Idee di pietra (Ideas of Stone)
Giuseppe Penone in Caracalla
June 7–October 30, 2022
Terme di Caracalla, Rome
Four monumental bronze sculptures of trees by Giuseppe Penone—Idee di pietra, Olmo (2008), Idee di pietra, Ciliegio (2011), Triplice (2011), and ldentity (2019)—are installed in the former Olympic-size swimming pool of the Terme di Caracalla in Rome. Built in the early third century CE, these public baths occupy a vast area near the Palatine Hill in the center of the city and are defined by mighty walls, some up to 30 meters (almost 100 feet) high, and extensive and well-preserved mosaic floors. Installed among the ruins, Penone’s trees are in dialogue with the architecture of the past, inspiring reflection on humanity’s relationship with nature, space, and time.
Installation view, Idee di pietra (Ideas of Stone): Giuseppe Penone in Caracalla, Baths of Caracalla, Rome, June 7–October 30, 2022. Artwork © Giuseppe Penone/2022 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo: Pepi Marchetti Franchi
Sèvres and the Art of Giuseppe Penone
Tuesday, June 7, 2022, 5pm EDT
On the occasion of the exhibition Propagazioni: Giuseppe Penone at Sèvres, on view at Frick Madison, New York, through August 28, 2022, members of the museum’s curatorial team have organized an online seminar about the Sèvres porcelain manufactory in France and the distinguished career of Giuseppe Penone. Assistant curator of decorative arts Marie-Laure Buku Pongo will discuss the manufactory’s technical and artistic achievements, in particular its collaborations with contemporary artists. Assistant curator of sculpture Giulio Dalvit will explore Penone’s practice and the ways it challenges distinctions between art and nature, sculpture and painting, seeing and touching. To attend the event, purchase tickets at tickets.frick.org.
Giuseppe Penone holding a Propagazione di Sévres work, 2022. Artwork © Giuseppe Penone/2022 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo: Archivio Penone
Art Basel Hong Kong 2022
May 27–29, 2022, booth 1C15
Hong Kong Convention and Exhibition Centre
Gagosian is pleased to participate in Art Basel Hong Kong 2022 with an ensemble of contemporary works by international artists. The gallery’s presentation will feature works by artists including Georg Baselitz, Louise Bonnet, Edmund de Waal, Urs Fischer, Katharina Grosse, Mark Grotjahn, Jennifer Guidi, Simon Hantaï, Hao Liang, Damien Hirst, Thomas Houseago, Tetsuya Ishida, Alex Israel, Ewa Juszkiewicz, Rick Lowe, Takashi Murakami, Albert Oehlen, Nam June Paik, Giuseppe Penone, Rudolf Polanszky, Sterling Ruby, Ed Ruscha, Jenny Saville, Jim Shaw, Rudolf Stingel, Spencer Sweeney, Rachel Whiteread, and Zeng Fanzhi.
Gagosian’s booth at Art Basel Hong Kong 2022. Artwork, left to right: © Georg Baselitz; © Louise Bonnet; © Zeng Fanzhi; © 2019 Takashi Murakami/Kaikai Kiki Co., Ltd. All rights reserved; © Rudolf Stingel. Photo: Martin Wong
March 25–September 12, 2021
Piazza della Signoria, Florence, Italy
Giuseppe Penone’s Abete (Fir) is installed in the Piazza della Signoria in Florence, Italy, to celebrate Dantedì, the day dedicated to the Florentine poet Dante Alighieri, and the 700th anniversary of his death. The trunk and branches are made of cast stainless steel, encircled by a lattice with eighteen cast bronze elements. At just over 72 feet high, Penone’s sculpture is the largest ever installed in a public space in Florence and anticipates an upcoming exhibition of his work at the Gallerie degli Uffizi entitled Alberi In-versi (In-verse Trees), opening July 6.
