May 22–November 21, 2021
Presented by the Vuslat Foundation, Giuseppe Penone’s The Listener (2008) has been installed in Venice as part of the 17th Biennale Architettura of La Biennale di Venezia. This year’s exhibition brings together artists and architects to explore the question “How Will We Live Together?” At just over twenty-nine feet high, Penone’s sculpture, comprising a bronze elm tree cradling a heavy stone, is partially submerged in the Venetian lagoon at the Arsenale site.
Giuseppe Penone, The Listener, 2008, installation view, Gaggiandre, Arsenale, La Biennale di Venezia, Venice © Giuseppe Penone/2021 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo: Sebastiano Pellion di Persano, courtesy Vuslat Foundation
March 25–September 12, 2021
Piazza della Signoria, Florence, Italy
Giuseppe Penone’s Abete (Fir) is installed in the Piazza della Signoria in Florence, Italy, to celebrate Dantedì, the day dedicated to the Florentine poet Dante Alighieri, and the 700th anniversary of his death. The trunk and branches are made of cast stainless steel, encircled by a lattice with eighteen cast bronze elements. At just over 72 feet high, Penone’s sculpture is the largest ever installed in a public space in Florence and anticipates an upcoming exhibition of his work at the Gallerie degli Uffizi entitled Alberi In-versi (Trees In-Verses), opening June 1.
Giuseppe Penone, Abete (Fir), 2013, installation view, Piazza della Signoria, Florence, Italy © Giuseppe Penone/2021 Artists Rights Society (ARS), New York/ADAGP, Paris
Hans Ulrich Obrist
Tuesday, January 26, 2021, 1pm EST
Join Gagosian for a conversation between Giuseppe Penone and Hans Ulrich Obrist, artistic director of the Serpentine Galleries, London. The pair will discuss the artist’s practice, which is deeply engaged with nature and time, as well as his outdoor installation in San Francisco. Two large-scale bronze sculptures cast from trees—La logica del vegetale (The Logic of the Vegetal) (2012) and Idee di pietra (Ideas of Stone) (2004)—are dramatically installed in Fort Mason’s Great Meadow, overlooking San Francisco Bay and the Golden Gate Bridge, through March 28, 2021.
Giuseppe Penone, Idee di pietra (Ideas of Stone), 2004, installation view, Fort Mason, San Francisco, 2019–2021 © Giuseppe Penone/2021 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo: Matthew Millman
Cecily Brown, Giuseppe Penone, and Nathaniel Mary Quinn in
100 Drawings from Now
October 7, 2020–January 17, 2021
Drawing Center, New York
The benefit exhibition 100 Drawings from Now features drawings made by an international group of artists since early 2020, providing a snapshot of artistic production during the period of profound global unrest that has resulted from the ongoing health and economic crises, as well as the surge of activism in response to systemic racism, social injustice, and police brutality in the United States. Together, the donated works spotlight the urgency, intimacy, and universality of drawing during moments of upheaval and isolation. Proceeds from the sales will support the Drawing Center and the artists. Work by Cecily Brown, Giuseppe Penone, and Nathaniel Mary Quinn is included.
Nathaniel Mary Quinn, Treasure Hunt #2, 2020 © Nathaniel Mary Quinn
Taryn Simon and Teju Cole
This spring, as part of the Lambert Family Lecture Series at the Wexner Center for the Arts, Taryn Simon joined Teju Cole for an online conversation about her artistic practice and creative process.
Gagosian Quarterly Summer 2021
The Summer 2021 issue of Gagosian Quarterly is now available, featuring Carrie Mae Weems’s The Louvre (2006) on its cover.
Notes on Social Works
Antwaun Sargent presents a collection of thoughts and images, gathered from conversations with artists, curators, architects, and educators, as well as essays, social media, and the news, that inform the exhibition Social Works. The essay serves as an introduction to the corresponding supplement guest edited by Sargent for the Summer 2021 issue of the Quarterly.
Christopher Rudd’s Touché
In celebration of LGBTQ+ Pride Month, we share Christopher Rudd’s acclaimed pas de deux, for a limited engagement from June 24 to June 30. American Ballet Theatre dancers João Menegussi and Calvin Royal III perform this charged and ultimately tender love story. The work is unique for its challenge of ballet’s traditional gender roles and its use of an intimacy director to navigate choreographic consent.
Frank Gehry: Fish Lamps
Paul Goldberger traces the history of the fish form throughout Frank Gehry’s career.
Taryn Simon: An Occupation of Loss
In Taryn Simon’s performance work An Occupation of Loss (2016), professional mourners enact rituals of grief, simultaneously broadcasting their lamentations from within a sculptural installation. This video by filmmaker Boris B. Bertram documents the April 2018 performance of this work with Artangel in Islington, London.
Helen Frankenthaler: A Painter’s Sculptures
On the occasion of four exhibitions in London exploring different aspects of Helen Frankenthaler’s work, Lauren Mahony introduces texts by the sculptor Anthony Caro and by the artist herself on her relatively unfamiliar first body of sculpture, made in the summer of 1972 in Caro’s London studio.
Adriana Varejão: For a Poetics of Difference
Curator Luisa Duarte considers the artist’s oeuvre, writing on Varejão’s active engagement with theories of difference, as well as the cultural specters of the past.
Fashion and Art: Proenza Schouler
Derek Blasberg speaks with Lazaro Hernandez and Jack McCollough, the designers behind the New York fashion brand Proenza Schouler, about their influences and collaborations, from Mark Rothko to Harmony Korine.
David Frankel celebrates the art-historical contributions made by the scholar, poet, and critic Thomas McEvilley.
Vicomtesse Marie-Laure de Noailles
Ariella Wolens explores the patron’s role in fostering the legendary art world of early twentieth-century France.
To Create a Vision: Jia Aili in Conversation with Philip Tinari
Jia Aili speaks with curator Philip Tinari about his arts education, his working process, and his desire to expand the talking points around painting.