Artwork © Edmund de Waal. Directed by Miriam Perez; Produced by PerryDuke
October 30, 2016
Edmund de Waal
At the Frieze London art fair in 2016, Gagosian presented a solo exhibition of new work by Edmund de Waal. This new body of work reflects memories and recollections of people important to the artist—his great-grandfather and the poet Paul Celan, or places—Odessa, Cernowitz, and Paris. In this video the artist walks us through the installation, speaking of how this new body of work reflects memories and recollections.
Edmund de Waal: psalm
The artist speaks about his two-part exhibition psalm, on view in Venice. He describes its connection to the history of the city and to notions of exile, and the profound cultural wealth that comes from migration.
Gagosian Quarterly Summer 2019
The Summer 2019 issue of Gagosian Quarterly is now available, featuring a detail from Afrylic by Ellen Gallagher on its cover.
Edmund de Waal and Simon Fisher Turner: Tapping the World
Edmund de Waal speaks with the composer Simon Fisher Turner about their collaboration on the exhibition –one way or other– at the Schindler House in West Hollywood, California.
the poems of our climate
Edmund de Waal reflects on memory, sound, and the presence of poetry in a new body of work on view at Gagosian, San Francisco.
–one way or other–
Edmund de Waal discusses his exhibition –one way or other– at the Schindler House in West Hollywood, CA.
Edmund de Waal: white island
Edmund de Waal considers Ibiza, Walter Benjamin, and the “aura of things” in a text entitled white island, written to accompany his first exhibition in Spain at the Museu d’Art Contemporani d’Eivissa, Ibiza.
A text by Edmund de Waal touches on the inspiration he finds in the work of Giorgio Morandi.
Sally Mann: Remembered Light
Edmund de Waal and Sally Mann discuss Cy Twombly’s relationship to photography, Mann’s pervasive interest in the American South, and the context behind her newest body of work.
Behind the Art
Michael Craig-Martin: Ordinariness
Join Michael Craig-Martin at his London studio as he speaks about his working methods, his interest in the ordinary, and his abiding concern for the sculptural.
Nathaniel Mary Quinn
Anderson Cooper spoke with the artist at his Brooklyn studio about his childhood and the visionary nature of his art.
On the occasion of the exhibition Pittura/Panorama: Paintings by Helen Frankenthaler, 1952–1992, at the Museo di Palazzo Grimani in Venice, Italy, art historians John Elderfield and Pepe Karmel discuss the concept of the panorama in relation to the artist’s work. Their conversation traces developments in Frankenthaler’s approach to composition, the boundaries and conventions of abstraction, and how, in many ways, her career continually challenged established theories of art history.
The River Café Cookbook
London’s River Café, a culinary mecca perched on a bend in the River Thames, celebrated its thirtieth anniversary in 2018. To celebrate this milestone and the publication of her cookbook River Café London, cofounder Ruth Rogers sat down with Derek Blasberg to discuss the famed restaurant’s allure.