The Richard E. Lang and Jane Lang Davis Collection
October 15, 2021–November 27, 2022
Seattle Art Museum
This exhibition celebrates the Friday Foundation’s gift of nineteen artworks from the Lang Collection to the Seattle Art Museum in honor of Seattle collectors Richard E. Lang and Jane Lang Davis. Dating from 1945 to 1976, the paintings, drawings, and sculptures in Frisson represent mature works and pivotal moments of artistic development from some of the most influential American and European artists of the postwar period. Work by Francis Bacon, Willem de Kooning, Helen Frankenthaler, and Alberto Giacometti is included.
Francis Bacon, Study for a Portrait, 1967, installation view, Seattle Art Museum © The Estate of Francis Bacon. Photo: Jueqian Fang
Artist to Artist: Spencer Sweeney and Peter Doig
Peter Doig visits Spencer Sweeney’s studio and the two discuss automatism, ambiguity, and anguish in the creative process.
Gagosian Quarterly Winter 2022
The Winter 2022 issue of Gagosian Quarterly is now available, featuring Anna Weyant’s Two Eileens (2022) on its cover.
Tyler Mitchell and Zoé Whitley
Tyler Mitchell sat down with Zoé Whitley, director at Chisenhale Gallery in London, for a conversation as part of Frieze Masters Talks and in partnership with Gagosian. The two discussed Mitchell’s first solo presentation in London and with the gallery, Chrysalis, on view earlier this fall at Gagosian, Davies Street, London, and a special commission for this year’s edition of Frieze Masters that reflected on his conceptual and editorial photography practices. His work reinterprets the tropes employed in both the Western canon of portraiture and the contemporary fashion magazine.
Screen Time: How Nadya Tolokonnikova and UnicornDAO are Warming the Web3 World
Ashley Overbeek profiles Pussy Riot member Nadya Tolokonnikova and the feminist collective UnicornDAO, highlighting their efforts to harness blockchain technology for art and activism.
The Root of Black Joy: The Work of Bahamian Artist Gio Swaby
For Roxane Gay’s guest-edited section in the Winter 2022 Gagosian Quarterly, “Black to Black,” Brooke C. Obie addresses the mixed-media work of Gio Swaby, exploring the ways that Black joy, ancestry, and her home country inform her developing practice.
Leaps of Faith: A Conversation with Jordan Casteel and Calida Rawles
For her guest-edited section in the Winter 2022 Gagosian Quarterly, “Black to Black,” Roxane Gay speaks with Jordan Casteel and Calida Rawles about the nature of success, the intricacies of care, and how they each envision their practice.
Frank Auerbach: Artist Friends
In this candid interview with Richard Calvocoressi, the painter Frank Auerbach reminisces on his friendships with Michael Andrews, Francis Bacon, and Lucian Freud. The two spoke during the planning of the exhibition Friends and Relations, a show that examines the interconnected lives and art practices of this group of London painters.
Anna Weyant: Baby, It Ain’t Over Till It’s Over
Novelist Emma Cline traces the boundaries between terror and hilarity in Anna Weyant’s new paintings.
“The Present Decline”: Jim Shaw’s Epic Parables
Catherine Taft examines Jim Shaw’s visionary work, which probes the American psyche through political, historical, and cultural allegory.
Shaw Studio Sing-along Songs
In this Shortlist series we invite artists and writers to tell us about works of art, literature, film, or music that have influenced their work or are at the forefront of their minds today. Here Jim Shaw shares a selection of songs he listens to while working, from new discoveries to childhood staples. Shaw writes of the balance between delight and regret, hope and gloom in his playlist.
A Body of Work: Firelei Báez and Tschabalala Self
Amber J. Phillips examines the works of Firelei Báez and Tschabalala Self as part of “Black to Black,” a supplement guest-edited by Roxane Gay for the Winter 2022 issue of the Quarterly.
Commemorative Acts: Ladi’Sasha Jones
As part of “Black to Black,” a special supplement guest-edited by Roxane Gay for the Winter 2022 issue of the Quarterly, Ladi’Sasha Jones looks at the work of Black women artists who utilize archives.