In the Studio: Room 8
November 15, 2019–November 28, 2021
Tate Modern, London
Tate Modern presents five works by Helen Frankenthaler, ranging in date from 1951 to 1977. Four of the works are on loan from the Helen Frankenthaler Foundation, New York, and the fifth was recently gifted to the Tate by the Foundation. The display marks the artist’s first extensive museum presentation of paintings in London since 1969.
Helen Frankenthaler, Europa, 1957 © 2019 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York
Eileen Costello, Marta Kuzma, and Caitlin Murray on Donald Judd: Paintings
Art historian Eileen Costello and Yale School of Art professor Marta Kuzma discuss Donald Judd’s two-dimensional work and how the lessons he learned from the innovations of Abstract Expressionist and Color Field paintings permeate his entire body of work. Their conversation is moderated by Caitlin Murray, director of archives and programs at Judd Foundation.
Gagosian Quarterly Winter 2021
The Winter 2021 issue of Gagosian Quarterly is now available, featuring Jasper Johns’s Target with Four Faces (1955) on its cover.
Sally Mann: Vinculum
Join Sally Mann at her studio in Lexington, Virginia. Filmed at work in her darkroom and within the surrounding landscape, she discusses her exploratory approach to making and printing pictures, what draws her to the landscape of the American South, and her newest body of work, Vinculum.
Social Works II: Manuel Mathieu | The Delusion of Power
Artist Manuel Mathieu reflects on Haiti, Francisco Goya, and conceptualizations of power, examining their roles in his practice.
Behind the Art
Jonas Wood in Hong Kong
Join Jonas Wood on a virtual tour through the creation of his first solo exhibition in Hong Kong. Wood narrates the genesis and development of the new paintings, drawings, and wallpaper.
Peter Ballantine and Martha Buskirk on Donald Judd
Peter Ballantine, Donald Judd’s longtime fabricator of plywood works, and Martha Buskirk, professor of art history and criticism at Montserrat College of Art in Beverly, Massachusetts, discuss the development, production, and history of the largest plywood construction Judd ever made, an untitled work from 1980.
Jasper Johns: Mind/Mirror
Carlos Basualdo, the Keith L. and Katherine Sachs Senior Curator of Contemporary Art at the Philadelphia Museum of Art, and Scott Rothkopf, Senior Deputy Director and Nancy and Steve Crown Family Chief Curator at the Whitney Museum of American Art, New York, spoke with the Quarterly’s Alison McDonald ahead of the opening of the unprecedented collaborative retrospective Jasper Johns: Mind/Mirror to discuss the goals, revelations, and unique structure of the project.
Picture Books: Ottessa Moshfegh and Issy Wood
Emma Cline introduces her new publication project, Picture Books, with a conversation between author Ottessa Moshfegh and artist Issy Wood.
Jenny Saville: A cyclical rhythm of emergent forms
An exhibition curated by Sergio Risaliti, director of the Museo Novecento, Florence, pairs artworks by Jenny Saville with artists of the Italian Renaissance. On view across that city at the Museo Novecento, the Museo di Palazzo Vecchio, the Museo dell’Opera del Duomo, the Museo degli Innocenti, and the Museo di Casa Buonarroti through February 20, 2022, the presentation features paintings and drawings by Saville from the 1990s through to work made especially for the occasion. Here, Risaliti reflects on the resonances and reverberations brought about by these pairings.
Leaders in the Arts: Publishing Edition
Chris Kraus and Hedi El Kholti, coeditors of the legendary press Semiotext(e), speak with Kandis Williams, the founder and editor of Cassandra Press, and Lisa Pearson, the founder and editor of Siglio Press.
Hao Liang: To Forge the Chain of Being
Fan Jingzhong analyzes the classical concepts and references in Hao Liang’s paintings.
Behind the Art
Hao Liang: Poetics of Li Shangyin
Join Hao Liang in his Beijing studio as he discusses the inspiration behind his latest series of paintings, rendered in ink and color on silk. Evoking the tradition of literati painting, the three works picture imagery conceived in response to passages of poetry by the ninth-century poet Li Shangyin.