Frieze Sculpture New York: An Interview with Brett Littman
The inaugural presentation of Frieze Sculpture New York at Rockefeller Center opened on April 25, 2019. Before the opening, Brett Littman, the director of the Isamu Noguchi Foundation and Garden Museum and the curator of this exhibition, told Wyatt Allgeier about his vision for the project and detailed the artworks included.
Work in Progress
Sarah Sze: In the Studio
Join Sarah Sze in her studio as she prepares for an exhibition of new work in Rome.
Frieze Sculpture New York
April 25–June 28, 2019
Rockefeller Center, New York
Frieze, in partnership with Tishman Speyer, is launching Frieze Sculpture at Rockefeller Center, New York, to be held annually in conjunction with Frieze New York. Brett Littman, director of the Isamu Noguchi Foundation and Garden Museum in Long Island City, New York, is curating the immersive presentation, including works by Walter De Maria and Sarah Sze.
Three of the fourteen sculptures from De Maria’s Truth / Beauty series (1993–2016), which expands upon the artist’s use of permutations of rods, polygons, and numerical sequences, will be shown indoors.
Sze’s Split Stone (7:34) (2018), a natural granite boulder divided like a geode into two halves, in each of which the artist has embedded the image of a generic sunset, captured on her iPhone, will be outdoors.
Top: Walter De Maria, Truth / Beauty, 1993–2016 (detail) © Estate of Walter De Maria. Bottom: Sarah Sze, Split Stone (7:34), 2018 © Sarah Sze
TED2019: Bigger than us
April 15–19, 2019
Vancouver Convention Centre, Canada
Sarah Sze has been invited to speak at TED2019: Bigger than us. This year’s conference will focus on the political and technological turmoil of recent years and look at the deeper meaning of life. Sze’s immersive and intricate works question the value society places on objects and how objects ascribe meaning to the places and times we inhabit.
Sarah Sze, Flash Point (Timekeeper), 2018 (detail) © Sarah Sze. Photo: Matteo D’Eletto, M3 Studio
at Crypta Balbi
November 21, 2018–January 27, 2019
Museo Nazionale Romano, Crypta Balbi, Rome
Sarah Sze’s Split Stone (7:34) (2018) appears amidst the historic ruins of Crypta Balbi. Opened like a geode, each half of the natural boulder reveals a sunset sky embedded in its flat surface, alluding to gongshi (scholar’s rocks) and the heavenly firmaments of Renaissance paintings. While her current exhibition at Gagosian Rome underscores and amplifies the materiality of digital images, in Split Stone (7:34), Sze takes a reverse approach by imbuing a granite boulder with a pixelated ephemerality.
Sarah Sze, Split Stone (7:34), 2018, installation view, Museo Nazionale Romano, Crypta Balbi, Rome © Sarah Sze. Photo: Matteo D’Eletto, M3 Studio