
Now available
Gagosian Quarterly Summer 2026
The Summer 2026 issue of Gagosian Quarterly is now available, featuring Ellen Gallagher’s Fast-Fish and Loose-Fish (2026) on the cover.
Symposium
Saturday, September 17, 2022, 11am
Judd Foundation, New York
juddfoundation.org
What happens if an artwork, a museum, a region, or a group of people are all considered homes, as opposed to places for transaction or extraction? Where do the differences between nation, neighborhood, and homeland really reside? How do we remain hopeful in the pursuit of the answers to these questions?
Hosted by Sky High Farm and Judd Foundation, this daylong symposium will consist of three distinct but interrelated moderated conversations that center themes relevant to the work of both Sky High Farm and the speakers invited to participate, all of whom are part of a diverse and extended network of collaborators. The panels will focus individually on art, land, and community—intentionally broad but potent topics that are referenced often in today’s cultural and industrial discourses.
Art Panel, 11am
– Dan Colen, artist and founder of Sky High Farm
– Linda Goode Bryant, artist and founder of Project EATS
– Deana Haggag, program officer of Arts and Culture at Mellon Foundation
– Diya Vij, curator at Creative Time
Land Panel, 1pm
– Veronica Davidov, visual and environmental anthropologist
– Candice Hopkins, executive director and chief curator of Forge Project
– Haley Mellin, artist, conservationist, and founder of Art to Acres
– Karen Washington, activist, and cofounder of Black Urban Growers (BUGs), and co-owner of Rise & Root Farm
Community Panel, 3pm
– Tremaine Emory, founder of Denim Tears and creative director of Supreme
– Thelma Golden, director and chief curator of the Studio Museum in Harlem
– Father Mike Lopez, founder of the Hungry Monk Rescue Truck and Monkworx
– Anicka Yi, artist

Project EATS visits Sky High Farm, Columbia County, New York. Photo: Ryan McGinley
Project EATS visits Sky High Farm, Columbia County, New York. Photo: Ryan McGinley

The Summer 2026 issue of Gagosian Quarterly is now available, featuring Ellen Gallagher’s Fast-Fish and Loose-Fish (2026) on the cover.
In this video, Jenny Saville sits down inside her first major exhibition in Venice to discuss how the great Venetian artists of the past and the city’s heritage influence her work. The show brings together more than thirty canvases and works on paper from the 1990s to the present, tracing the development of her practice, which is deeply rooted in the history of painting.
On the occasion of his exhibition The Reflection of Bronze at Gagosian, New York, Giuseppe Penone and curator Adam D. Weinberg sit down to discuss the genesis of, and their collaboration on, the show.

Ahead of Alex Israel’s exhibition of four new Fin sculptures at Gagosian, London, the artist spoke with Susan Casey, author of The Wave: In Pursuit of the Rogues, Freaks, and Giants of the Ocean (2010), about the ocean, surfing, and Los Angeles.

On July 9, Simon Hantaï: the last studio opens at Gagosian, Gstaad. Curated by Anne Baldassari, the show comprises sixteen of the artist’s dernier atelier (last studio) paintings of 1982–85. The exhibition is accompanied by an illustrated catalogue, copublished by Gagosian and Skira, which features an essay by Baldassari and an extensive portfolio of previously unpublished photographs by Édouard Boubat. Here, we share the introductory chapter from the publication.

An exhibition at Gagosian, Hong Kong, brings together three of James Turrell’s Glasswork pieces along with site plans, photographs, and models of his Skyspaces and Roden Crater. Here, Alice Godwin explores the history of the Glassworks and their relationship to the artist’s wider practice.

On April 16, the Institute of Contemporary Art, Boston, opened the first midcareer survey of Derrick Adams’s multidisciplinary practice. Covering over twenty years of work, the exhibition, titled View Master, brings together the artist’s painting, sculpture, collage, performance, and video, as well as a vibrant new commission created for the museum’s façade. Ahead of the opening, Adams met with Tessa Bachi Haas, cocurator of the survey, to discuss his formative experiences with television, the impact of his work in arts education on his practice, and the importance of taking a more complex, more joyful, and more expansive approach to Black American life and culture.

Adam D. Weinberg has been working with Giuseppe Penone on an exhibition of the artist’s new sculptures, The Reflection of Bronze, that opens at Gagosian, New York, on April 22. The works explore the character and possibilities of bronze. Here, Weinberg considers Penone’s enduring engagement with the alloy and addresses the conceptual underpinnings of the exhibition’s three-room structure.

Jeff Koons tells Alison McDonald about his appreciation for the pioneering artist and thinker Marcel Duchamp.

The Singular Experience at Gagosian’s Le Bourget gallery is the largest exhibition of Walter De Maria’s work in France in several decades. Organized by Donna De Salvo, senior adjunct curator at Dia Art Foundation, the exhibition marks the first time De Maria’s final sculpture, Truck Trilogy (2011–17), is being shown outside of the United States. Here, De Salvo speaks with artist Lucy Raven about her evolving kinship with De Maria and more.

Laura Bruni writes about a major exhibition celebrating the work of the British sculptor Henry Moore at the Royal Botanic Gardens, Kew, London.

The exhibition Pomellato, Le Joaillier Révolutionnaire opened at Palais de Tokyo, Paris, on June 24. The Italian jewelry house’s trailblazing advertising campaigns—created by some of the most consequential names in photography—act as the narrative arc of the exhibition, curated by Alba Cappellieri. Here, Sarah Godfrey tracks Pomellato’s history, speaks with Cappellieri about what drew her to this project, and examines some of the key photographs from the show.