
Now available
Gagosian Quarterly Summer 2026
The Summer 2026 issue of Gagosian Quarterly is now available, featuring Ellen Gallagher’s Fast-Fish and Loose-Fish (2026) on the cover.
Symposium
Saturday, September 17, 2022, 11am
Judd Foundation, New York
juddfoundation.org
What happens if an artwork, a museum, a region, or a group of people are all considered homes, as opposed to places for transaction or extraction? Where do the differences between nation, neighborhood, and homeland really reside? How do we remain hopeful in the pursuit of the answers to these questions?
Hosted by Sky High Farm and Judd Foundation, this daylong symposium will consist of three distinct but interrelated moderated conversations that center themes relevant to the work of both Sky High Farm and the speakers invited to participate, all of whom are part of a diverse and extended network of collaborators. The panels will focus individually on art, land, and community—intentionally broad but potent topics that are referenced often in today’s cultural and industrial discourses.
Art Panel, 11am
– Dan Colen, artist and founder of Sky High Farm
– Linda Goode Bryant, artist and founder of Project EATS
– Deana Haggag, program officer of Arts and Culture at Mellon Foundation
– Diya Vij, curator at Creative Time
Land Panel, 1pm
– Veronica Davidov, visual and environmental anthropologist
– Candice Hopkins, executive director and chief curator of Forge Project
– Haley Mellin, artist, conservationist, and founder of Art to Acres
– Karen Washington, activist, and cofounder of Black Urban Growers (BUGs), and co-owner of Rise & Root Farm
Community Panel, 3pm
– Tremaine Emory, founder of Denim Tears and creative director of Supreme
– Thelma Golden, director and chief curator of the Studio Museum in Harlem
– Father Mike Lopez, founder of the Hungry Monk Rescue Truck and Monkworx
– Anicka Yi, artist

Project EATS visits Sky High Farm, Columbia County, New York. Photo: Ryan McGinley
Project EATS visits Sky High Farm, Columbia County, New York. Photo: Ryan McGinley

The Summer 2026 issue of Gagosian Quarterly is now available, featuring Ellen Gallagher’s Fast-Fish and Loose-Fish (2026) on the cover.
In this video, Jenny Saville sits down inside her first major exhibition in Venice to discuss how the great Venetian artists of the past and the city’s heritage influence her work. The show brings together more than thirty canvases and works on paper from the 1990s to the present, tracing the development of her practice, which is deeply rooted in the history of painting.

Francis Bacon lived and worked in Paris for a decade starting in the mid-1970s. The city and the art he encountered there provided a profound backdrop for his austere late style, which often brings together smooth, colorful backgrounds, spare architectural signifiers, and sculptural human forms. Here, three striking paintings from that period are considered by Sebastian Smee.

An exhibition at Gagosian, Hong Kong, brings together three of James Turrell’s Glasswork pieces along with site plans, photographs, and models of his Skyspaces and Roden Crater. Here, Alice Godwin explores the history of the Glassworks and their relationship to the artist’s wider practice.

Janne Sirén considers Anselm Kiefer’s new paintings, the subject of an exhibition at Gagosian, New York, entitled Seal My Ears Shut and I Shall Hear You Still.

On April 16, the Institute of Contemporary Art, Boston, opened the first midcareer survey of Derrick Adams’s multidisciplinary practice. Covering over twenty years of work, the exhibition, titled View Master, brings together the artist’s painting, sculpture, collage, performance, and video, as well as a vibrant new commission created for the museum’s façade. Ahead of the opening, Adams met with Tessa Bachi Haas, cocurator of the survey, to discuss his formative experiences with television, the impact of his work in arts education on his practice, and the importance of taking a more complex, more joyful, and more expansive approach to Black American life and culture.

Adam D. Weinberg has been working with Giuseppe Penone on an exhibition of the artist’s new sculptures, The Reflection of Bronze, that opens at Gagosian, New York, on April 22. The works explore the character and possibilities of bronze. Here, Weinberg considers Penone’s enduring engagement with the alloy and addresses the conceptual underpinnings of the exhibition’s three-room structure.

On March 28, a major exhibition of Jenny Saville’s work opened at Ca’ Pesaro–Galleria Internazionale d’Arte Moderna in Venice, bringing together nearly thirty paintings from the 1990s to the present. The exhibition is curated by Elisabetta Barisoni, head of the museums division at Venice’s Ca’ Pesaro, Museo Fortuny, and head of MUVE in Mestre. Saville’s monumental canvases are set in dialogue with the great Venetian artists of the past, creating a unique encounter between contemporary painting and the city’s artistic heritage. Here, the artist speaks with Stefania Ventra, professor with Ca’ Foscari University of Venice, about her early trips to Venice, the radicality of Titian’s painting, and depicting emotional truth.

Jeff Koons tells Alison McDonald about his appreciation for the pioneering artist and thinker Marcel Duchamp.

From their respective fields, three international cultural figures—artist and designer Ronan Bouroullec, fashion visionary Michèle Lamy, and chef and restaurateur Enrique Olvera—reflect on Donald Judd’s work in furniture, the subject of recent exhibitions in South Korea and Japan.

Laura Bruni writes about a major exhibition celebrating the work of the British sculptor Henry Moore at the Royal Botanic Gardens, Kew, London.

The most recent edition of Picture Books, an imprint organized by Emma Cline and Gagosian, pairs Mary Gaitskill’s novella STAUF: A Tragedy with Jill Mulleady’s painting The Shift. In celebration of this forthcoming publication, Gaitskill and Mulleady discuss the myth of Faust, good and evil in the digital age, and the channeling of raw matter into art.