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Carsten Höller
DAC Slide

Carsten Höller has developed a site-specific 40-meter slide for the Danish Architecture Center, Copenhagen. The spiral slide takes visitors from the Exhibition Forum four stories down to the ground floor. Of these playful structures Höller says, “Why are slides not used in architecture, to complement stairs, elevators, and escalators?” DAC Slide was donated by the Ny Carlsbergfondet.

Carsten Höller, DAC Slide, 2020 (detail), installation view, Danish Architecture Center, Copenhagen © Carsten Höller. Photo: courtesy the artist and Ny Carlsbergfondet

Carsten Höller, DAC Slide, 2020 (detail), installation view, Danish Architecture Center, Copenhagen © Carsten Höller. Photo: courtesy the artist and Ny Carlsbergfondet

Related News

Carsten Höller’s Light Wall (Outdoor Version), 2021, installation view, King Abdulaziz Historical Center, Riyadh © Carsten Höller. Photo: © Riyadh Art

Installation

Carsten Höller
Light Wall (Outdoor Version)

March 18–April 3, 2021

Carsten Höller’s Light Wall has been installed in Riyadh as part of Noor Riyadh, a new annual citywide festival of public art installations. The theme for 2021 is Under One Sky, which alludes to the universal human impulse to gather around light, to look into the flames of a campfire, and to gaze at the stars. While the theme in its English translation is instantly relatable to an international audience, the words in Arabic literally mean “we gather under one sky”—an idea of togetherness that becomes particularly resonant in light of the global pandemic.

Carsten Höller’s Light Wall (Outdoor Version), 2021, installation view, King Abdulaziz Historical Center, Riyadh © Carsten Höller. Photo: © Riyadh Art

Carsten Höller, Fara Fara, 2014 (still) © Carsten Höller

Screening

Carsten Höller
Fara Fara

Monday, December 30, 2019
Palm Beach, Kinshasa, Democratic Republic of Congo

Realized together with the Swedish film director Måns Månsson, Carsten Höller’s film Fara Fara (2014) documents the music scene in Kinshasa, the capital of the Democratic Republic of Congo. In Congolese tradition, the fara fara, which means “face-to-face” in Lingala, is a musical competition in which two musicians perform concurrently on different stages, playing for as long as they possibly can. The musician who is able to engage their audience the longest wins. The film examines the individual psychology of the people who spearhead Kinshasa’s music scene, offering insightful observations on the context, history, and political impact of this specific subculture.

Carsten Höller, Fara Fara, 2014 (still) © Carsten Höller

Artwork © Carsten Höller. Photo: Laurin Schmid

Installation

Carsten Höller
Bonner Slide

Opened May 31, 2018
Bundeskunsthalle, Bonn, Germany
www.bundeskunsthalle.de

Carsten Höller has developed a site-specific slide connecting the roof of the Bundeskunsthalle to the museum’s grounds. Bonner Slide (2018) aims to create a symbiotic relationship with the museum’s architecture. The slide has been inaugurated as part of the exhibition The Playground Project—Outdoor, but will remain in place for several years to be enjoyed during the outdoor season.

Artwork © Carsten Höller. Photo: Laurin Schmid

Taryn Simon, details from An American Index of the Hidden and Unfamiliar, 2007; A Living Man Declared Dead and Other Chapters I–XVIII, 2008–11; A Cold Hole, 2018; An Occupation of Loss, 2016; and Paperwork and the Will of Capital, 2015

In Conversation
Taryn Simon and Teju Cole

This spring, as part of the Lambert Family Lecture Series at the Wexner Center for the Arts, Taryn Simon joined Teju Cole for an online conversation about her artistic practice and creative process.

Carrie Mae Weems’s The Louvre (2006), on the cover of Gagosian Quarterly, Summer 2021

Now available
Gagosian Quarterly Summer 2021

The Summer 2021 issue of Gagosian Quarterly is now available, featuring Carrie Mae Weems’s The Louvre (2006) on its cover.

Rick Lowe, Black Wall Street Journey #5, 2021, Acrylic and paper collage on canvas, 108 × 192 inches (274.3 × 487.7 cm)© Rick Lowe Studio. Photo: Thomas Dubrock

Notes on Social Works

Antwaun Sargent presents a collection of thoughts and images, gathered from conversations with artists, curators, architects, and educators, as well as essays, social media, and the news, that inform the exhibition Social Works. The essay serves as an introduction to the corresponding supplement guest edited by Sargent for the Summer 2021 issue of the Quarterly.

Frank Gehry, drawing for mixed-use urban redevelopment proposal, Central Business District, Kalamazoo, Michigan, 1981. Image: courtesy Gehry Partners, LLP

Frank Gehry: Fish Lamps

Paul Goldberger traces the history of the fish form throughout Frank Gehry’s career.

Still from video documentation of a 2018 performance of Taryn Simon's An Occupation of Loss.

Taryn Simon: An Occupation of Loss

In Taryn Simon’s performance work An Occupation of Loss  (2016), professional mourners enact rituals of grief, simultaneously broadcasting their lamentations from within a sculptural installation. This video by filmmaker Boris B. Bertram documents the April 2018 performance of this work with Artangel in Islington, London.

Helen Frankenthaler, Heart of London Map, steel sculpture

Helen Frankenthaler: A Painter’s Sculptures

On the occasion of four exhibitions in London exploring different aspects of Helen Frankenthaler’s work, Lauren Mahony introduces texts by the sculptor Anthony Caro and by the artist herself on her relatively unfamiliar first body of sculpture, made in the summer of 1972 in Caro’s London studio.

Installation view, Adriana Varejão: Talavera, Gagosian, West 21st Street, New York, May 3–June 26, 2021. Photo: Rob McKeever

Adriana Varejão: For a Poetics of Difference

Curator Luisa Duarte considers the artist’s oeuvre, writing on Varejão’s active engagement with theories of difference, as well as the cultural specters of the past.

Jack McCollough and Lazaro Hernandez in their New York studio, 2019.

Fashion and Art: Proenza Schouler

Derek Blasberg speaks with Lazaro Hernandez and Jack McCollough, the designers behind the New York fashion brand Proenza Schouler, about their influences and collaborations, from Mark Rothko to Harmony Korine.

Thomas McEvilley, Ulay (hiding behind a slab of wood), Eric Orr, and James Lee Byars, c. 1995 © Ulay, courtesy ULAY Foundation/Artists Rights Society (ARS), New York

Game Changer
Thomas McEvilley

David Frankel celebrates the art-historical contributions made by the scholar, poet, and critic Thomas McEvilley.

Black-and-white photograph of Marie-Laure de Noailles in 1936 by Man Ray.

Game Changer
Vicomtesse Marie-Laure de Noailles

Ariella Wolens explores the patron’s role in fostering the legendary art world of early twentieth-century France.

To Create a Vision: Jia Aili in Conversation with Philip Tinari

To Create a Vision: Jia Aili in Conversation with Philip Tinari

Jia Aili speaks with curator Philip Tinari about his arts education, his working process, and his desire to expand the talking points around painting.

Rene Ricard, So Who Left Who, 2007 © Estate of Rene Ricard

Building a Legacy
Famously Unknown: Legacy Building in the Art World

In this video, Raymond Foye and Rani Singh discuss the general principles and methodologies of archiving, editing, and presenting the work of overlooked artists and writers. They share firsthand accounts and learning experiences from working with artists and poets such as Jordan Belson, Gregory Corso, Rene Ricard, and Harry Smith.