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Gagosian Quarterly

October 30, 2016

Edmund de Waal

At the Frieze London art fair in 2016, Gagosian presented a solo exhibition of new work by Edmund de Waal. This new body of work reflects memories and recollections of people important to the artist—his great-grandfather and the poet Paul Celan, or places—Odessa, Cernowitz, and Paris. In this video the artist walks us through the installation, speaking of how this new body of work reflects memories and recollections.

Artwork © Edmund de Waal. Directed by Miriam Perez; Produced by PerryDuke

Gagosian Quarterly Summer 2019

Now available
Gagosian Quarterly Summer 2019

The Summer 2019 issue of Gagosian Quarterly is now available, featuring a detail from Afrylic by Ellen Gallagher on its cover.

Edmund de Waal: psalm

Edmund de Waal: psalm

The artist speaks about his two-part exhibition psalm, on view in Venice. He describes its connection to the history of the city and to notions of exile, and the profound cultural wealth that comes from migration.

Edmund de Waal and Simon Fisher Turner: Tapping the World

In Conversation
Edmund de Waal and Simon Fisher Turner: Tapping the World

Edmund de Waal speaks with the composer Simon Fisher Turner about their collaboration on the exhibition –one way or other– at the Schindler House in West Hollywood, California.

the poems of our climate

the poems of our climate

Edmund de Waal reflects on memory, sound, and the presence of poetry in a new body of work on view at Gagosian, San Francisco.

–one way or other–

–one way or other–

Edmund de Waal discusses his exhibition one way or other at the Schindler House in West Hollywood, CA.

Edmund de Waal: white island

Edmund de Waal: white island

Edmund de Waal considers Ibiza, Walter Benjamin, and the “aura of things” in a text entitled white island, written to accompany his first exhibition in Spain at the Museu d’Art Contemporani d’Eivissa, Ibiza.

Witness

Witness

A text by Edmund de Waal touches on the inspiration he finds in the work of Giorgio Morandi.

Sally Mann: Remembered Light

Sally Mann: Remembered Light

Edmund de Waal and Sally Mann discuss Cy Twombly’s relationship to photography, Mann’s pervasive interest in the American South, and the context behind her newest body of work.

Installation view of the exhibition Henry Moore at Houghton Hall: Nature and Inspiration.

Nature and Inspiration: Henry Moore at Houghton Hall

Sebastiano Barassi reflects on the centrality of nature in the work of Henry Moore—as form, material, inspiration, and site.

Still from video Visions of the Self: Jenny Saville on Rembrandt

Visions of the Self: Jenny Saville on Rembrandt

Jenny Saville reveals the process behind her new self-portrait, painted in response to Rembrandt’s masterpiece Self-Portrait with Two Circles.

Frieze Sculpture New York: An Interview with Brett Littman

Frieze Sculpture New York: An Interview with Brett Littman

The inaugural presentation of Frieze Sculpture New York at Rockefeller Center opened on April 25, 2019. Before the opening, Brett Littman, the director of the Isamu Noguchi Foundation and Garden Museum and the curator of this exhibition, told Wyatt Allgeier about his vision for the project and detailed the artworks included.

Rachel Whiteread, Nissen Hut, 2018.

Shy Sculpture: Nissen Hut

Rachel Whiteread’s public sculpture Nissen Hut was unveiled in October 2018 in Yorkshire’s Dalby Forest. Curator Tamsin Dillon explores the dynamic history of these structures and provides a firsthand account of the steps leading up to the work’s premiere.