Exploring Ed Ruscha’s Archive
Monday, December 14, 2020, 2pm est (11am pst)
As part of Gagosian’s Building a Legacy program, Andrew Perchuk, deputy director at the Getty Research Institute, and Rani Singh, director of special projects at Gagosian, will take viewers through the interactive website 12 Sunsets: Exploring Ed Ruscha’s Archive. Launched by the Getty in October 2020, the site allows users to browse more than sixty-five thousand photographs of Sunset Boulevard taken by Ed Ruscha between 1965 and 2007. The photographs are drawn from Ruscha’s Streets of Los Angeles Archive at the Getty, which presents a unique view of one of LA’s quintessential streets over the past fifty years. The pair will discuss how the Getty acquired the archive, the digitization and website creation processes, and the importance of this collection in understanding the artist’s oeuvre. To conclude, cultural historian Josh Kun will speak about the musical legacy of Sunset Boulevard and discuss a few of Ruscha’s photographs with an accompanying song to reveal the music behind each location. To join, register at zoom.us.
Launched in 2018, Gagosian’s Building a Legacy program aims to provide a unique platform of thoughtful discourse and education for artists, estates, and foundations to create a lasting and impactful legacy during an artist’s lifetime and beyond.
Ed Ruscha, Shoot from Sunset Blvd, 1966, Streets of Los Angeles Archive, Getty Research Institute © Ed Ruscha
Exploring Ed Ruscha’s Archive at the Getty Research Institute
The Getty Research Institute (GRI) has launched 12 Sunsets: Exploring Ed Ruscha’s Archive, an interactive website that allows users to browse more than sixty-five thousand photographs of Sunset Boulevard taken by Ed Ruscha between 1965 and 2007. The website allows users to “drive” down a digitally composited representation of this key urban artery, as well as to view, search, and compare geotagged photographs. The photographs are part of Ed Ruscha’s Streets of Los Angeles Archive, a trove of five hundred thousand photographs, notes, drawings, and records documenting the artist’s photography of Los Angeles, which was acquired by the GRI in 2012.
Ed Ruscha, Cesar Chavez and North Broadway, 2007, Streets of Los Angeles Archive, Getty Research Institute © Ed Ruscha
Ice and Fire: A Benefit Exhibition in Three Parts
October 15, 2020–January 31, 2021
The benefit exhibition Ice and Fire features works by more than forty artists who have enduring relationships with the Kitchen in New York. Installed within the organization’s three-story space in Chelsea, which is currently closed due to the global pandemic, the three-part exhibition is viewable online. Proceeds from sales will go toward a planned renovation on the occasion of the Kitchen’s fiftieth anniversary, ensuring that the nonprofit space will remain a platform for artistic experimentation in its historic and beloved building. Work by Cecily Brown, Roe Ethridge, Mark Grotjahn, Alex Israel, Ed Ruscha, Taryn Simon, Mary Weatherford, and Christopher Wool is included.
Mark Grotjahn, Untitled (Capri 53.57), 2020 © Mark Grotjahn
Artist Plate Project
Coalition for the Homeless
November 16–December 14, 2020
Gagosian is pleased to support the Coalition for the Homeless’s Artist Plate Project fundraiser. Artwork by fifty artists, including Cecily Brown, Katharina Grosse, Sterling Ruby, Ed Ruscha, Sarah Sze, Andy Warhol, Jonas Wood, and Christopher Wool, is featured on limited-edition dinner plates produced by Prospect and made available through Artware Editions to support the Coalition’s lifesaving programs. All of the funds raised by the sale of the plates will provide food, crisis services, housing, and other critical aid to thousands of people experiencing homelessness and instability. The purchase of one plate can feed seventy-five homeless and hungry New Yorkers.
Katharina Grosse, Shake Before Using, 2020 © Katharina Grosse and VG Bild-Kunst, Bonn, Germany 2020
The Iconoclasts: Part 1
The first installment of a four-part story cycle by Anne Boyer.
Gagosian Quarterly Winter 2020
The Winter 2020 issue of Gagosian Quarterly is now available, featuring Jenny Saville’s Prism (2020) on its cover.
Leaders in the Arts: Italy Edition
We invited Carolyn Christov-Bakargiev to select two outstanding arts professionals to join her in a conversation about their career trajectories, current projects, and goals for the future.
Ewa Juszkiewicz: In vain her feet in sparkling laces glow
The artist elaborates on the creation of her first solo exhibition in New York.
Miranda July on Nichols Canyon
A new short film and essay by Miranda July, inspired by David Hockney’s painting Nichols Canyon (1980).
Meleko Mokgosi: Democratic Intuition
Meleko Mokgosi writes about his eight-chapter painting cycle Democratic Intuition (2013–20), an epic of southern African life and folklore, on view at Gagosian in London in his first solo exhibition in the United Kingdom and Europe. Introduction by Louise Neri.
Edmund de Waal: some winter pots
Join the artist in his ceramics studio as he describes the impetus behind his exhibition in London and the importance of touch in the creation of these new works.
As part of “New Interiorities,” a supplement guest edited by Alison M. Gingeras and Jamieson Webster for the Winter 2020 issue of the Quarterly, Jacqueline Rose writes powerfully and soberly on the future of feminism in the time of covid.
Murakami on Ceramics
Takashi Murakami writes about his commitment to the work of Japanese ceramic artists associated with the seikatsu kōgei, or lifestyle crafts, movement.
Takashi Murakami and Hans Ulrich Obrist
Hans Ulrich Obrist interviews the artist on the occasion of his 2012 exhibition Takashi Murakami: Flowers & Skulls at Gagosian, Hong Kong.
NXTHVN is a new national arts model that empowers emerging artists and curators of color through education and access. Through intergenerational mentorship, professional development, and cross-sector collaboration, NXTHVN accelerates professional careers in the arts. Join Titus Kaphar and Jason Price on a tour of the organization’s headquarters in New Haven, Connecticut. They discuss the founding and vision for this singular arts space.
The Iconoclasts: Part 4
The final installment of a four-part story cycle by Anne Boyer.