Night into Day
Monday, October 19, 2020, 1pm EDT
On the occasion of Sarah Sze’s exhibition Night into Day, which opens at the Fondation Cartier pour l’art contemporain, Paris, on October 24, Sze and French philosopher Bruno Latour will lead a livestream walkthrough of the exhibition, inviting the public to discover the artist’s immersive installations. To watch the live event, visit Fondation Cartier’s Instagram.
Sarah Sze, Centrifuge, 2017 (detail) © Sarah Sze
Thursday, June 25, 2020, 12pm EDT
This event has been postponed. The new date will be announced shortly.
Sarah Sze will speak with French art critic Anaïd Demir on the École des Beaux-Arts de Paris Instagram Live account. The pair will discuss Sze’s current exhibition at Gagosian, Paris, as well the artist’s dynamic practice that addresses the precarious nature of materiality and grapples with matters of entropy and temporality. To watch the live conversation, visit École des Beaux-Arts’s Instagram.
Installation view, Sarah Sze, Gagosian, Paris, May 23–July 18, 2020. Artwork © Sarah Sze. Photo: Rebecca Fanuele
American Academy of Arts and Sciences
Sarah Sze has been inducted into the American Academy of Arts and Sciences. The Academy, founded in 1780, is both an honorary society that recognizes and celebrates the excellence of its members and an independent research center convening leaders from across disciplines, professions, and perspectives to explore challenges facing society, identify solutions, and promote nonpartisan recommendations that advance the public good.
Sarah Sze, Ripple (Times Zero), 2020 © Sarah Sze
April 8–14, 2020
A peerless bricoleur, Sarah Sze gleans objects and images from worlds both physical and digital, assembling them into complex multimedia installations that prompt microscopic observation while evoking a macroscopic perspective on the infinite. In recent years she has returned to painting—the medium in which she first trained—producing works that translate her processes of sculptural accumulation into the making of collaged paintings that are detailed, dynamic, and highly textural.
Photo: courtesy MacArthur Foundation
Rachel Whiteread and Ann Gallagher
Rachel Whiteread speaks to Ann Gallagher about a new group of resin sculptures for an upcoming exhibition at Gagosian in London. They discuss the works’ emphasis on surface texture, light, and reflection.
Gagosian Quarterly Fall 2020
The Fall 2020 issue of Gagosian Quarterly is now available.
Rachel Whiteread on Piero della Francesca
Rachel Whiteread writes about the Italian artist’s Baptism of Christ (after 1437) and what has drawn her to this painting, from her first experience of it at a young age to the present day.
Titus Kaphar: From a Tropical Space
Join the artist in his studio in New Haven, Connecticut, where he speaks about his latest paintings.
Nathaniel Mary Quinn: In the Studio
Hear the painter describe the creation of a new work in this time-lapse documentation of his process.
Theaster Gates: Black Vessel
Join Theaster Gates in his studio as he prepares for an upcoming exhibition at Gagosian, New York. In this video, shot on location in Chicago during the tumultuous weeks of protest in late spring 2020, Gates reflects on the metaphorical power of materials and process, and on the redemptive potential of art.
Gregory Crewdson: An Eclipse of Moths
Gregory Crewdson discusses his new work with actor Cate Blanchett.
Mary Weatherford: Train Yards
Mary Weatherford speaks to Laura Hoptman about her new paintings, the Train Yard series. Begun in 2016, this body of work evokes the sights and sounds of railroads and night skies. The series will be shown for the first time in late 2020, in an exhibition at Gagosian, London.
Filmmaker and author Miranda July joined Louise Bonnet on a video call to discuss life during lockdown, the luminosity of oil paint, and Bonnet’s forthcoming exhibition of new work. Longtime friends—and newly neighbors—the two reflect on their shared history and shared interests in the unconscious, vagueness, and the mixture of humor and pain.
“Things Fall Apart”: Ed Ruscha’s Swiped Words
Lisa Turvey examines the range of effects conveyed by the blurred phrases in recent drawings by the artist, detailing the ways these words in motion evoke the experience of the current moment.
Bebe Miller and Cynthia Oliver
The legendary choreographers discuss their history together, the evolution of Cynthia Oliver’s boom!, imposed boundaries on “Black dance,” and the choreographies of the pandemic.
Suzanne Hudson speaks with Leah Levy, executive director of the Jay DeFeo Foundation, about the artist’s life and work.