Edmund de Waal: cold mountain clay, Gagosian, Hong Kong, November 20, 2020–January 9, 2021
Artwork © Edmund de Waal; video: Pushpin Films; footage: Emile Kelly and Nick Foxall
December 9, 2020
Edmund de Waal: cold mountain clay, Gagosian, Hong Kong, November 20, 2020–January 9, 2021
Artwork © Edmund de Waal; video: Pushpin Films; footage: Emile Kelly and Nick Foxall
Join the artist in his ceramics studio as he describes the impetus behind his exhibition in London and the importance of touch in the creation of these new works.
Edmund de Waal speaks with Alison McDonald about the components of psalm, his two-part project in Venice. He details the influences behind the exhibition and reveals some of his hopes for the project.
Bobbie Sheng explores the symbiotic relationship between the poet and visual artists of his time and tracks the enduring influence of his poetry on artists working today.
James Lawrence explores how contemporary artists have grappled with the subject of the library.
Sally Mann joins Edmund de Waal onstage at the Frick Collection in New York to converse about art, writing, and the importance of place in their respective bodies of work.
At the FT Weekend Festival 2019 in London, Edmund de Waal sat down for a conversation with Financial Times arts editor Jan Dalley. They spoke about the relationship between words and sculpture in his practice, and about two recent projects: the two-part exhibition psalm, in Venice, and Elective Affinities, at the Frick Collection, New York.
The artist speaks about his two-part exhibition psalm, presented in Venice. He describes its connection to the history of the city and to notions of exile, and the profound cultural wealth that comes from migration.
The Summer 2019 issue of Gagosian Quarterly is now available, featuring a detail from Afrylic by Ellen Gallagher on its cover.
Edmund de Waal speaks with the composer Simon Fisher Turner about their collaboration on the exhibition –one way or other– at the Schindler House in West Hollywood, California.
Edmund de Waal reflects on memory, sound, and the presence of poetry in a new body of work on view at Gagosian, San Francisco.
Edmund de Waal discusses his exhibition –one way or other– at the Schindler House in West Hollywood, CA.
Edmund de Waal considers Ibiza, Walter Benjamin, and the “aura of things” in a text entitled white island, written to accompany his first exhibition in Spain at the Museu d’Art Contemporani d’Eivissa, Ibiza.