Giuseppe Penone, Abete (Fir), 2013, installation view, Piazza della Signoria, Florence, Italy © Giuseppe Penone/2021 Artists Rights Society (ARS), New York/ADAGP, Paris
Brutalisten: An Interview with Carsten Höller
This spring, Carsten Höller launched Brutalisten, a new restaurant concept in Stockholm and the latest embodiment of his long-term culinary and artistic project called the Brutalist Kitchen. The twenty-eight-seat restaurant features a menu overseen by chef Stefan Eriksson that adheres to three classifications: “semi-brutalist” dishes (using oil or minimal ingredients), “brutalist” dishes (using salt and water), and “orthodox-brutalist” dishes (no additional ingredients). For the Quarterly, Höller speaks with Gagosian directors Serena Cattaneo Adorno and Mark Francis about this terminology, the importance of experimentation, and the fortuitous side effects of brutalist cuisine.
Gagosian Quarterly Summer 2022
The Summer 2022 issue of Gagosian Quarterly is now available, with two different covers—featuring Takashi Murakami’s 108 Bonnō MURAKAMI.FLOWERS (2022) and Andreas Gursky’s V & R II (2022).
La Ribaute: Transitive, It Transforms
Camille Morineau writes of the triumph of the feminine at Anselm Kiefer’s former studio-estate in Barjac, France, describing the site and its installations as a demonstration of women’s power, a meditation on inversion and permeability, and a reversal of the long invisibility of women in history and myth.
Anselm Kiefer: Architect of Landscape and Cosmology
Jérôme Sans visits La Ribaute in Barjac, France, the vast studio-estate transformed by Anselm Kiefer over the course of decades. The labyrinthine site, now open to the public, stands as a total work of art, reflecting through its grounds, pavilions, and passageways major themes in Kiefer’s oeuvre: regeneration, mythology, memory, and more.
Hans Ulrich Obrist’s Questionnaire: Theaster Gates
In this ongoing series, curator Hans Ulrich Obrist has devised a set of thirty-seven questions that invite artists, authors, musicians, and other visionaries to address key elements of their lives and creative practices. Respondents are invited to make a selection from the larger questionnaire and to reply in as many or as few words as they desire. For this installment, we are honored to present the artist Theaster Gates, whose Serpentine Pavilion 2022 Black Chapel opened in London on June 10.
Toyo Ito, Marc Newson, and Koji Yanai
The Tokyo Toilet project has added twelve new public restrooms by renowned architects and designers to the city’s map since 2020, with five more scheduled to open in 2022. To learn more about the initiative, the Quarterly spoke with founder Koji Yanai and two of the participating designers, Toyo Ito and Marc Newson.
Story of the Editor
Fiona Alison Duncan profiles six literary editors who are changing the standards of publishing.
Memoirs of a Poltergeist: Part 1
The first installment of a short story by Venita Blackburn.
At the Edge
Chris Burden: Prelude to a Lost Performance
Michael Auping tells the Quarterly’s Alison McDonald about the preparations for a performance by Chris Burden at the Newport Harbor Art Museum in Southern California in 1974—and the event’s abrupt cancellation—providing a glimpse into the mindset of a young, aggressive, and ambitious artist in the early stages of his career.
Jeff Wall: An Exhibition Tour
Join Jeff Wall as he leads a tour through his latest exhibition in Beverly Hills. The artist speaks about the genesis and creation of each photograph, addressing the aesthetic decisions involved.
American Artist, Yayoi Shionoiri, and Sydney Stutterheim on Poetic Practical: The Unrealized Work of Chris Burden
Join Gagosian to celebrate the publication of Poetic Practical: The Unrealized Work of Chris Burden with a conversation between American Artist, Yayoi Shionoiri, and Sydney Stutterheim presented at the Kitchen, New York. Considering the book’s sustained examination of sixty-seven projects that remained incomplete at the time of Burden’s death in 2015, the trio discuss the various ways that an artist’s work and legacy live on beyond their lifetime.
A Perfect Storm: Jim Shaw and Conspiratorial Film
In the fall of 2021, in partnership with New York’s Metrograph cinema and Gagosian, artist Jim Shaw organized a series of six conspiracy-minded films revolving around thorny questions of truth, guilt, fantasy, and innocence, and leading Shaw to revelations about the fringe notion of “frazzledrip.” Here, Natasha Stagg reflects on the movies he chose and on the wider implications of what it means to go down the rabbit hole.