the general principles and methodologies of archiving, editing, and presenting the work of overlooked artists and writers. They share firsthand accounts and learning experiences from working with artists and poets such as Jordan Belson, Gregory Corso, Rene Ricard, and Harry Smith.
Work in Progress
Jia Aili: In the Studio
This video presents a behind-the-scenes look at Jia Aili’s studio in Beijing. He elaborates on his in-progress works, the complexity of his compositions, as well as his philosophies of and motivations for painting.
To Create a Vision: Jia Aili in Conversation with Philip Tinari
Jia Aili speaks with curator Philip Tinari about his arts education, his working process, and his desire to expand the talking points around painting.
Dr. David Driskell
Taylor Aldridge reflects on the enduring legacy of the artist, educator, curator, and scholar.
Louise Bonnet: Sphinxes
Ali Subotnick investigates the artist’s surreal new series of drawings.
Albert Oehlen: Terrifying Sunset
The artist speaks with Mark Godfrey about his new paintings, touching on the works’ relationship to John Graham, the Rothko Chapel, and Leigh Bowery.
A Body in Fukushima
Ten years after Fukushima’s nuclear meltdown of 2011, movement-based artist Eiko Otake and historian/photographer William Johnston discuss their visits to that irradiated landscape. The forthcoming book A Body in Fukushima documents their ongoing performance project.
Adriana Varejão: For a Poetics of Difference
Curator Luisa Duarte considers the artist’s oeuvre, writing on Varejão’s active engagement with theories of difference, as well as the cultural specters of the past.
Artist to Artist: Rachel Feinstein and Ewa Juszkiewicz
On the occasion of Frieze New York 2021, the two artists discuss remixing conventions, the allure of Rococo, and the importance of research and history within their respective practices.
Helen Frankenthaler: A Painter’s Sculptures
On the occasion of three exhibitions in London exploring different aspects of Helen Frankenthaler’s work, Lauren Mahony introduces texts by the sculptor Anthony Caro and by the artist herself on her relatively unfamiliar first body of sculpture, made in the summer of 1972 in Caro’s London studio.