Carsten Höller applies his training as a scientist to his work as an artist, concentrating particularly on the nature of human relationships. Major installations include Flying Machine (1996), an interactive work in which viewers are strapped into a harness and hoisted through the air; Test Site (2006), a series of giant slides installed in Tate Modern’s Turbine Hall; Amusement Park (2006), a large installation at MASS MoCA of full-sized carnival midway rides operating at dramatically slowed speeds; The Double Club (2008–09), a work designed to create a dialogue between Congolese and Western culture in the form of a London bar, restaurant, and nightclub; and Upside-Down Goggles (2009–11), an ongoing participatory experiment with vision distortion through goggles. Höller’s Revolving Hotel Room, an installation that became a fully operational hotel room by night, was featured in the exhibition theanyspacewhatever at the Guggenheim Museum, New York (2008–09).
Höller was born in 1961 in Brussels to German parents. Major exhibitions and solo presentations include the 50th Biennale di Venezia, Venice (2003); One Day One Day, Färgfabriken, Stockholm (2003); 7th Biennale de Lyon, France (2003); Half Fiction, Institute of Contemporary Art, Boston (2003); 7,8 Hz, Le Consortium, Dijon, France (2004); Une exposition à Marseille, Musée d’Art Contemporain, Marseille (2004); 51st Biennale di Venezia, Venice (2005); Test Site, Tate Modern, London (2006); Amusement Park, MASS MoCA, North Adams, Massachusetts (2006); Carrousel, Kunsthaus Bregenz, Austria (2008); The Double Club, Fondazione Prada, London (2008); 28th Bienal de São Paulo (2008); Double Slide, Museum of Contemporary Art, Zagreb (2009); 53rd Biennale di Venezia, Venice (2009); 8th Gwangju Biennale, South Korea (2010); Divided Divided, Museum Boijmans Van Beuningen, Rotterdam, Netherlands (2010); Soma, Hamburger Bahnhof, Berlin (2010); Double Carousel with Zöllner Stripes, Museo d’Arte Contemporanea, Rome (2011); Experience, New Museum, New York (2011); 11th Sharjah Biennial, United Arab Emirates (2013); LEBEN, Thyssen-Bornemisza Art Contemporary, Vienna (2014); 8th Berlin Biennale (2014); 10th Gwangju Biennale, South Korea (2014); Golden Mirror Carousel, National Gallery of Victoria, Melbourne, Australia (2014–15); 56th Biennale di Venezia, Venice (2015); Decision, Hayward Gallery, London (2015); Doubt, Pirelli HangarBicocca, Milan, Italy (2016); Video Retrospective with Two Light Machines, Mu.ZEE, Ostend, Belgium (2016); and Y, Centro Botín, Santander, Spain (2017). The Slide at the ArcelorMittal Orbit (2016), Höller’s commissioned addition to Anish Kapoor’s ArcelorMittal Orbit (2012), is permanently installed at Queen Elizabeth Olympic Park, London.
Höller lives and works in Stockholm and Biriwa, Ghana.
Extended through September 1, 2017
June 20–September 1, 2017
West 24th Street, New York
June 9–August 12, 2016
Reindeers & Spheres
January 10–February 13, 2009
Carsten Höller & Karsten Höller
August 21–September 21, 2007
Davies Street, London
September 1–October 8, 2005
Britannia Street, London
Opened May 31, 2018
Bundeskunsthalle, Bonn, Germany
Carsten Höller has developed a site-specific slide connecting the roof of the Bundeskunsthalle to the museum’s grounds. Bonner slide (2018) aims to create a symbiotic relationship with the museum’s architecture. The slide has been inaugurated as part of the exhibition The Playground Project—Outdoor, but will remain in place for several years to be enjoyed during the outdoor season.
Artwork © Carsten Höller. Photo: Laurin Schmid
Seattle Art Fair
August 2–5, 2018, booth A09
CenturyLink Field Event Center, Seattle
Gagosian is pleased to present Out of This World: Artists Explore Space, a booth curated by Larry Gagosian for the 2018 Seattle Art Fair. The presentation gathers works that reveal artistic and scientific explorations of the cosmos. Featured artists include Richard Avedon, Andisheh Avini, Chris Burden, Alexander Calder, Vija Celmins, Ellen Gallagher, Andreas Gursky, Damien Hirst, Neil Jenney, Mike Kelley, Yves Klein, Vera Lutter, Brice Marden, Marc Newson, Nam June Paik, Thomas Ruff, Ed Ruscha, Tom Sachs, Taryn Simon, Yves Tanguy, and Andy Warhol, among others.
Ed Ruscha, Even Though He’s Light Years Away, His Heart Belongs to Me, 1963 © Ed Ruscha
May 26, 2018–January 1, 2019
Museum of Modern Art, New York
Carsten Höller, who has a history of working with Congolese artists, is collaborating in the exhibition design for Bodys Isek Kingelez: City Dreams at the Museum of Modern Art, New York. Bodys Isek Kingelez, who died in 2015 and was based in what was then Zaire (now the Democratic Republic of Congo), made sculptures of imagined buildings and cities that reflected his dreams for his country, his continent, and the world.
Bodys Isek Kingelez, Kimbembele Ihunga, 1994, CAAC – The Pigozzi Collection, Geneva © Bodys Isek Kingelez
Carsten Höller in
Through November 24, 2019
Fondazione Giorgio Cini, Venice
Expanded features three newly commissioned works in stone by Marina Abramović, Carsten Höller, and Julião Sarmento. Höller presents a large-scale die made of Portuguese limestone based on his 2014 sculpture Dice (White Body, Black Dots). The exhibition is part of Primeira Pedra (First Stone), an experimental international research program that explores the potential of Portuguese stone. The project is managed by experimentadesign and cofunded by the EU.
Carsten Höller, Dice (Limestone), 2019 (in progress) © Carsten Höller. Photo: Ricardo Gonçalves
Opened April 20, 2018
Fondazione Prada, Milan
The group of exhibited artworks, realized between 1960 and 2016, represents a possible mapping of the ideas and visions that have guided the creation of the collection and the collaborations with the artists that have contributed to the activities of the foundation throughout the years. Work by Walter De Maria, Michael Heizer, Damien Hirst, Carsten Höller, and Jeff Koons is included.
Carsten Höller, Upside-Down Mushroom Room, 2000 © Carsten Höller. Photo by Attilio Maranzano, courtesy Fondazione Prada
March 29–June 30, 2019
Museo Tamayo, Mexico City
For his premier solo show in Central America, Carsten Höller is presenting a number of new playful and experimental installations, as well as some of his better-known works. Visitors are invited to stay overnight and roam the exhibition space in one of the artist’s robotic twin beds Two Roaming Beds (Grey) (2015).
Carsten Höller, Two Roaming Beds (Grey), 2015 © Carsten Höller
September 29, 2018–February 24, 2019
Kunstmuseum Stuttgart, Germany
This exhibition allows the visitor to become familiar with the various faces of ecstasy and with the shifting social significance of mind-altering states as it changed over the centuries. In doing so, it also considers how different cultural spheres handle the phenomenon of ecstasy. With art at its foundation, the show introduces viewers to various ways that artists have approached ecstatic states—including pictorial representations, video, installation works, and kinesthetic experiences. Work by Andreas Gursky, Carsten Höller, and Man Ray is included.
Carsten Höller, Light Wall, 2000/17 © Carsten Höller